NY alto saxophonist Lehman's 2nd Pi releases combines groove-oriented musical content with highly contrapuntal, asymmetrical, and non-repetitive structural devices.
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Label: Pi Recordings
Catalog ID: PI 25
Squidco Product Code: 9164
Steve Lehman-alto saxophone
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1. Analog Moment 4:05
2. Open Music 3:29
3. Haiku d'Etat Transcription 6:22
4. Curse Fraction 7:49
5. Check This Out 6:42
6. On Meaning 7:02
7. Great Plains of Algiers 2:42
8. Process 6:40
Related Categories of Interest:
NY Downtown & Jazz/Improv
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"Widely regarded as one of today's bracingly original young composers, Steve Lehman's critically acclaimed quintet, combines groove-oriented musical content with highly contrapuntal, asymmetrical, and non-repetitive structural devices. Imagining his music in this way, Lehman creates elaborate formal works that remain rooted in the physicality of live performance and the visceral nature of urban rhythm.
Each of On Meaning's eight compositions addresses the challenge of creating fresh environments for modern improvisers and advances a unique and meticulously crafted vision of compositional form, harmony, rhythm, and orchestration. "Analog Moment" and "Curse Fraction" focus on the nature of background/foreground binaries, while "On Meaning" and "Haiku d'Etat Transcription" use changing speeds and metric modulations (both temporary and permanent) to challenge the members of Lehman's quintet to draw from their individual resources in new ways. Other compositions, such as "Great Plains of Algiers", draws from Lehman's study of spectral harmony under Tristan Murail at Columbia University, while Open Music layers irrational rhythms and microtonal backgrounds in creating a richly imagined setting for Tyshawn Sorey's featured drum solo.
Throughout On Meaning, Lehman's cutting-edge compositional voice is brought to life by his remarkable quintet, featuring performer / improvisers who represent the absolute state-of-the-art on their respective instruments: Drew Gress on bass, Jonathan Finlayson on trumpet, Tyshawn Sorey on drums, and Chris Dingman on vibraphone. Lehman's own performance, on alto saxophone, bristles with the unique combination of explosiveness and precision that has been his trademark since he burst onto New York's creative music scene in 2004. Much like the abstract and darkly compelling compositions of On Meaning, Lehman's work as a saxophonist - combining a highly advanced harmonic language, microtonal playing, extended techniques, and a deeply rooted rhythmic sense - positions him, at 28, as one of the most significant voices to emerge in creative music in recent memory."-Pi Recordings
• Show Bio for Steve Lehman
"Described as "a state-of-the-art musical thinker" and a "dazzling saxophonist," by The New York Times, Steve Lehman (b. New York City, 1978) is a composer, performer, educator, and scholar who works across a broad spectrum of experimental musical idioms. Lehman's pieces for large orchestra and chamber ensembles have been performed by the International Contemporary Ensemble (ICE), So Percussion, Kammerensemble Neue Musik Berlin, the JACK Quartet, the PRISM Saxophone Quartet, and the Talea Ensemble. His recent recording, Mise en Abîme (Pi, 2014) was called the #1 Jazz Album of the year by NPR Music and The Los Angeles Times. And his previous recording, Travail, Transformation & Flow (Pi, 2009), was chosen as the #1 Jazz Album of the year by The New York Times.
The recipient of a 2015 Guggenheim Fellowship and a 2014 Doris Duke Artist Award, Lehman is an alto saxophonist who has performed and recorded nationally and internationally with his own ensembles and with those led by Anthony Braxton, Vijay Iyer, Jason Moran, Meshell Ndegeocello, and High Priest of Anti-Pop Consortium, among many others. His recent electro-acoustic music has focused on the development of computer-driven models for improvisation, based in the Max/MSP programming environment. Lehman's work has been favorably reviewed in Artforum, Downbeat Magazine, The New York Times, Newsweek, and The Wire, and on National Public Radio, the BBC, and SWR.
As a Fulbright scholar in France during the 2002-2003 academic year, Lehman began researching the reception of African-American experimental composers working in France during the 1970s. His article in the journal Critical Studies in Improvisation, "I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-1980," is based on his Fulbright research. More recently, Lehman has published writings and presented lectures on a wide range of topics, including jazz pedagogy, rhythm cognition, and European notions of American experimentalism. His current scholarship, including a forthcoming contribution to the Oxford Handbook of Spectral Music, examines the overlapping histories of spectral composition and jazz improvisation.
Lehman received his B.A. (2000) and M.A. in Composition (2002) from Wesleyan University where he studied under Anthony Braxton, Jay Hoggard, and Alvin Lucier, while concurrently working with Jackie McLean at the Hartt School of Music. He received his doctorate with distinction in Music Composition from Columbia University (2012), where his principal teachers included Tristan Murail and George Lewis.
Lehman has taught undergraduate courses at Wesleyan University, the Conservatoire National Supérieur de Musique de Paris, New School University, and Columbia University, and has presented lectures at Amherst College, UC Berkeley, The Berklee School of Music, The Banff Centre, The Royal Academy of Music in London, and IRCAM in Paris, where he was a 2011 research fellow.
