Paal Nilssen-Love with Lasse Marhaug, recorded and edited by Fe-mail/Spunk Hild Sofie Tafjord to create 6 fascinating free-form compositions of sound and texture.
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Catalog ID: PNL01
Squidco Product Code: 9810
Packaging: Cardstock Gatefold Sleeve
Recorded at Spunk Studio, Oslo, Norway, on August 31 and September 1, 2004 by Hild Sofie Tafjord.
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• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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1. Paranoia Agent 3:14
2. Satanico Pandemonium 11:49
3. The Last Exile 5:28
4. Tenebrae 8:42
5. The Lodger 3:45
6. I Will Walk Like A Crazy Horse 5:06
sample the album:
"Marhaug and drummer/percussionist Paal Nilssen Love have worked together in Vandermark's groups, as well as being co-producers of the annual All Ears improvised music festival in Oslo. Their first recorded duet, Personal Hygiene (Utech, 2005), captured their live duet at the Nu-Music festival in Stavanger and featured their shared affinity for thunderous and far out sonic territories. This latest release, the first on Nilssen-Love's new label, was recorded, mixed and mastered by Hild Sofie Tafjord from the all-women, electro-improv outfits Spunk and Fe-mail, who also added her own contributions to Marhaug/Nilssen-Love's original sound sources.
Tafjord uses Nilssen-Love's drum kit (especially his unique take on cymbals) together with Marhaug's lap-top as sound feeds for a grander vision, rather than the finished story. She creates six, free-form, drone-based textures that shift and mutate almost organically, while she carefully cuts and pastes, overdubs and samples the original sounds. The first track, "Paranoia Agent," is as the title suggests a stormy, clashing meeting of assorted noises. But "Satanico Pandemonium" is surprisingly meditative in its gentle use of otherworldly sounds.
Nilssen-Love's vigorous drumming is prominent in "Tenebrae," along with Marhaug's industrial-drill noise and feedback. Tafjord combines these sounds into a thick, threatening, electronic stew. "The Lodger" offers a more spare sonic atmosphere, with abrupt variations of electronic and white noise. The closing track, the slow "I Will Walk Like A Crazy Horse," offers another fresh range of sonic possibilities, mutating metallic sounds into a relaxing cyclical mix. A really fascinating album."-Eyal Hareuveni, AAJ
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European Improv, Free Jazz & Related
Percussion & Drums
Organized Sound and Sample Based Music
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