Territory Band-6 With Fred Anderson
Collide (for Fred Anderson, Bruno Johnson, and Michael Orlove)
Live recordings from Chicago with Fred Anderson on sax, the 6th Territory Band release in a planned series of 12 from Chicago's Ken Vandermark's electro-acoustic jazz band.
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Catalog ID: OKKA 090CD
Squidco Product Code: 8759
Packaging: Jewel Tray
Recorded in concert by Bob Weston on August 24th, 2006, at Jay Pritsker Pavilion, Millennium Park, Chicago, as part of the series Made in Chicago: World Class Jazz.
Fred Anderson-tenor sax
Fredrik Ljungkvist-saxophones, clarinet
Ken Vandermark-tenor sax, Bb, bass clarinets
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1. Part 1 10:39
2. Part 2 9:49
3. Part 3 7:24
4. Part 4 11:13
5. Part 5 13:55
Related Categories of Interest:
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
Chicago Jazz & Improvisation
sample the album:
"The Territory Band is an international collection of musicians that was first organized by Ken Vandermark in the start of 2000 as a large ensemble investigation of composition and improvisation. Over the course of the group, Vandermark has tried to develop an electro-acoustic aesthetic that would be able to incorporate a broad range of ideas about composition and improvisation. Sources of inspiration have been derived from the history of improvised music established in the United States and Western Europe, and from strategies traceable to late 20th century composition. In addition, the architecture of the music has been directly affected by other areas of creative action- painting, film, photography, poetry, and dance. Vandermark has tried to design compositional frameworks that liberate and motivate the improvisers in the Territory Band rather than confine them through a rigid set of directives and overly complex material. It is also important to note that the predetermined components have been organized with this specific set of musicians in mind, no other group of individuals could perform with anywhere near the same results."-Ken Vandermark
At The Squid's Ear!
• Show Bio for Johannes Bauer
"Johannes "Hannes" Bauer (22 July 1954 - 6 May 2016) was a German trombonist of improvised music and free jazz. He was the brother of the trombonist Conny Bauer.
He was born in Halle. From 1979 onwards, he worked as a freelance musician in Berlin.
Among others, he worked with the following groups: the Manfred Schulze Wind Quintet, Doppelmoppel (with Conny Bauer, Uwe Kropinski, and Helmut "Joe" Sachse), Slawterhaus (with Jon Rose, Peter Hollinger, and Dietmar Diesner), Futch (with Thomas Lehn and Jon Rose), Ken Vandermark Territory Band, and the Peter Brötzmann Tentet.
Bauer died on 6 May 2016 at the age of 61."-Wikipedia (https://en.wikipedia.org/wiki/Hannes_Bauer)
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• Show Bio for Lasse Marhaug
"Lasse Marhaug (b. 1974) has since the early 1990s been one of the most active artists in the Norwegian noise/experimental music scene. As a performer and composer he has contributed to well over 300 CD, vinyl and cassette releases over the years, as well as extensive touring and performing live on all continents of the world. In addition to his solo work, Marhaug has collaborated with several artists in the fields of noise, experimental, improv, jazz, rock and extreme metal, as well as working with music and sound for theatre, dance, installations, film and video. In the mid-90s Marhaug started TWR Tapes (still going) and Jazzassin Records (ended 2001). In the 2000s he started the record labels Pica Disk and Prisma Records. In 2011 he started his own print publishing called Marhaug Forlag. He has also been active as an organizer, promoter and producer. Marhaug was born in the northern regions above the arctic circle of Norway, but currently lives in Oslo."-Lasse Marhaug Website (http://lassemarhaug.no/biography/)
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• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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• Show Bio for Jim Baker
"Jim Baker was born in Chicago a number of years ago and has been playing in and around Chicago and elsewhere in the world for a few decades, mostly on piano and analog synthesizer; mostly in improvisational contexts; in situations involving, amongst others, Fred Anderson, Ken Vandermark, Michael Zerang, Mars Williams, Brian Sandstrom, Steve Hunt, Edward WIlkerson Jr, David Boykin, Rob Mazurek, Guillermo Gregorio, Nicole Mitchell, Vincent Davis, the Thing XXL, Tortoise, Dave Rempis, Fred Lonberg-Holm, Paul Hartsaw, Janet Bean, Damon Short, and numerous others.
For a number of years, Mr Baker was the house pianist at the weekly jam sessions at Fred Anderson's Velvet Lounge; and for most of the past decade, has played weekly with the improvising quartet Extraordinary Popular Delusions (the other three Delusions: Messrs. Williams, Sandstrom, & Hunt) , who currently play nearly every monday night at Beat Kitchen in Chicago."-Milk Factory Productions (http://www.milkfactoryproductions.com/Jim_Baker.html)
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• Show Bio for Dave Rempis
"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.
In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.
Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.
During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.
Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.
Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."-Dave Rempis Website (http://daverempis.com/bio/)
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• Show Bio for Ken Vandermark
"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
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