Intricate and sardonic covers from Doc Chad's studio (+ one live track) aided with vocals from daughter Lizzie and new instruments including the Greek baclamel.
Catalog ID: 2007-C
Squidco Product Code: 8691
Packaging: CDR in a cardboard sleeve with Dr. Chad's unique packaging
Eugene Chadbourne-guitars, banjo, baclamel, bajo, sexto, organ, harmonica, percussion, toy instruments
Molly and Lizzie Chadbourne-vocals
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Cowboy Girl + Condoleeza
Saddam Me ^ Hello in There
Time After Time ❖ Jackson
Some Velvet Morning % We Don't Need the Men
Piss Up a Rope + White Wedding
She Fainted at Bonaroo ^ Danger!
Snow (Hey Oh) ❖ Feel Good Musik 4 Fucked
Related Categories of Interest:
Rock and Related
Song Based Music
Staff Picks & Recommended Items
sample the album:
"All new studio album (okay, one live track...) from the new studio set up at home and featuring the whimsical, sardonic and over the top vocal talents of both Lizzie and Chadbourne in a program that turns the hit parade upside down, only to find Nancy Sinatra still busy having sex with the ghost of Johnny Cash, or is that a man dressed as Cyndi Lauper? Some of the most intricate Doc Chad studio efforts to date, featuring new instrumental apertures such as the bajo sexto, an organ, the Greek baclamel and of course lots of banjo and guitar. "-Chad
At The Squid's Ear!
• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
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• Show Bio for Marianne Schroeder
"Marianne Schroeder (born 1949) is a Swiss pianist and composer. She studied with Giacinto Scelsi. She played at Carnegie Hall, Lucerne Festival and Théâtre des Champs-Élysées. She worked with John Cage and Shigeru Kan-no.
She is a member of the Groupe Lacroix and as such is specialized in contemporary classical music. As a member of the Groupe Lacroix she has worked with international musicians, such as the Ensemble Sortisatio."-Wikipedia (https://en.wikipedia.org/wiki/Marianne_Schroeder)
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• Show Bio for Johannes Bauer
"Johannes "Hannes" Bauer (22 July 1954 - 6 May 2016) was a German trombonist of improvised music and free jazz. He was the brother of the trombonist Conny Bauer.
He was born in Halle. From 1979 onwards, he worked as a freelance musician in Berlin.
Among others, he worked with the following groups: the Manfred Schulze Wind Quintet, Doppelmoppel (with Conny Bauer, Uwe Kropinski, and Helmut "Joe" Sachse), Slawterhaus (with Jon Rose, Peter Hollinger, and Dietmar Diesner), Futch (with Thomas Lehn and Jon Rose), Ken Vandermark Territory Band, and the Peter Brötzmann Tentet.
Bauer died on 6 May 2016 at the age of 61."-Wikipedia (https://en.wikipedia.org/wiki/Hannes_Bauer)
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