Music for the 1971 film by Michael Grigsby and performed by the trio of Paul Rutherford (trombone), Derek Bailey (guitar) and Barry Guy (double bass), a fascinating and distinctive set, more restrained and gentle than their live performances from that time.
Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: 4066
Squidco Product Code: 8368
Country: Great Britain
Packaging: Jewel Case
Analog studio recording - London 1970 or 1971.
Highlight an artist name or instrument above
and click here to Search
1. Buzz Trio 1 10:37
2. Buzz Trio 2 2:02
3. Buzz Trio 3 3:58
4. Buzz Trio 4 5:16
5. Bass And Trombone 1:34
6. Trombone And Guitar 1:11
7. Guitar And Bass 1:59
8. Bass Solo 1 2:09
9. Trombone Solo 1 1:20
10. Guitar Solo 1 3:13
11. Buzz Trio 5 8:00
12. Bass Solo 2 3:47
13. Trombone Solo 2 2:07
14. Guitar Solo 2 4:04
15. Buzz Trio 6 6:36
16. Buzz Trio 7 3:10
17. Buzz Trio 8 5:55
18. Buzz Trio 9 4:50
19. Bass Solo 3 2:31
20. Trombone Solo 3 1:57
21. Guitar Solo 3 2:56
Related Categories of Interest:
London & UK Free Improvisation Scene
New in Improvised Music
EMANEM & psi
Soundtracks, Movie Scores, &c.
sample the album:
"In his liner notes, label owner Martin Davidson qualifies Buzz Soundtrack as a "long forgotten surprise" and warns the listener "this is not a typical Iskra 1903 session." Paul Rutherford, Derek Bailey, and Barry Guy formed their trio in 1970. They recorded this music for a film by Michael Grigsby that came out in 1971. The tapes, completely forgotten, were found at the turn of the century, cleaned up, and released by Emanem in early 2002.
The group indeed sounds different than on Chapter One (1970-1972), a lot more moody and introspective, with strains of jazz weaving in and out (Rutherford is clearly working out a theme in "Buzz Trio 4"). The resulting music actually feels very similar in spirit and context to another Emanem archival release, the Spontaneous Music Ensemble's Withdrawal soundtrack CD. Listeners find the same ghostly contours, the same desire to provide an atmosphere while setting the music on its own non-decorative course.
Gaps between pieces had to be set to a minimum interval to fit all the music on one CD, thus creating an artificial semi-seguing suite, but it works very well that way. Each of the 21 short tracks (only a couple go over six minutes) adds another hue to the soft palette. A recurring sequence of trios and bass, trombone, and guitar solos (always in that order) gives this album the scope of a full-fledged studio project. The sound quality is quite good considering the age of the tapes, making this a recommended CD [...]"-François Couture. Allmusic.com
Get additional information at All Music
• Show Bio for Derek Bailey
"Derek Bailey (29 January 1930 - 25 December 2005) was an English avant-garde guitarist and leading figure in the free improvisation movement.
Bailey was born in Sheffield, England. A third-generation musician, he began playing the guitar at the age of ten, initially studying music with his teacher and Sheffield City organist C. H. C. Biltcliffe, an experience that he did not enjoy, and guitar with his uncle George Wing and John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, dance hall bands, and so on, playing with many performers including Morecambe and Wise, Gracie Fields, Bob Monkhouse and Kathy Kirby, and on television programs such as Opportunity Knocks. Bailey's earliest foray into 'what could be called free improvised music' was in 1953 with two other guitarists in their shared flat in Glasgow. He was also part of a Sheffield-based trio founded in 1963 with Tony Oxley and Gavin Bryars called "Joseph Holbrooke" (named after the composer, whose work they never actually played). Although originally performing relatively "conventional" modal, harmonic jazz this group became increasingly free in direction.
Bailey moved to London in 1966, frequenting the Little Theatre Club run by drummer John Stevens. Here he met many other like-minded musicians, such as saxophonist Evan Parker, trumpet player Kenny Wheeler and double bass player Dave Holland. These players often collaborated under the umbrella name of the Spontaneous Music Ensemble, recording the seminal album Karyobin for Island Records in 1968. In this year Bailey also formed the Music Improvisation Company with Parker, percussionist Jamie Muir and Hugh Davies on homemade electronics, a project that continued until 1971. He was also a member of the Jazz Composer's Orchestra and Iskra 1903, a trio with double-bass player Barry Guy and tromboneist Paul Rutherford that was named after a newspaper published by the Russian revolutionary Vladimir Lenin.
In 1970, Bailey founded the record label Incus with Tony Oxley, Evan Parker and Michael Walters. It proved influential as the first musician-owned independent label in the UK. Oxley and Walters left early on; Parker and Bailey continued as co-directors until the mid-1980s, when friction between the men led to Parker's departure. Bailey continued the label with his partner Karen Brookman until his death in 2005.
Along with a number of other musicians, Bailey was a co-founder of Musics magazine in 1975. This was described as "an impromental experivisation arts magazine" and circulated through a network of like-minded record shops, arguably becoming one of the most significant jazz publications of the second half of the 1970s, and instrumental in the foundation of the London Musicians Collective.
1976 saw Bailey instigate Company, an ever-changing collection of like-minded improvisors, which at various times has included Anthony Braxton, Tristan Honsinger, Misha Mengelberg, Lol Coxhill, Fred Frith, Steve Beresford, Steve Lacy, Johnny Dyani, Leo Smith, Han Bennink, Eugene Chadbourne, Henry Kaiser, John Zorn, Buckethead and many others. Company Week, an annual week-long free improvisational festival organised by Bailey, ran until 1994.
In 1980, he wrote the book Improvisation: Its Nature and Practice. This was adapted by UK's Channel 4 into a four-part TV series in the early '90s, edited and narrated by Bailey.
Bailey died in London on Christmas Day, 2005. He had been suffering from motor neurone disease."-Wikipedia (https://en.wikipedia.org/wiki/Derek_Bailey_(guitarist))
^ Hide Bio for Derek Bailey
• Show Bio for Paul Rutherford
"Paul William Rutherford (29 February 1940 - 5 August 2007) was an English free improvising trombonist. Born in Greenwich, South East London, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama.
In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the 3-CD set Chapter One (Emanem, 2000). A film soundtrack was separately released as Buzz Soundtrack. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Russian word for "spark"; it was the title of the Iskra revolutionary newspaper edited by Lenin. The "1903" designation means "20th century music for trio"; occasionally Evan Parker played with the group (Iskra 1904) and Rutherford also at one point assembled a 12-piece ensemble called, inevitably, Iskra 1912. The group was later revived with Philipp Wachsmann replacing Bailey, a phase of the group's life that lasted from roughly 1977 to 1995; its earlier work is documented on Chapter Two (Emanem, 2006) and its final recordings were issued on Maya (Iskra 1903) and Emanem (Frankfurt 1991).
Rutherford also played with Globe Unity Orchestra, London Jazz Composer's Orchestra, Centipede, the Mike Westbrook Orchestra, and the Orckestra, a merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. He also played a very small number of gigs with Soft Machine. He is perhaps most famous for solo trombone improvisations. His album The Gentle Harm of the Bourgeoisie is a landmark recording in solo trombone and his 1983 Trio album Gheim, recorded at the Bracknell Jazz Festival is another acclaimed work.
Rutherford died of cirrhosis of the liver and a ruptured aorta on 5 August 2007, aged 67."-Wikipedia (https://en.wikipedia.org/wiki/Paul_Rutherford_(trombonist))
^ Hide Bio for Paul Rutherford
Search for other titles on the Emanem label.