The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2018, Squidco LLC


Casserley, Lawrence / Desorgher, Simon : Music From ColourDome (psi)


 

Price: $16.95


Quantity:

Out of Stock


Shipping Weight: 4.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 5030243070121

Label: psi
Catalog ID: 07.01
Squidco Product Code: 8235

Format: CD
Condition: New
Released: 2007
Country: Great Britain
Packaging: Jewel Tray

Personnel:

Lawrence Casserley-signal processing instrument

Simon Desorgher-flute & bass flute/ Evan Parker-soprano sax

David Stevens-computer processing

Philipp Wachsmann-violin

Click an artist name above to see in-stock items for that artist.

Highlight an instrument above
and click here to Search for albums with that instrument.

Artist Biographies:

"Lawrence Casserley (born UK, 1941) has devoted his professional career, as composer, conductor and performer, to real time electroacoustic music. In 1967 he became one of the first students of Electronic Music at the Royal College of Music, London, UK, on the new course taught by Tristram Cary. Later he became Professor-in-Charge of Studios and Adviser for Electroacoustic Music at the RCM, before taking early retirement in 1995.

He is best known for his work in free improvised music, particularly real-time processing of other musicians' sound, and he has devised a special computer processing instrument for this work (picture above). He has worked with many of the finest improvisers, particularly Evan Parker, with whom he works frequently as a duo partner, in various larger groupings and in the Evan Parker Electro-Acoustic Ensemble. He also works as a soloist, processing sounds from voice, percussion and home-made instruments. CDs have been released by ECM, Konnex, Leo Records, Psi, Sargasso and Touch.

Much of Casserley's work has involved collaboration with other art forms, including poets, eg Bob Cobbing, and visual artists, including Colourscape artist Peter Jones. He is a Director of the Colourscape Music Festivals, presenting contemporary music in the unique environment of the Colourscape walk-in sculpture. He also collaborates with Peter Jones on sound/light installations.

Casserley's "instrumental" approach to live computer sound processing is the hallmark of his work; the Signal Processing Instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds. This is the culmination of forty years of experience in the performance of live electronic work; his earliest live electronic pieces were performed in 1969, and he has performed many of the live electronic "classics" of the 20th century; he has also collaborated with other composers to realise their electronic performance ideas. He is noted for the breadth and variety of his collaborations, which cross styles and generations."

-Lawrence Casserley Website (http://www.lcasserley.co.uk/biography.shtml)
2/12/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Philipp Wachsmann. Born Uganda, 1944; violin, viola and electronics.

In the CD booklet to Gushwachs, John Corbett notes that Phillip Wachsmann came to free improvisation from a predominantly classical background, particularly via the contemporary experiments of "indeterminacy, graphic and prose-based scores, conceptualism and electroacoustics, listening to Webern, Partch, Ives, Berio and Varèse, reading 'Die Reihe' and interrogating the rhythmic, harmonic and melodic preoccupations of Western art music. Starting in 1969, Wachsmann was a member of Yggdrasil, an ensemble performing works by Cage, Cardew, Feldman, Ashley and others and in this group he used contact mikes on the violin and made his own electronic instruments, ring modulators and routing devices. Ironically, his studies with Nadia Boulanger in Paris (1969-1970) pushed him hard in the direction of free music. He recalls: 'Despite her neoclassical orientation, her insistence that composition is about the imagination of performance and its realisation, the live moment, and her stunning ability to make this happen was a powerful influence on me, steering towards 'performance' and therefore 'improvisation'.'"

Wachsmann moved from Yggdrasil to Chamberpot - recorded on Bead 2 - and shortly thereafter appeared on Tony Oxley's influential February papers, forward looking in the virtual 'industrial' orientation of some of the tracks, years before this became an accepted genre; the two musicians have continued to work together, in various groupings but notably in the percussionist's Celebration Orchestra. Philipp Wachsmann has also performed and/or recorded with: Derek Bailey's Company, e.g. on the recording Epiphanies; Georg Graewe; Barry Guy; Iskra 1903; King Übü Orchestrü; London Jazz Composers' Orchestra; Evan Parker, particularly as part of the Evan Parker Electronic Project; Quintet Moderne; Fred Van Hove's ML DD 4; Rüdiger Carl's COWWS (now CPWWS) Quintet; and Lines, with Martin Blume, Jim Denley, Axel Dörner and Marcio Mattos. He also plays as a solo musician.

Phillip Wachsmann also administers Bead Records."

-EFI: European Free Improv (http://www.efi.group.shef.ac.uk/mwachs.html)
2/12/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


Total time 61:01
descriptions, reviews, &c.

"Lawrence Casserley and Simon Desorgher have been performing in and around Peter Jones's inflatable structures since the early 80s, and as Directors of the Colourscape Music Festivals have invited many performers to work with them and create new performance possibilities in these intensely special environments. Evan Parker, Philipp Wachsmann and David Stevens are among them, and various combinations of these players have occurred in many contexts before; but it was in the ColourDome in Exeter in July 2006 that we first played together as a quintet. ColourDome is a vibrant and special atmosphere in which to work, and that day in Exeter was very hot; the intensity of the colour and the heat are embedded in these performances. Maybe that explains the intensely coloured music, and the way in which our individual sounds frequently melt into one!"-psi

Related Categories of Interest:

EMANEM & psi
Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
European Improv, Free Jazz & Related
Parker, Evan
May 2007
London & UK Improv & Related Scenes
Free Improvisation
Quartet Recordings
Friends of Squid


Other Releases With These Artists:
Recommended & Related Releases:

Search for other titles on the psi label.