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Mambo Mantis

Live at Goodbye Blue Monday Volume 1

Mambo Mantis: Live at Goodbye Blue Monday Volume 1 (W.O.O. Music)

Downtown New York sax and reedists Bonnie Kane and Blaise Siwula in the W.O.O. Presents Mambo Mambis quintet Live @ Goodbye Blue Monday, Volume 1.
 

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product information:


UPC: 786497017065

Label: W.O.O. Music
Catalog ID: 17
Squidco Product Code: 7976

Format: CDR
Condition: New
Released: 2006
Country: USA
Packaging: Jewel Tray
Recorded live at Goodbye Blue Monday, Bushwick, Brooklyn, NY.


Personnel:

Bonnie Kane-sax, flute, efx

Blaise Siwula-reeds

Ray Sage-drums

Jordon Schranz-bass

Shayna Dulberger-bass

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Quick Glance 10:23

2. Time and Place and Room 3:23

3. Point the Pattern 3:36

4. Breath When You Smile 2:14

5. The Funniest Thing 1:58

6. Round and Open 2:50

7. Twinkle of Culture 3:03

8. Some Distant Star 7:51

9. Perhaps a Second Mind 8:17

10. Breathing When You Laugh 1:21

11. A Thing Not Often Found 2:30
Related Categories of Interest:

Improvised Music
Jazz
NY Downtown & Jazz/Improv
November 2007
Quintet Recordings

descriptions, reviews, &c.

Downtown New York sax, flute and reedists Bonnie Kane and Blaise Siwula in the W.O.O. Presents Mambo Mambis quintet Live @ Goodbye Blue Monday, Volume 1.


Artist Biographies:

"Blaise Siwula. Born 02-19-1950 in Detroit, MI.

I have been involved with the arts for most of my life. I began studying the alto sax at the age of 14 in middle school and have been playing/ studying in varying capacities since.

After periodic explorations of drama, poetry, architecture, visual art, a B.F.A. and a M.F.A. and a stint in Europe, I arrived in NYC in 1989 with my family and an alto sax.In the past 26 years I have been actively involved with the NYC Improv Scene: Amica Bunker, the Improvisers Collective and most recently the C.O.M.A. series at ABC No-Rio since 1998.

As a composer I have incorporated traditional musical scoring techniques with visual/graphical and performance oriented presentations and a simple philosophy- sound and vision are inter-related in life and art resulting in communication.

As a performer I have been honored to perform in a number of states in the USA and Canada as well countries such as Great Britain, Holland, Switzerland, Germany, Romania, Poland, Croatia, Morocco, Japan, Hong Kong, Singapore, Thailand, The Philippines, Portugal, Mexico, Slovenia, Denmark, South Korea and Austria.

Although primarily an alto saxophonist I play a number of reed, flute, percussion and string instruments at varying degrees of competency per composition requirements and recently began including computer altered sound files in performance as background for improvisation.Currently my instruments of choice are:Alto, Tenor & Soprano SaxophonesBb Clarinet, Eb Alto Cl & Bb Bass Cl

This has resulted in my performing and collaborating with an extreme variety of types of improvised musicians including...

David Haney, Guitarist Sten Hostfalt Saulo Ferreira, Danny Martin, Paul LeGrande & Stuart King, Doug Walker's Alien PlanetscapesCecil Taylor's Ptonagas Microtone composer and guitaristJohn Gilbert William Hooker's Ensembles, Judy Dunaway's Balloon TrioRowe Siwula Miano Trio Dialing Privileges Trio w. Dom Minasi & John Bollinger BCJ Trio with Chris Welcome & John McCellan A + B2 with Robert Marsh Market Street Jazz w. Ken Simon, Hal Onserud, Karen Borca & Jackson Krall Dagaz Trio w. William Parker & Michael Evans BE Duet w. Evan Gallagher Tan Dun Katsuyuki Itakura - "Big Hearts" and now "New York Encuentro" Michael Khoury The Improvisors Collective (NYC), Glass Factory w. Donald Miller, Duet with Ravi Padmanabha, The B & B Duet w. Bob Meyer Erie Nites w. Robyn Siwula, HSM w. Gary Hassay & Toshi Makihara, Trio with Eyal Maoz & Dale Miller, The Jeff Platz Ensemble Joseph Scianni, Jeffrey Hayden Shurdut Music in the Foreground w. Ge-Suk Yeo, the Slam trio w. Adam Lane & Toshi Makihara, The Lower Eastside Social Club w. Matty Paris, Gregory Wildes, Christobal Jacques and Drew Gardner, Expositions of Freedom Now! w. Vattel Cherry & Jeff Arnal, MAMBO MANTIS w. Bonnie Kane, Chris Welcome & Ray Sage, Guitarist Carsten Radtke

