Dutch improviser van Heumen (N Collective, OfficeR, &c.) in a dynamic and shifting solo work of laptop electronics, noise textures, and text.
Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Creative Sources
Catalog ID: cs111
Squidco Product Code: 9480
Packaging: Jewel Tray
Recorded in the Netherlands
Robert van Heumen-electronics
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
1.-4. fury (after anger)
5. they would get angry sometimes
sample the album:
"'Fury' is the first real CD by Robert van Heumen, a name that may not ring an immediate bell (perhaps, who knows), but who is an active driving force in the Dutch improvised electronic music. He's active with such bands/collectives/projects as OfficeR, Skif++, RKS, Shackle and founding member of N Collective, if not organizing events for Steim in Amsterdam. His primary instrument is the laptop running software like LiSa (live sampling) and SuperCollider, sampling everyday sounds and making them sound like anything but everyday sounds.
On his debut CD he has two pieces. The four part work 'Fury (After Anger)' and 'They Would Get Angry Sometimes'. The first uses texts about 'Dust Bowl migrants living in Farm Security Administration camps in central California (1940-1941). Many Americans fled the Great Plains looking for work and a better economical and ecological environment". The texts however do not play a big part in the composition. There is a bit of guitar like sound to be spotted (self-played? taken from the original recordings), and a bit of text, but throughout the title piece is a racket of noise tumbling through the bits and bytes of the computer - but beware it's not noise in the traditional sense of the word. It's dynamic, ever changing, crackling, loud and soft, buzzing and hissing. Even without being able to understand the text, which doesn't seem to be absolutely necessary, this is a very nice piece, shifting back and forth between abstract sound and more melodic passages.
The second piece uses some similar sounds but is altogether a strict abstract piece of music of an even harsher quality type of noise. Vibrant music this is, great music - moving away from the delicate structures of microsound into the land of noise based textures. More Mego than micro. Great start!"-Frans de Waard (Vital)
Friends of Squid