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Braxton, Anthony

9 Compositions (Iridium) 2006 [DVD]

Braxton, Anthony: 9 Compositions (Iridium) 2006 [DVD] (Firehouse 12 Records)

Braxton's 9 Compositions (Iridium) 2006 is a nine-CD-plus-one-DVD box set documenting what Time Out New York called "last Spring's epochal run" at New York's Iridium Jazz Club with his 12+1tet.
 

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Note: Sorry, 1 sealed copy only, first come first served...

Label: Firehouse 12 Records
Catalog ID: FH12-04-03-001
Squidco Product Code: 8432

Format: 9 CDs + 1 DVD
Condition: New
Released: 2007
Country: USA
Packaging: 9 CDs and 1 DVD Box Set
Recorded live March 16-19, 2006 at Iridium Jazz Club, NYC.


Personnel:

Mary Halvorson-electric guitar

Nicole Mitchell-flute, alto and bass flutes, piccolo, voice

Sara Schoenbeck-bassoon, suona

Reut Regev-trombone, flugelbone

Carl Testa-acoustic bass, bass clarinet

Anthony Braxton-alto, soprano, and sopranino saxophones, clarinet, Eb contralto clarinet

James Fei-alto and soprano saxophones, clarinet, bass clarinet

Andrew Raffo Dewar-soprano and c-melody saxophones, clarinet

Jay Rozen-tuba, euphonium

Stephen H. Lehman-alto and sopranino saxophones

Jessica Pavone-viola, violin

Aaron Siegel-percussion, vibraphone

Taylor Ho Bynum-cornet, flugelhorn, trumpbone, piccolo and bass trumpets, shell

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track listing:


DISC 1 70:10

1 Composition No. 350 - Part 1 12:57

2 Composition No. 350 - Part 2 15:30

3 Composition No. 350 - Part 3 17:14

4 Composition No. 350 - Part 4 09:48

5 Composition No. 350 - Part 5 14:38



DISC 2 69:27

1 Composition No. 351 - Part 1 11:29

2 Composition No. 351 - Part 2 17:15

3 Composition No. 351 - Part 3 17:45

4 Composition No. 351 - Part 4 22:56



DISC 3 67:36

1 Composition No. 352 - Part 1 17:17

2 Composition No. 352 - Part 2 12:17

3 Composition No. 352 - Part 3 22:38

4 Composition No. 352 - Part 4 15:23



DISC 4 63:59

1 Composition No. 353 - Part 1 13:54

2 Composition No. 353 - Part 2 14:25

3 Composition No. 353 - Part 3 14:26

4 Composition No. 353 - Part 4 21:11



DISC 5 62:50

1 Composition No. 354 - Part 1 11:10

2 Composition No. 354 - Part 2 18:56

3 Composition No. 354 - Part 3 14:47

4 Composition No. 354 - Part 4 17:55



DISC 6 63:51

1 Composition No. 355 - Part 1 11:51

2 Composition No. 355 - Part 2 17:57

3 Composition No. 355 - Part 3 16:47

4 Composition No. 355 - Part 4 17:15



DISC 7 59:52

1 Composition No. 356 - Part 1 17:43

2 Composition No. 356 - Part 2 18:24

3 Composition No. 356 - Part 3 23:45



DISC 8 63:16

1 Composition No. 357 - Part 1 16:57

2 Composition No. 357 - Part 2 16:43

3 Composition No. 357 - Part 3 12:15

4 Composition No. 357 - Part 4 17:19



DISC 9 61:46

1 Composition No. 358 - Part 1 14:13

2 Composition No. 358 - Part 2 21:07

3 Composition No. 358 - Part 3 26:26




Related Categories of Interest:

Anthony Braxton
DVD
Improvised Music
Jazz
Box Sets
June 2007

descriptions, reviews, &c.