I have been honored also to work with these musicians and composers - Peter Kowald, John Fischer, Perry Robinson, Newman Taylor Baker, John Voigt, Wilber Morris Clare De Brunner, Joseph Daly, Vincent Chancey, Christoph Irmer, Maria de Alvear, Theo Jorgesmann, Ralff Schussel, Hans Tammen, Killick, Phillip Lang, Tini Hagler, Michael Zerang, Fred Lomberg Holmes, Stan Nishimura, Nils Gerod, Jesse Henry, Louis Barnes, Mark Hennen, Rashid Bakar, Pelthead, Fly, Frank Keeley, Christian Begemann, Pieter Prije, Olaf Rupp, Harri Sjorstrom, Richard Keene, Tor Snyder, Bob Littman, Matt Weston, Eric Zinman, Glynnis Lomon, Tatsuya Nakatani, Dominic Duval, Jay Rosen, Heiner Metzger, Hans Schüttler, Likas Ligeti, Sarah Weaver, James Ilgenfritz, Motoko Shimizu, Ed Chang, Brian Osborne, Raoul Björkenheim, Sei Mguel, Fala Mariam, Margarida Garcia, Manuel Mota, Ernesto Rodrigues, Guilherme Rodrigues, Moe Staiano, Hill Greene, Joe McPhee, Daniel Carter, Christopher Forbes, Bern Nix, Paul Hession, Francois Grillot, Yuki Saga, Ryusaku Ikezawa, Jiro Shoda, Syd Smart, Mario Rechtern, Jacques Nobili, Hannes Schweiger, Hermann Stangassinger, John Edwards, Mick Beck, Paul Moore, Mike Fortune, Kit Demos, Gary Wallen, Django Carranza, Brian Groder, Jordon Schranz, Mike Pride, Alan Wilkinson

-Blaise Siwula Website (http://www.blaisesiwula.com/bio/)
8/16/2017

"Shayna Dulberger is a bassist currently living and working in New York City. Her work is mostly known in the creative and experimental jazz genre. Since 2007 she has regularly worked with Bill Cole performing in New York City and at Syracuse University. She has recorded and performed with artists such as: Ras Moshe, William Parker, Chris Welcome, Daniel Carter, Stars Like Fleas, Walter Wright, and many others. She has performed in many festivals and series such as XFest (Lowell, MA), Rhythm in the Kitchen, KMB Jazz Festival, CMJ, "Brooklyn Next" BAM Festival, the Vision Festival, ABC No Rio's C.O.M.A., and Neues Kabarett's events at the Brecht Forum.

Dulberger's first album as a band leader, composer and producer is named "TheKillMeTrio" and was described "...as one of the stronger avant-jazz groups we've heard in some time." (Time Out New York) In 2007, in a review of TheKillMeTrio album "Jazz and Tzaz" wrote "The 23 year old New Yorker does not comply with the trendy model of women in Jazz". Bruce Lee Gallanter (DMG) wrote in a review for Ras Moshe's album Transcendence, "Acoustic bassist, Shayna Dulberger, is another important new musician to watch, she takes a number amazing solos on this disc that show her to be a new force to be reckoned with." Shayna has been interviewed on Taran's Free Jazz Hour (Angers, France) and was invited by All About Jazz to participate in their "Listen Up!" Section.

Dulberger's most recent album, The Basement Recordings is a solo recording consisting of loops that are rhythmically cryptic. This album is a break from the style she is most well known for. It is repetitious and mellow, not aggressive and chaotic like her work with the downtown NYC free jazz scene. It is a nontraditional solo upright bass recording. Although her main influences are Peter Kowald, William Parker, Kent Kessler, Joelle Leandre and other well known bassists, there is barely a hint of it here. Instead, she is influenced by the rhythmic elasticity and percussion of Southeast Asia, The Thai Elephant Orchestra for their sense of space and rhythm, and Throbbing Gristle for their experimentation with reverb and delay.

On this album, Dulberger's upright bass evokes the sound of other string and percussion instruments."The Garden" sounds like a harp. "Yuko" (dedicated to poet Yuko Otomo) is reminiscent of the Japanese shamisen. You can hear wind float through glass vases on "The Swings". The Basement Recordings contain no jazzy bass solos, no experimenting with licks and virtuosity. The focus is on space and meditation. For the New York City Jazz Record, Gordon Marshall wrote "No more than a patch of wilderness is The Basement Recordings uniformly beautiful and vibrant".

Dulberger was born in 1983 and raised in Mahopac, NY. She attended Manhattan School of Music's preparatory division during high school and graduated with a BM in Jazz at the Mason Gross School of the Arts, Rutgers University."

-Shayna Dulberger Website (http://www.shaynadulberger.com/Bio.html)
8/16/2017

 
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