Hard edged and incredibly skilled NY jazz players Wooley, Moritz, Filiano and Pride in their 2nd studio recording, mixed by Jamie Saft; great baby pig insert.
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Numbered and limited edition of 250
Label: KMB Jazz
Catalog ID: KMB014
Squidco Product Code: 9506
Packaging: Cardstock Gatefold Sleeve
Recorded April 14th, 2007 at Frank Booth, Brooklyn, NY, by Dan Stein. Mixed by Jamie Saft, May 2007
Jonathan Moritz-tenor saxophone
Mike Pride-drums, vibraphone
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1. Amhorrikkka 2:28
2. They Certainly Are Not Great Writers 6:18
3. 3am Sweedetown Bluff 6:31
4. Doin' It All For My Baby 6:26
5. Moore For Mom 8:26
6. Men More Ills 4:00
7. When We've All Rehearsed Our Sperarate Parts The Real Thing Will Happen 5:07
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Limited Editions & Out of Print
Staff Picks & Recommended Items
NY Downtown & Jazz/Improv
sample the album:
"Recorded with Jamie Saft at his Frank Booth Studios in April of this year and featuring original compositions from the group's two leaders, Jonathan Moritz and Mike Pride, Doin' It All For My Baby (the group's second disc following 2004's self-titled, self-released debut) showcases four of New York's most estimable musicians, jazz or otherwise playing music that drummer Pride has described as "ranging from introspective chamber-jazz to destruct/reduced post-jazz." Each of the group's members is known for having a broad sonic palette and this adventurous release makes use of all of their respective talents to a more-than-satisfying end."
Numbered and limited edition of 250
• Show Bio for Jonathan Moritz
"Saxophonist, composer and educator Jonathan Moritz was born in Teheran, Iran in 1977. At an early age he moved to Southern California with his multicultural family of Persian, Jewish, Belgian upbringing and was surrounded by weekly family gatherings rich in dancing and dombak drumming that filled the house with the joy of improvisation. He moved to Belgium, where his paternal family lives, to study at the Royal Conservatory of Brussels ('95-'98) focusing on solidifying an academic foundation of straight ahead jazz. Drawn back to the West Coast, Moritz finished his BFA in Jazz Performance at California Institute of the Arts ('98-2000), combining his knowledge of jazz academia with the creative spirit of the family jams. Here he collaborated with dancers on projects like Noisy Clothes where he met French designer Elodie Blanchard, who became his wife. Jonathan Moritz has lived in Brooklyn with Elodie Blanchard and their son Gaspard since 2000 and has been performing and working professionally throughout New York City since. As an educator he has led workshops on improvisation at the Oakwood High School in Los Angeles, the University of Michigan in Ann Arbor and ISIM at UCSD, has directed an instrumental music program at the Morris H. Weiss School for the past 10 years and graduated from Brooklyn College (â€˜07) with a Master Degree in Music Education. Since 2005, Jonathan and Elodie have curated one of New York's most intimate and welcoming performance spaces, the Prospect Series, a house concert featuring innovative improvisers, Persian stew, a diverse audience and French hospitality.
Jonathan has recorded with musicians among the likes of Eugene Chadbourne, Ben Gerstein, John McLellan, Sam Mickens, Eivind Opsvik, Mike Pride, Jason Stein, Nate Wooley and Jack Wright;He has toured Belgium, the West Coast, Northeast and Southern USA;Played at festivals: KMB Jazz, New Atlantis (Washington D.C.), Undead Jazz and Vision;And venues such as: Issue Project Room, Roulette and The Stone, Zebulon and Barbes.
His first trio album as a leader, Xanadu, was described as"remindful of the Sonny Rollins Village Vanguard Sessions - with just tenor saxophone, bass, and drums, but more pertinently in terms of Moritz's Rollinsesque sound and rhythmic and motivic improvisational development... even though their passionate and thoughtfully mannered music-making borders on the avant-guard, they still are well within the comfort zone of most serious-minded mainstream jazz listeners. Sure to make my top ten for the year." -Russel Arthur Roberts. L.A. Jazz Scene. His most recent release features a trio with bassist Shayna Dulberger and drummer/percussionist Mike Pride.