Beginning in September 2016, Lehman will join the music faculty at The California Institute of the Arts."-Steve Lehman Website (http://www.stevelehman.com/bio)
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• Show Bio for Jonathan Finlayson
"Jonathan Finlayson has been recognized by the New York Times as "...an incisive and often surprising trumpeter," who is "...fascinated with composition." Born in 1982 in Berkeley, CA, Finlayson began playing the trumpet at the age of ten in the Oakland public school system. He came under the tutelage of Bay Area legend Robert Porter, a veteran trumpeter from the bebop era who took Finlayson under his wing; he was often seen accompanying Porter on his gigs about town and sitting in on the popular Sunday nights jam session at the Bird Cage. He subsequently attended the New School for Jazz and Contemporary Music where he studied with Eddie Henderson, Jimmy Owens and Cecil Bridgewater.
Finlayson is a disciple of the saxophonist/composer/conceptualist Steve Coleman, having joined his band Five Elements in 2000 at the age of 18. He is widely admired for his ability to tackle cutting-edge musical concepts with aplomb. Finlayson has performed and recorded in groups led by Steve Lehman, Mary Halvorson, Craig Taborn, Henry Threadgill and played alongside notables such as Von Freeman, Jason Moran, Dafnis Prieto and Vijay Iyer."-Jonathan Finlayson Website (http://jonathanfinlayson.com/biography.html)
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• Show Bio for Drew Gress
"Drew Gress (born November 20, 1959) is an American jazz double-bassist and composer born in Trenton, New Jersey, raised in the Philadelphia area, and currently based in New York City.
Gress became interested in jazz and the double bass while a teenager, joining the Pennsbury Concert Jazz Band, a nationally-prominent high school jazz ensemble, in 1975, spending two years as bassist and arranger for the group. His interest in composing original material for large ensembles, such as those of Johnny Richards, Billy May, and Pat Williams, led him to Baltimore's Towson State University in 1977, where he studied composition and counterpoint with Hank Levy, known for his work with Don Ellis and Stan Kenton. While at Towson, Gress established a playing relationship with saxophonist Ellery Eskelin, with whom he cofounded Joint Venture with Paul Smoker and Phil Haynes. They released three albums on Enja Records between 1987 and 1994.
During the 1980s in the Baltimore/Washington DC area, he played with Sonny Stitt, Clifford Jordan, Albert Dailey, Mose Allison, Zoot Sims, Cab Calloway, Buddy Hackett, Phyllis Diller, and pianist Marc Copland, with whom he still plays today. He also served on the faculties of the Peabody Conservatory, Towson State University, and the Baltimore School for the Arts. He formed a quartet, Tekke, in 1989 with David Kane, Glenn Cashman, and Michael Smith.
In 1997, he cofounded the cooperative improvising trio Paraphrase with saxophonist/composer Tim Berne and drummer Tom Rainey. Together, they pursued a compositional approach to free improvisational practice. They recorded three live albums together and toured extensively.
In 1998, he released his first album as leader, Heyday, with his band Jagged Sky (featuring David Binney, Ben Monder, and Kenny Wollesen). 2001 saw the release of Spin & Drift with Uri Caine, Berne, and Rainey, in which he played pedal steel guitar for the first time.
Earlier in the 1990s, he served tenures as artist in residence at University of Colorado-Boulder and at Russia's St. Petersburg Conservatory.
Since 1992, Gress has maintained an extensive touring schedule, traveling to Europe, Asia, and South America. Those with whom he has and continues to work include Tim Berne, Ravi Coltrane, Uri Caine, John Hollenbeck, Fred Hersch, Marc Copland, Don Byron, Steve Coleman, Dave Douglas, Jack DeJohnette, John Surman, Ray Anderson, Erik Friedlander, Kenny Werner, Bill Carrothers, Ralph Alessi, Tony Malaby, Steve Lehman, and Edsel Gomez. To date, he has appeared on over 140 recordings, 4 of which have received Grammy nominations.
Gress' own ensembles have toured Europe four times since 2002, in addition to isolated festival appearances in Italy and Portugal. In 2004, the UK's BBC Radio and London's Guardian selected his quartet's live radio broadcast as Jazz Concert of the Year.
Composition awards include an NEA grant (1990), funding from Meet the Composer (2003), a Chamber Music America New Works Grant (2005), a CMA French-American Exchange Grant (2007), and an Encore Grant from that same organization (2008). He continues to compose for larger groups and has begun experimenting with virtual synthesizers."-Wikipedia (https://en.wikipedia.org/wiki/Drew_Gress)
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• Show Bio for Tyshawn Sorey
"Tyshawn Sorey (born July 8, 1980 in Newark, New Jersey) is an American musician and composer who plays drum set, percussion, trombone and piano.
Since graduating from William Paterson University, Sorey has been a sought-after musician in many different musical idioms. He is both a performer and composer, and has had works reviewed in The Wire, The New York Times, The Village Voice, Modern Drummer and Down Beat. In August 2009, Sorey was given the opportunity to curate a month of performances at the Stone, a New York performance space owned by John Zorn. He was selected as an Other Minds 17 (2012).
Sorey recently completed a Master of Arts in composition at Wesleyan University in Middletown, Connecticut. In the fall of 2011, he began pursuing doctoral work in composition at Columbia University.
To date, Sorey has released four albums as a leader: That/Not (2007, Firehouse 12 Records), Koan (2009, 482 Music), Oblique (2011, Pi Recordings) and Alloy (2014, Pi Recordings). He has recorded or performed with musicians including Wadada Leo Smith, Steve Coleman, Anthony Braxton, John Zorn, Steve Lehman, Joey Baron, Muhal Richard Abrams, Pete Robbins, Vijay Iyer, Dave Douglas, Butch Morris and Sylvie Courvoisier, among many others."-Wikipedia (https://en.wikipedia.org/wiki/Tyshawn_Sorey)
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