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Label: Clean Feed
Catalog ID: CF 058
Squidco Product Code: 6448
Packaging: Cardstock foldover
Ken Filiano-doublebass, efx
Steve Adams-sopranino, alto, tenor sax, flute, bass flute
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Squidco's Clean Feed $12.00 Sale
descriptions, reviews, &c.
"The other side of this, of course, is exactly the music proposed by Filiano and Adams, not any other, but listened in another way, actively, not as a scenario for reading a magazine, having a conversation or driving in the highway. You have to commit yourself to listen to the proposed sounds, to be there, on the spot, and that's why this isn't a duo record, but a trio one. There's Ken Filiano with his bass and some electronics, there's Steve Adams with his saxophones and flutes and there's you, the guy who really is the reason for the existence of this music. Don't believe those artists who say they play or paint or perform for themselves. They're lying. They do what they do because there's a third party that will testify their creativity. The point is you can do it in an uncompromising manner, not involving yourself in the process, or you can develope a role, your own role. In this case, that means discovering what's hidden on this disc, extracting the diamond from the stone. Everything that sounds, sounds for you. If it doesn't sound for you, it doesn't exist. It's very simple, indeed. The two musicians don't make the task more easier, but why should they? You're pushed to the limits, with only some moments of relaxation to enable you to breath, and soon they install again more and more tension, growing as a tempest in the seashore. It's difficult music only if you're easy. Truth is that "The Other Side of This" gives us the best of what the most requested of the Brooklyn bassists and the Rova Saxophone Quartet member ever put on record. Do yourself a favor and open those ears."-Clean Feed
• Show Bio for Ken Filiano
"Ken Filiano performs throughout the world, playing and recording with leading artists in jazz, spontaneous improvisation, classical, world/ethnic, and interdisciplinary performance, fusing the rich traditions of the double bass with his own seemingly limitless inventiveness. Ken's solo bass CD, subvenire (NineWinds), received widespread critical praise. For this and numerous other recordings, Ken has been called a creative virtuoso, a master of technique ... a paradigm of that type of artist... who can play anything in any context and make it work, simply because he puts the music first and leaves peripheral considerations behind.
Ken composes for his quartet with Michael Attias, Tony Malaby, and Michael T.A. Thomspon; a collective with Attias and Tomas Ulrich; and for his decades-long collaborations with Steve Adams and Vinny Golia. His prolific output also includes performances and/or recordings with artists including Bonnie Barnett, Rob Blakeslee, Bobby Bradford, Taylor Ho Bynum, Roy Campbell, John Carter, Nels Cline, Alex Cline, Connie Crothers, Mark Dresser, Ted Dunbar, Marty Ehrlich, Giora Feidman, Bob Feldman, Eddie Gale, Georgian Chamber Orchestra, Dennis Gonzalez, Lou Grassi, Phil Haynes, Fred Hess, Jason Hwang, Joseph Jarman, Sheila Jordan (with the Aardvark Orchestra), Raul Juarena, Joe Labarbera, Joelle Leandre, Frank London, Manhattan Chamber Orchestra, Tina Marsh, Warne Marsh, Dom Minasi, Hafez Modirzadeh, Butch Morris, Barre Phillips, Don Preston, Herb Robertson, Bob Rodriguez, Roswell Rudd, ROVA Saxophone Quartet, Ursel Schlicht, Paul Smoker, Chris Sullivan, Peeter Uuskyla, Fay Victor, Biggi Vinkeloe, Kenny Wessel, Andrea Wolper, Pablo Ziegler. With Tomas Ulrich, Elliott Sharp, and Carlos Zingaro, he is a member of T.E.C.K. String Quartet.
Ken has been a guest lecturer, performer, and workshop leader at institutions in the United States and Europe. He earned a MM from Rutgers University and is currently on faculty at Mansfield University."- All About Jazz-Pi Recordings / All About Jazz (https://pirecordings.com/artist/Ken_Filiano)
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• Show Bio for Steve Adams
"Steve Adams has appeared on more than fifty recordings, and has six recordings as leader or co- leader on the 9 Winds and Clean Feed labels, the latest of them being Surface Tension by the Steve Adams Trio.
Steve has performed the premieres of numerous classical compositions, including Prisoner of Love by Robert Aldridge for soprano saxophone and piano, Thomas Oboe Lee's Saxxologie... A Sextet for saxophone sextet and Louie MCMLV for saxophone quartet, and Passing Time by Jon Nelson for tenor saxo¬phone and computer-generated tape. He performed Edmund Campion's Corail for saxophone and computer generated electronics with the Berkeley Symphony and at the Ojai Music Festival. Steve has performed Darius Milhaud's Scaramouche and Pauline Oliveros' Outline for Double Bass, Flute, and Percussion at Mills College. He was a member of the 25th Anniversary performance of Terry Riley's In C, which was released on New Albion.
Steve has written more than fifty compositions for saxophone quartet, as well as many others for varied instrumentations. His piece Cage (for John Cage) was performed at the 1993 Bang on a Can festival, and his piece The Gene Pool was commissioned by Meet the Composer and performed at their festival "The Works" in Minneapolis in 2002. His composition Owed t'Don was recorded by the violin/marimba duo Marimolin on their CD Phantasmata . In recent years, Steve has begun creating graphic scores, now numbering more than 40. Steve has also written for theater, having composed scores for seven productions at the California Shakespeare Festival. He received a California Arts Council Fellowship in 2000 and a Meet the Composer grant in 1993, and teaches at Mills College. Steve is a graduate of the School of Contemporary Music in Brookline, MA and studied composition with Alan Crossman, Christopher Yavelov and Thomas Oboe Lee, saxophone with David Birkin and Indian music with Peter Row and Steve Gorn. "-Rova:Arts (http://www.rova.org/about-us/steve-adams.html)
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