Jonathan Moritz's Secret Tempo concentrates on modernizing the roles with an artistic focus on harmony, indeterminate rhythms, extended technique and a deep exploration of sound. Loaded with cadenzas, fermatas, solo breaks, counter rhythms, and codas this album is often free sounding but is surprisingly, highly arranged."-Jonathan Moritz Website (http://www.jonathanmoritz.com/index.php/info/biography/)
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• Show Bio for Mike Pride
"Mike Pride: Percussionist • Composer • Vocalist • Visual Artist
Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently performs solo, leads modern-jazz quartet From Bacteria To Boys, the 7-drummer installation-band Drummer's Corpse, and the MDC piano trio I Hate Work. He also co-leads the ensembles Pulverize The Sound (w/ Peter Evans and Tim Dahl), and Period (w/ Charlie Looker and Chuck Bettis). Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents, appeared on more than 100 recordings, and is currently touring the world opening for comedian Amy Schumer with Jason Stein's Locksmith Isidore.
A short list of his collaborators includes Mick Barr, Tim Berne, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D'Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Charles Gayle, Milford Graves, Drew Gress, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Brad Jones, Haino Keiji, Kirk Knuffke, George Lewis, Frank Lowe, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Marc Ribot, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Craig Wedren, Nate Wooley, Otomo Yoshihide and John Zorn.
Pride's versatility doesn't end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games, podcasts, independent films, and websites, and an experienced and exhibited visual artist.
Mike proudly uses Yamaha Drums & hardware, Vic Firth striking implements, and Humes & Berg Cases."-Mike Pride Website (http://mikepride.com/about/)
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• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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• Show Bio for Ken Filiano
"Ken Filiano performs throughout the world, playing and recording with leading artists in jazz, spontaneous improvisation, classical, world/ethnic, and interdisciplinary performance, fusing the rich traditions of the double bass with his own seemingly limitless inventiveness. Ken's solo bass CD, subvenire (NineWinds), received widespread critical praise. For this and numerous other recordings, Ken has been called a creative virtuoso, a master of technique ... a paradigm of that type of artist... who can play anything in any context and make it work, simply because he puts the music first and leaves peripheral considerations behind.
Ken composes for his quartet with Michael Attias, Tony Malaby, and Michael T.A. Thomspon; a collective with Attias and Tomas Ulrich; and for his decades-long collaborations with Steve Adams and Vinny Golia. His prolific output also includes performances and/or recordings with artists including Bonnie Barnett, Rob Blakeslee, Bobby Bradford, Taylor Ho Bynum, Roy Campbell, John Carter, Nels Cline, Alex Cline, Connie Crothers, Mark Dresser, Ted Dunbar, Marty Ehrlich, Giora Feidman, Bob Feldman, Eddie Gale, Georgian Chamber Orchestra, Dennis Gonzalez, Lou Grassi, Phil Haynes, Fred Hess, Jason Hwang, Joseph Jarman, Sheila Jordan (with the Aardvark Orchestra), Raul Juarena, Joe Labarbera, Joelle Leandre, Frank London, Manhattan Chamber Orchestra, Tina Marsh, Warne Marsh, Dom Minasi, Hafez Modirzadeh, Butch Morris, Barre Phillips, Don Preston, Herb Robertson, Bob Rodriguez, Roswell Rudd, ROVA Saxophone Quartet, Ursel Schlicht, Paul Smoker, Chris Sullivan, Peeter Uuskyla, Fay Victor, Biggi Vinkeloe, Kenny Wessel, Andrea Wolper, Pablo Ziegler. With Tomas Ulrich, Elliott Sharp, and Carlos Zingaro, he is a member of T.E.C.K. String Quartet.
Ken has been a guest lecturer, performer, and workshop leader at institutions in the United States and Europe. He earned a MM from Rutgers University and is currently on faculty at Mansfield University."- All About Jazz-Pi Recordings / All About Jazz (https://pirecordings.com/artist/Ken_Filiano)
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