"Anthony Braxton's 9 Compositions (Iridium) 200 6 is a nine-CD-plus-one-DVD box set documenting what Time Out New York called "last Spring's epochal run" at New York's Iridium Jazz Club with his 12+1tet. Described by Braxton as "THE point of definition in my work thus far," these concerts featured the world premieres of Compositions 350 through 358, the final works in his Ghost Trance Music series, recorded over the course of this rare four-night stand on an American stage. Included with the music is a Braxton documentary, interspersed with live concert footage, and an extensive collection of essays, commentary and biographical information."-Firehouse 12


Note: Sorry, 1 sealed copy only, first come first served...


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Artist Biographies:

"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."

After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.

As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."

-Mary Halvorson Website (http://www.maryhalvorson.com/bio/)
9/18/2017

"Nicole Mitchell (b. 1967) is a creative flutist, composer, bandleader and educator. As the founder of Black Earth Ensemble, Black Earth Strings, Ice Crystal and Sonic Projections, Mitchell has been repeatedly awarded by DownBeat Critics Poll and the Jazz Journalists Association as "Top Flutist of the Year" for the last four years (2010-2014). Mitchell's music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop and African percussion through albums such as Black Unstoppable (Delmark, 2007), Awakening (Delmark, 2011), and Xenogenesis Suite: A Tribute to Octavia Butler (Firehouse 12, 2008), which received commissioning support from Chamber Music America's New Jazz Works.

Mitchell formerly served as the first woman president of Chicago's Association for the Advancement of Creative Musicians (AACM), and has been a member since 1995. In recognition of her impact within the Chicago music and arts education communities, she was named "Chicagoan of the Year" in 2006 by the Chicago Tribune. With her ensembles, as a featured flutist and composer, Mitchell has been a highlight at festivals and art venues throughout Europe, the U.S. and Canada.

Ms. Mitchell is a recipient of the prestigious Alpert Award in the Arts (2011) and has been commissioned by Chicago's Museum of Contemporary Art, the Ravinia Festival, the Chicago Jazz Festival, International Contemporary Ensemble (ICE), the Chicago Sinfonietta Orchestra and Maggio Fiorentino Chamber Orchestra (Florence, Italy). In 2009, she created Honoring Grace: Michelle Obama for the Jazz Institute of Chicago. She has been a faculty member at the Vancouver Creative Music Institute, the Sherwood Flute Institute, Banff International Jazz Workshop and the University of Illinois, Chicago. Her work has been featured on National Public Radio, and in magazines including Ebony, Downbeat, JazzIz, Jazz Times, Jazz Wise, and American Legacy.

Nicole MItchell is currently a Professor of Music, teaching in "Integrated Composition, Improvisation and Technology," (ICIT) a new and expansively-minded graduate program at the University of California, Irvine. In November 2014, ICIT was approved for the unleashing of a new MA/PhD program, which will be offered starting fall 2015. Mitchell's recent composition, Flight for Freedom for Creative Flute and Orchestra, a Tribute to Harriet Tubman, premiered with the Chicago Composers' Orchestra in December 2011 and was presented again with CCO in May 2014. She was also commisisoned by Chicago Sinfonietta for Harambee: Road to Victory, for Solo Flute, Choir and Orchestra in January 2012. Her latest commission was from the French Ministry of Culture and the Royaumont Foundation in October 2014, which supported the development and French tour of Beyond Black - a collaboration with kora master Ballake Sissoko, Black Earth Ensemble and friends. Currently Mitchell is preparing her next commission supported by the French American Jazz Exchange, entitled Moments of Fatherhood, featuring Black Earth Ensemble and the Parisian chamber group L'Ensemble Laborintus, to premiere at the Sons d'hiver Jazz Festival in late January 2015.

Among the first class of Doris Duke Artists (2012), Mitchell works to raise respect and integrity for the improvised flute, to contribute her innovative voice to the jazz legacy, and to continue the bold and exciting directions that the AACM has charted for decades. With contemporary ensembles of varying instrumentation and size (from solo to orchestra), Mitchell's mission is to celebrate the power of endless possibility by "creating visionary worlds through music that bridge the familiar and the unknown." She is endorsed by Powell flutes."

-Nicole Mitchell Website (http://nicolemitchell.com/)
9/18/2017

"Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her "riveting, mixing textural experiments with a big, confident sound."

Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton's 12+1(tet) and Vinny Golia's Large Ensemble. Sara also recorded for various sound and film projects including the Matrix 2 and 3 and Spanglish.

Sara now calls Brooklyn home and performs regularly with Petr Kotek's SEM ensemble, the composers group WetInk, Wordless Music Orchestra, LPR, Anthony Braxton's Tri-Centric Orchestra, Gravitas, Harris Eisenstadt's Golden State Quartet,the Lyrica Chamber Orchestra as well as performing with many other creative and inspiring musicians in the New York scene.

She has performed at major venues and festivals throughout North America and Europe, including Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, SXSW, New Orleans Jazz Festival, Berlin Jazz Festival, Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, Montreal Jazz Festival, Ottawa Jazz Festival, the Vancouver International Jazz Festival and the San Francisco Jazz Festival to name a few. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts."

-Sara Schoenbeck Website (http://saraschoenbeck.weebly.com/bio.html)
9/18/2017

[Anthony Braxton (born June 4, 1945) is an American composer and instrumentalist.]

"Genius is a rare commodity in any art form, but at the end of the 20th century it seemed all but non-existent in jazz, a music that had ceased looking ahead and begun swallowing its tail. If it seemed like the music had run out of ideas, it might be because Anthony Braxton covered just about every conceivable area of creativity during the course of his extraordinary career. The multi-reedist/composer might very well be jazz's last bona fide genius. Braxton began with jazz's essential rhythmic and textural elements, combining them with all manner of experimental compositional techniques, from graphic and non-specific notation to serialism and multimedia. Even at the peak of his renown in the mid- to late '70s, Braxton was a controversial figure amongst musicians and critics. His self-invented (yet heavily theoretical) approach to playing and composing jazz seemed to have as much in common with late 20th century classical music as it did jazz, and therefore alienated those who considered jazz at a full remove from European idioms. Although Braxton exhibited a genuine -- if highly idiosyncratic -- ability to play older forms (influenced especially by saxophonists Warne Marsh, John Coltrane, Paul Desmond, and Eric Dolphy), he was never really accepted by the jazz establishment, due to his manifest infatuation with the practices of such non-jazz artists as John Cage and Karlheinz Stockhausen. Many of the mainstream's most popular musicians (Wynton Marsalis among them) insisted that Braxton's music was not jazz at all. Whatever one calls it, however, there is no questioning the originality of his vision; Anthony Braxton created music of enormous sophistication and passion that was unlike anything else that had come before it. Braxton was able to fuse jazz's visceral components with contemporary classical music's formal and harmonic methods in an utterly unselfconscious -- and therefore convincing -- way. The best of his work is on a level with any art music of the late 20th century, jazz or classical.

Braxton began playing music as a teenager in Chicago, developing an early interest in both jazz and classical musics. He attended the Chicago School of Music from 1959-1963, then Roosevelt University, where he studied philosophy and composition. During this time, he became acquainted with many of his future collaborators, including saxophonists Joseph Jarman and Roscoe Mitchell. Braxton entered the service and played saxophone in an Army band; for a time he was stationed in Korea. Upon his discharge in 1966, he returned to Chicago where he joined the nascent Association for the Advancement of Creative Musicians (AACM). The next year, he formed an influential free jazz trio, the Creative Construction Company, with violinist Leroy Jenkins and trumpeter Leo Smith. In 1968, he recorded For Alto, the first-ever recording for solo saxophone. Braxton lived in Paris for a short while beginning in 1969, where he played with a rhythm section comprised of bassist Dave Holland, pianist Chick Corea, and drummer Barry Altschul. Called Circle, the group stayed together for about a year before disbanding (Holland and Altschul would continue to play in Braxton-led groups for the next several years). Braxton moved to New York in 1970. The '70s saw his star rise (in a manner of speaking); he recorded a number of ambitious albums for the major label Arista and performing in various contexts. Braxton maintained a quartet with Altschul, Holland, and a brass player (either trumpeter Kenny Wheeler or trombonist George Lewis) for most of the '70s. During the decade, he also performed with the Italian free improvisation group Musica Elettronica Viva, and guitarist Derek Bailey, as well as his colleagues in AACM. The '80s saw Braxton lose his major-label deal, yet he continued to record and issue albums on independent labels at a dizzying pace. He recorded a memorable series of duets with bop pioneer Max Roach, and made records of standards with pianists Tete Montoliu and Hank Jones. Braxton's steadiest vehicle in the '80s and '90s -- and what is often considered his best group -- was his quartet with pianist Marilyn Crispell, bassist Mark Dresser, and drummer Gerry Hemingway. In 1985, he began teaching at Mills College in California; he subsequently joined the music faculty at Wesleyan University in Connecticut, where he taught through the '90s. During that decade, he received a large grant from the MacArthur Foundation that allowed him to finance some large-scale projects he'd long envisioned, including an opera. At the beginning of the 21st century, Braxton was still a vital presence on the creative music scene."

