Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.
Out of Stock
If ordered we
expect to ship within:
Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Aum Fidelity
Catalog ID: AUM 046CD
Squidco Product Code: 9869
Packaging: Jewel Tray
Recorded live June 20, 2007 at Vision Festival XII by Stefan Heger. Mixed and mastered by Nick Lloyd on January 9 & 10, 2008at Firehouse 12, New Haven, CT
Taylor Ho Bynum-cornet/flugelhorn
Dick Griffin-tenor trombone
Steve Swell-tenor trombone
Will Connell-bass clarinet
Michel Côté-Bb contrabass clarinet
Andrew Raffo Dewar-soprano saxophone
John Hagen-tenor & baritone saxophones
JD Parran-bass saxophone, bamboo flute
Jackson Krall-drums & percussion
Warren Smith-vibraphone, tympani & drums
Highlight an artist name or instrument above
and click here to Search
1. Prelude 3:07
2. Intrados 3:58
3. In Search Of A Sound 4:15
4. Contour One 1:44
5. Contour Two 0:10
6. Scattering Of The Following 7:01
7. Darfur 5:27
8. Contour Three 3:14
9. Sinopia 23:37
10. Pentimento I 0:43
11. Pentimento II 0:17
12. Pentimento III 0:22
13. Pentimento IV 2:42
Related Categories of Interest:
sample the album:
"Among all else of great note that shall happen in music this year, 2008 marks the magnificent return to record of the legendary Bill Dixon: composer, trumpeter, teacher and all-around musical force. His contributions to the body of great Black American Music first began in the 1960s: as a producer for Savoy Records; producing the groundbreaking October Revolution concert series in NYC 1964; as architect of the Jazz Composers Guild. In the late 60s he left 'the scene' but continued leaving an indelible mark on the music by devoting himself to teaching from 1968 onward, creating the Black Music Division at Bennington College, VT in 1973.
While he has never stopped composing (prolifically at that), and produced a series of small ensemble recordings from the 70s - 90s, his work for expanded, orchestral ensemble has gone unrecorded and/or unreleased since his momentous album Intents And Purposes (RCA, 1967). Bill Dixon with Exploding Star Orchestra, a well-received collaboration with Rob Mazurek (Exploding Star Orchestra) was released by Thrill Jockey in February. And now, this album -- a tour de force of orchestral composition, conduction and improvisational exploration -- fully composed by Bill Dixon and performed with The Bill Dixon Orchestra. 17 Musicians in Search of a Sound: Darfur was specially commissioned by Arts for Art, Inc. (producers of the Vision Festival). It is one of three such commissions which made their concert debuts at Vision Festival XII in 2007. Roy Campbell's Akhenaten Suite was the first released (in March) and the next shall be William Parker's orchestral work Double Sunrise Over Neptune (due in August)."-AUM Fidelity
• Show Bio for Taylor Ho Bynum
"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.
His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."-Taylor Ho Bynum website (http://taylorhobynum.com/)
^ Hide Bio for Taylor Ho Bynum
• Show Bio for Steve Swell
"Born in Newark, NJ, Steve Swell has been an active member of the NYC music community since 1975. He has toured and recorded with many artists from mainstreamers such as Lionel Hampton and Buddy Rich to so called outsiders as Anthony Braxton, Bill Dixon, Cecil Taylor and William Parker. He has over 40 CDs as a leader or co-leader and is a featured artists on more than 100 other releases. He runs workshops around the world and is a teaching artist in the NYC public school system focusing on special needs children.
Swell has worked on music transcriptions of the Bosavi tribe of New Guinea for MacArthur fellow, Steve Feld in 2000. His CD, "Suite For Players, Listeners and Other Dreamers" (CIMP) ranked number 2 in the 2004 Cadence Readers Poll. He has also received grants from USArtists International in 2006, MCAF (LMCC) awards in 2008 and 2013 and has been commissioned twice on the Interpretations Series at Merkin Hall in 2006 and at Roulette in 2012.
Steve was nominated for Trombonist of the Year 2008 & 2011 by the Jazz Journalists Association, was selected Trombonist of the Year 2008-2010 , 2012 and 2014-2015 by the magazine El Intruso of Argentina and received the 2008 Jubilation Foundation Fellowship Award of the Tides Foundation. Steve has also been selected by the Downbeat Critics Poll in the Trombone category each year from 2010-2016.
Steve is presently a teaching artist through the American Composers Orchestra, Healing Arts Initiative , Mind-Builders Creative Arts Center (Bronx), the Jazz Foundation of America and Leman Manhattan Preparatory School.
Steve was also awarded the 2014 Creative Curricula grant (LMCC) for the project: "Metamorphoses: Modern Mythology in Sound and Words" which was taught in a month long residency at Baruch College Campus High School in Manhattan."-Steve Swell Website (http://www.steveswell.com/SteveSwellBio.htm)
^ Hide Bio for Steve Swell
• Show Bio for Warren Smith
"Warren Smith (born May 14, 1934) is an American jazz drummer and percussionist, known as a contributor to Max Roach's M'boom ensemble and leader of the Composer's Workshop Ensemble (Strata-East).
Smith was born May 14, 1934 in Chicago, Illinois to a musical family. His father played saxophone and clarinet with Noble Sissle and Jimmie Noone, and his mother was a harpist and pianist. At the age of four he studied studied clarinet with his father. He graduated from the University of Illinois in 1957, then received a master's degree in percussion from the Manhattan School of Music in 1958.
One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957. He found work in Broadway pit bands in 1958, and also played with Gil Evans that year. In 1961 he co-founded the Composers Workshop Ensemble. In the 1960s Smith accompanied Aretha Franklin, Nina Simone, Lloyd Price, and Nat King Cole; he worked with Sam Rivers from 1964Ð76 and with Gil Evans again from 1968 to 1976. In 1969 he played with Janis Joplin and in 1971 with King Curtis and Tony Williams. He was also a founding member of Max Roach's percussion ensemble, M'Boom, in 1970.
In the 1970s and 1980s Smith had a loft called Studio Wis which acted as a performing and recording space for many young New York jazz musicians, such as Wadada Leo Smith and Oliver Lake. Through the 1970s Smith played with Andrew White, Julius Hemphill, Muhal Richard Abrams, Nancy Wilson, Quincy Jones, Count Basie, and Carmen McRae. Other credits include extensive work with rock and pop musicians and time spent with Anthony Braxton, Charles Mingus, Henry Threadgill, Van Morrison, and Joe Zawinul. He continued to work on Broadway into the 1990s, and has performed with a number of classical ensembles.
Smith taught in the New York City public school system from 1958 to 1968, at Third Street Settlement from 1960 to 1967, at Adelphi University in 1970Ð1, and at SUNY-Old Westbury from 1971."-Wikipedia (https://en.wikipedia.org/wiki/Warren_Smith_(jazz_percussionist))
^ Hide Bio for Warren Smith
Search for other titles on the Aum Fidelity label.