Brooklyn-based Braxton alumni Siegel explores transition-less composition in a work for solo piano and one for ensemble including Matt Bauder and Jessica Pavone.
Siegel Ensemble, Aaron
Every Morning, A History
Released in: USA
"Brooklyn-based composer/percussionist Aaron Siegel, best known in improvising circles for his work with Anthony Braxton, releases his ensemble's first recording, Every Morning, a History. The recording features two compositions: A Diminished Thing (solo piano) and Every Morning, a History (mixed ensemble).
This debut album on Peacock Recordings features Siegel's exploration of transition-less composition. "From a compositional standpoint, transitions pose a troubling dilemma," explains Siegel. "They can be anticipated and are also radically sudden. I wanted to see how eliminating transitional material would affect the listening experience."
Siegel runs "the out-musical gamut, comfortable in contemporary freeish jazz or the most abstract experimental music around," (CityPaper). His most recent recording Memorize the Sky (2007), documents a collaboration with Zach Wallace and Matt Bauder. The Cabinet (2006), a solo percussion CD, was praised as an "exquisite set that has a meditative ease and grace," (The Wire). As a composer, the New York-based chamber ensemble Till By Turning commissioned and performed his Chalk Line (for piano, bassoon, violin, viola and cello). As a performer, he has shared the stage with Anthony Braxton, Fred-Lonberg-Holm, Scott Rosenberg, Jason Roebke, Nate Wooley, Chris Peck, Stephen Rush and Sean Meehan. He is a member of Memorize the Sky, The Anthony Braxton Sextet, White, Blue Yellow and Clouds, The Pavones and Assembly."-Peacock
• Show Bio for Leah Paul
"Leah began her music career in Brooklyn, NY in 2002 after studying flute performance at the University of Michigan.
As a flutist, Leah has played a vital role in NYC's new music and downtown scenes. She has been a longtime member of Matthew Welch's Blarvuster, recently performing his new opera Borges and the Other at Roulette, as well as playing on his Tzadik release Blarvuster. In 2010 Leah recorded with Anthony Braxton's Triilium E Orchestra as a soloist, the first-ever Braxton opera studio recording, Leah is also featured on his upcoming release of Trillium J recorded in the spring of 2014.Leah has also recorded and performed with countless bands and ensembles such as TV on the Radio, the Dirty Projectors, Milagres, Michael Leonhart, Aaron Seigel and City Center.
Leah's upcoming release 'We Will Do the Worrying' is being met with high praise from high places. We Will Do The Worrying is an extension of the rich chamber writing Leah has honed on her previous albums, this time bringing in lushly layered vocals, alluring string quartet arrangements and percussive elements to create vignettes of other-worldly landscapes and experiences. Leah's gift for weaving harmonically textural motifs, playful rhythmic counterpoint and sparse yet meaningful lyrics allow the ten pieces on this album to soar, sparking imaginative daydreams in the minds-eye of the listener.
Leah Paul's album Trenza is unlike any chamber music you've heard. Featuring genre-busting musicians such as Chris Speed and Sara Schoenbeck, every piece takes on an identity in the way your favorite rock song might, unraveling complex counterpoint and harmonic shifts at breakneck pace. Leah's work as a flutist with artists such as Anthony Braxton and the Dirty Projectors informs her compositions as they are simultaneously unexpected and catchy. California Quintet was written during her first year in Los Angeles after relocating from Brooklyn. Each of the six movements chronicles an exploration and shift in perspective that one experiences when completely changing one's surroundings. Steps to Stairs employs lower strings mixed with winds to create an ensemble that blossoms into full orchestral timbres while maintaining an intimate backdrop for sparse melodic textures to emerge. Trenza beautifully braids the nuances of classical, jazz and contemporary music into a singular voice and a joyful listening experience. This is Leah's second release on Brooklyn's Skirl Records.
Leah Paul's 2011 release of her works for quartet Bike Lane, on Brooklyn's Improvisation/new music label Skirl Records has been met with enthusiasm and praise. Bike Lane is a collection of composed music for flute, clarinet, bassoon and viola. The inspiration for this album is the ever-merging scenes of classical, improvised, and rock music that are unique to New York City. It is composed chamber music channeling pop structure, with an improvisational spirit and feel. Peter Margasak of eMusic says "...while operating like a sophisticated chamber ensemble, the quartet reveals a wonderfully fluid, graceful pop sensibility. There's nothing cheap or shallow about the music, but the themes lodge in the memory like radio hits."
Leah's earlier projects include the Bridesmaids, a chamber pop group which received acclaim from TimeOutNY, the Big Takeover and Venuszine.
Currently Leah is currently living in the Silverlake area of Los Angeles, in addition to her career as a composer and flutist, she is also an active teacher working for the Harmony Project of Los Angeles, YoungArts, as well as a guest lecturer at the Longy School of Music and a presenter at the Los Angeles Composer's Salon."-Leah Paul's Website (http://leahpaul.com/bio/)
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1. A Diminished Thing (solo piano)
2. Every Morning, a History (mixed ensemble)