-All Music, Chris Kelsey (http://www.allmusic.com/artist/anthony-braxton-mn0000924030/biography)
9/18/2017

"James Fei (b. Taipei, Taiwan) moved to the US in 1992 to study electrical engineering. He has since been active as a composer and performer on saxophones and live electronics. Works by Fei have been performed by the Bang on a Can All-Stars, Orchestra of the S.E.M. Ensemble, MATA Micro Orchestra and Noord-Hollands Philharmonisch Orkest. Recordings can be found on Leo Records, Improvised Music from Japan, CRI, Krabbesholm and Organized Sound. Compositions for Fei's own ensemble of four alto saxophones focus on physical processes of saliva, fatigue, reeds crippled by cuts and the threshold of audible sound production, while his sound installations and performance on live electronics often focus on electronic and acoustic feedback. Fei received the Grants for Artists Award from the Foundation for Contemporary Arts in 2014. Fei has taught at Mills College in Oakland since 2006, where he is Associate Professor of Electronic Arts. www.jamesfei.com

Works by Fei have been performed at Merkin Hall, The Kitchen, Knitting Factory, Tonic, Roulette, Experimental Intermedia, MATA Festival, Engine 27, The Stone, Issue Project Room (all New York), SFMoma, Empty Bottle (Chicago), Akedemie der Künste (Berlin), Beurs van Berlage (Amsterdam), Steim (Amsterdam), Overtoom 301 (Amsterdam), JFC Club (St Petersberg), Super Deluxe (Tokyo), Shinjuku Pit Inn (Tokyo), Osaka Arts-Aporia, Bridge (Osaka), and National Recital Hall (Taiwan). Fei has lectured at Columbia University, Wesleyan University,The Art Institute of Chicago, Taipei Normal University,Taipei National University of the Arts, San Francisco Conservatory of Music, Theremin Center (Moscow), Pro Arte (St. Petersberg), Krabbesholm (Denmark), IAMAS (Ogaki, Japan) and NUAS (Nogoya, Japan)."

-James Fei Website (http://www.jamesfei.com/bio.html)
9/18/2017

"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.

His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."

