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Simonis, Lukas: Stots (self-released)


 

Price: $9.00


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product information:


UPC: B000IONQT0

Label: self-released
Catalog ID: Z6 3312
Squidco Product Code: 6990

Format: CD
Condition: Sale (New)
Released: 2006
Country: The Netherlands
Packaging: Digipack
Recorded and mixed 2005/2006 at L6S Studio, Rotterdam.


Personnel:

Lukas Simonis-composition, instruments

Nina Hitz-cello

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Kalloone S

2. Hillig

3. Dalver

4. Memsis

5. Ipes@

6. Begoulesj

7. Baljisrool

8. Semeij Amge*

9. Jeiler V

10. Totibus

11. Swems III

12. Knappskling

13. & Adoot

14. Figgel Gief

15. Uts #34

16. Hirk
Related Categories of Interest:

Rock and Related
Electro-Acoustic
Guitarists, &c.
RIO (Rock in Opposition)
Staff Picks & Recommended Items
November 2006

descriptions, reviews, &c.

"Lukas Simonis; guitarist, composer, lives in Rotterdam (Netherlands) and co-founded and works for WORM (a centre for experimental arts). For most of his musical career, he has played in bands and projects that seldom managed to play 'straight' music, despite moving within the field of 'rock' (e.g. Dull Schicksal, Trespassers W, Morzelpronk, Liana Flu Winks, AA Kismet, Vril and Coolhaven).

His interests also lie in the direction of more abstract 'sound'; using electronics, improvisation, voice, field recordings and objects. He has played gigs/improvised with people like Eugene Chadbourne, Eddie Prevost, Pierre Bastien, Richard Barret, Jon Rose, Anne Wellmer, Trevor Wishart, Greg Malcolm and many more, and has groups with Ann la Berge, The Bohman Brothers (Apricot My Lady) and Henk Bakker (Static Tics).

'Stots' has a bit of both worlds; the structure is like a rock album, with 16 tracks, the longest being 4 minutes.

The music is an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime').  'Stots' and all the song titles are in a secret language as an expression for the receiver to use only their senses for perception; not the banal knowledge of dogmatic and misunderstood information."



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