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Catalog ID: ALP 173CD
Squidco Product Code: 6920
Packaging: Jewel Tray
Ken Vandermark-baritone saxophone, Bb clarinet, bass clarinet
Dave Rempis-alto and tenor saxophones
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"A Discontinuous Line is the first studio recording of the new incarnation of the Vandermark 5, Chicago-based multi-instrumentalist Ken Vandermark's most enduring and versatile ensemble. The Vandermark 5 has been an acoustic quintet since trombonist/guitarist Jeb Bishop dropped the electric instrument from his arsenal in 2001, taking his final leave last year. With the arrival of cellist Fred Lonberg-Holm, the group once again has the capacity to deliver the electronic maelstroms that made them famous outside of the jazz world in the late 1990s.
Lonberg-Holm is equally at home playing gorgeous straightahead melodies or experimenting with subtle electronic effects. With an occasional touch of distortion, he summons a sound long gone from the band's palette. Hearing those churning power chords once again backing the group on its more visceral excursions is breathtaking.
Vandermark has been playing more baritone with each passing album; it is beginning to sound like his best horn. Saxophonist Dave Rempis, a taut and visceral improviser, every bit Vandermark's equal, continues to astound. Bassist Kent Kessler and drummer Tim Daisy drive this unit with force. Dynamically restrained during the group's neo-classical excursions, they are equally capable of pulverizing grooves that belong in seedy rock clubs, rather than uptown jazz joints.
Vandermark's expansive writing isn't bound by genre constraints. His intricate compositions and consistently surprising arrangements embrace a narrative writing tradition removed from the rote conventions of head-solo-head formats and simple AABA song forms.
Alternating between brisk free bop, bluesy noir, spare neo-classicism, gritty funk and pulverizing rock rhythms, this ensemble is unhampered by stylistic boundaries. Combining infectious melodies, driving momentum, heady call and response, inventive arrangements and furious collective improvisation, A Discontinuous Line demonstrates why the V5 has been Vandermark's most enduring ensemble."-Troy Collins, AAJ
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• Show Bio for Ken Vandermark
"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
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• Show Bio for Dave Rempis
"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.
In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.
Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.
During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.
Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.
Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."-Dave Rempis Website (http://daverempis.com/bio/)
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• Show Bio for Kent Kessler
"Kent Kessler (born January 28, 1957 in Crawfordsville, Indiana) is an American jazz double-bassist, best known for his work in the Chicago avant-garde jazz scene.
Kessler, born in Crawfordsville, Indiana, grew up on Cape Cod and began playing trombone at age ten. He and his family moved to Chicago when he was 13, and a few years later Kessler became intensely interested in jazz. While attending St. Mary Center for Learning High School, he began taking lessons from Kestutis Stanciauskas (Streetdancer) in electric bass and jazz theory in the middle of the 1970s. In 1977 he formed the ensemble Neutrino Orchestra with percussionist Michael Zerang and guitarists Dan Scanlan and Norbert Funk. He spent three months in Brazil during 1980-81 and spent time studying intermittently at Roosevelt University in Chicago; he and Zerang also formed a group called Musica Menta, which played regularly at Link's Hall.
Kessler began playing double bass in the 1980s and it became his primary instrument when he was asked in 1985 to join the NRG Ensemble, who toured Europe and recorded for ECM Records under the leadership of Hal Russell until his death in 1992. In 1991, he gigged with Zerang and guitarist Chris DeChiara; in need of a hornist, they called Ken Vandermark, who had been considering leaving the Chicago scene. Kessler and Vandermark would go on to collaborate extensively on free jazz and improvisational projects such as the Vandermark 5, the DKV Trio and the Steelwool Trio. In the 1990s and afterwards he worked with Chicago musicians such as Hamid Drake, Fred Anderson, and Joe McPhee, and also with European musicians such as Peter Brötzmann, Mats Gustafsson, Misha Mengelberg, and Luc Houtkamp.
In 2003, Kessler released a solo album, Bull Fiddle, on Okka Disk. Kessler performs alone on nine of the twelve tracks, and with Michael Zerang on three."-Wikipedia (https://en.wikipedia.org/wiki/Kent_Kessler)
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• Show Bio for Tim Daisy
"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
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