-Taylor Ho Bynum website (http://taylorhobynum.com/)
9/18/2017

Other Releases With These Artists:
Illegal Crowns (Halvorson / Fujiwara / Delbecq / Ho Bynum)
Illegal Crowns
(RogueArt)
Mitchell's, Nicole Black Earth Ensemble & Ensemble Laborintus
Moments Of Fatherhood
(RogueArt)
Dresser, Mark Seven (Mitchell / Ehrlich / Boroff / Dessen / White / Black)
Sedimental You
(Clean Feed)
Bruckmann, Kyle Degradient
Dear Everyone [2 CDs]
(Not Two)
Braxton, Anthony
Ensemble (Victoriaville) 1988
(Les Disques Victo)
Eisenstadt, Harris
Recent Developments
(Songlines)
Braxton, Anthony
3 Compositions Of New Jazz
(Delmark)
Tiger Trio (Leandre / Melford / Nicole Mitchell)
Unleashed
(RogueArt)
Dresser, Mark Seven (Mitchell / Ehrlich / Boroff / Dessen / White / Black)
Sedimental You
(Clean Feed)
Courvoisier, Sylvie / Mary Halvorson
Crop Circles
(Relative Pitch)
Braxton, Anthony
Quintet (Basel) 1977
(Hatology)
Paul, Leah
Trenza
(Skirl)
Braxton, Anthony / Miya Masaoka
Duo (Dcwm) 2013 [2 CDs]
(RogueArt)
Edelin's, Michel Flute Fever Orchestra with special guest Nicole Mitchell
Kalamania [2 CDs]
(RogueArt)
Sharp, Elliott Aggregat (Bynum / Greene II / Jones / Altschul)
Dialectrical
(Clean Feed)
Mitchell's, Nicole Black Earth Ensemble & Ensemble Laborintus
Moments Of Fatherhood
(RogueArt)
Braxton, Anthony
3 Compositions Of New Jazz [VINYL]
(Delmark)
Illegal Crowns (Halvorson / Fujiwara / Delbecq / Ho Bynum)
Illegal Crowns
(RogueArt)
Braxton, Anthony
Live At The Rainbow Gallery '79
(Hi Hat)
Braxton, Anthony
Trillium J [4 CDs + Blu Ray]
(Braxton House/Firehouse 12 Records)
Braxton, Anthony
Quintet (Tristano) 2014 [7 CDs]
(Braxton House/Firehouse 12 Records)
Braxton, Anthony
3 Compositions (EEMHM) 2011 [3 CDs]
(Braxton House/Firehouse 12 Records)
Halvorson, Mary
Meltframe
(Firehouse 12 Records)
Fujiwara, Tomas / Ben Goldberg / Mary Halvorson
The Out Louds
(Relative Pitch)
Bathysphere (with Bishop / Malaby / Ho Bynum / &c)
Bathysphere
(Driff Records)
Braxton, Anthony / Derek Bailey
First Duo Concert (London 1974)
(Emanem)
Convergence Quartet (Taylor Ho Bynum / Alexander Hawkins / Dominic Lash / Harris Eisenstadt)
Owl Jacket [VINYL]
(NoBusiness)
Eisenstadt, Harris (w/ Moore, Schoenbeck, Dresser)
Golden State II
(Songlines)
Braxton, Anthony / Quartet
(Santa Cruz) 1993 1st Set [REPRESS]
(Hatology)
Paul, Leah
Trenza
(Skirl)
Halvorson, Mary
Reverse Blue
(Relative Pitch)
Buckner, Thomas / Joelle Leandre / Nicole Mitchell
Flowing Stream
(Leo)
Mitchell's, Nicole Black Earth
Intergalactic Beings [VINYL 2 LPs]
(For Practically)
Mitchell, Nicole Sonic Projections (Mitchell / Taborn / Boykin / Taylor)
The Secret Escapades Of Velvet Andersen
(RogueArt)
Bynum, Taylor Ho
Navigation (Possibility Abstracts X & XI) [VINYL 2 LPs]
(Firehouse 12 Records)
Eisenstadt / Mitchell / Dresser / Schoenbeck
Golden State
(Songlines)
Mazurek, Rob Exploding Star Orchestra Featuring Roscoe Mitchell
Matter Anti-Matter, Sixty-Three Moons Of Jupiter & Electronic Works [2 CDs]
(RogueArt)
Cady, Jason
Happiness Is The Problem
(Lock Step Records)
Braxton, Anthony & Taylor Ho Bynum
Duo [DVD]
(New Braxton House)
Braxton, Anthony Steptet (with Ho Bynum / Halvorson / Pavone / Rozen / Siegel / Testa)
Echo Echo Mirror House
(Les Disques Victo)
Mazurek, Rob
Space Between [CD + DVD]
(Delmark)
Convergence Quartet, The
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(NoBusiness)
Halvorson, Mary / Kirk Knuffke / Matt Wilson
Sifter
(Relative Pitch)
Bynum, Taylor Ho / John Hebert / Gerald Cleaver
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(Relative Pitch)
Halvorson, Mary
Bending Bridges [2 VINYL LPs]
(Firehouse 12 Records)
Smith, Ches and These Arches (Smith / Berne / Malaby / Halvorson / Parkins)
Hammered
(Clean Feed)
Golia, Vinny Large Ensemble
Overview; 1996-2006 [CD + DVD]
(Nine Winds)
Mitchell, Roscoe & Nicole Mitchell's Black Earth Ensemble
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(RogueArt)
Petit, Didier - Alexandre Pierrepont
Passages - A Road Record: Woodstock - New York - Chicago - Los Angeles
(RogueArt)
Fournier / Mitchell / Taylor / Reid / Santacruz
Watershed
(RogueArt)
Halvorson / Evans / Walter
Mechanical Malfunction
(Thirsty Ear)
Morris, Joe
Perpetual Frontier The Properties of Free Music [BOOK]
(Riti Publishing)
Joy Mega
Forever is Something Inside You
(New Atlantis)
AYCH (Jim Hobbs, Mary Halvorson, Taylor Ho Bynum)
As The Crow Flies
(Relative Pitch)
Braxton, Anthony
Eight (+1) Tristano Compositions 1989 for Warne Marsh
(Hatology)
Braxton, Anthony
Trillium E
(New Braxton House)
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Apparent Distance
(Firehouse 12 Records)
Indigo Trio + Michel Edelin
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(RogueArt)
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Awakening
(Delmark)
Dixon, Bill
Envoi
(Les Disques Victo)
Leandre / Mitchell / Van Der Schyff
Before After
(RogueArt)
Braxton, Anthony
GTM (Outpost) 2003 [2 CDs]
(Leo)
Walter / Halvorson / Evans
Electric Fruit
(Thirsty Ear)
Exploding Star Orchestra
Stars Have Shapes
(Delmark)
Bynum, Taylor Ho Sextet
The Middle Picture
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Eisenstadt, Harris
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(NoBusiness)
Lane, Adam Full Throttle Orchestra
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(Clean Feed)
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(RogueArt)
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(Clean Feed)
Mitchell, Nicole Black Earth Ensemble's
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(TAIGA)
Larner, Brett
Itadakimasu - Improvised Duets 1994-2000
(Spool)
Braxton, Anthony & the AIMToronto Orchestra
Creative Orchestra (Guelph) 2007
(Spool)
Halvorson Trio, Mary
Dragon's Head
(Firehouse 12 Records)
Bynum, Taylor Ho & SpiderMonkey Strings
Madeleine Dreams
(Firehouse 12 Records)
Dixon, Bill
Tapestries for Small Orchestra
(Firehouse 12 Records)
Blake, Ran & Anthony Braxton
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(Hatology)
Braxton, Anthony
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(Hatology)
Mitchell, Roscoe
L-R-G/ The Maze/ S Ii Examples
(NESSA)
Indigo Trio (Mitchell / Drake / Bankhead)
Anaya
(RogueArt)
Halvorson / Radding / Wooley
Crackleknob
(Hatology)
Bynum, Taylor Ho Sextet
Asphalt Flowers Forking Paths
(Hatology)
Morris, Joe Bass Quartet
High Definition
(Hatology)
Eisenstadt, Harris
Guewel
(Clean Feed)
Braxton, Anthony / Morris, Joe
4 Improvisations (Duets) 2007
(Clean Feed)
Braxton, Anthony
12+1tet (Victoriaville) 2007
(Les Disques Victo)
Braxton, Anthony / Fonda, Joe
Duets 1995
(Clean Feed)
Wolf Eyes / Braxton, Anthony
Black Vomit
(Les Disques Victo)
Braxton, Anthony / Frith, Fred
Duo (Victoriaville) 2005
(Les Disques Victo)
Andel, Laura
Electric Percussive Orchestra - In::tension:.
(Rossbin)
Braxton, Anthony Sextet
(Victoriaville) 2005
(Les Disques Victo)
Smith, Wadada Leo / Braxton, Anthony
Saturn, Conjunct the Grand Canyon in a Sweet Embrace
(Pi Recordings)
Andel, Laura
Somnambulist
(Red Toucan)
Braxton, Anthony / Derek Bailey
Moment Precieux
(Les Disques Victo)
Braxton, Anthony Quartet
(Victoriaville) 1992
(Les Disques Victo)
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