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© 2002-2017, Squidco LLC

Various Artists

Freedom of the City Festival 2005 [2 CDs]

Various Artists: Freedom of the City Festival 2005 [2 CDs] (Emanem)

Most of the performances from the one-day event Freedom of the City festival in 2005, London including Lol Coxhill, Steve Beresford, London Improvisers Orchestra, &c. &c.
 

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product information:


UPC: 5030243421626

Label: Emanem
Catalog ID: 4216
Squidco Product Code: 6222

Format: 2 CDs
Condition: New
Released: 2006
Country: Great Britain
Packaging: Jewel Tray
Recorded at the Freedom of the City Festival in London's Red Rose on May 1st, 2005 by Tim Fletcher/


Personnel:

Paul Rutherford-trombone

John Edwards-doublebass

Mark Sanders-percussion

Sylvia Hallett-violin, voice

Caroline Kraabel-alto saxophone, voice

Veryan Weston-piano, voice

Phillip Wachsmann-violin, electronics

London Improvisors Orchestra

Steve Beresford-piano

Joe Williamson-doublebass

Roger Turner-percussion

Lol Coxhill-soprano saxophone

Neil Metcalfe-flute

Alan Wilkinson-alto saxophone, baritone saxophone, voice

Phil Durrant-laptop

Mark Sanders-percussion

Highlight an artist name or instrument above
and click here to Search
track listing:


DISC 1

1 Petrah 15:58

2 Felthor 9:25

3 Voicings 15:10

4 Does Rain Know? 3:19

5 Interstate 2 24:49

6 Conduction No. 20 8:07

7 Hearing Reproduction 2:18

DISC 2

The Dynamix 7:53

2 Don't Bend The Wardrobe 26:32

3 Providence Points South 10:30

4 A right in Phoenica 9:40

Unstill Life 23:33




Related Categories of Interest:

EMANEM & psi

Improvised Music
Jazz
European Improv, Free Jazz & Related
London & UK Free Improvisation Scene

descriptions, reviews, &c.

"Most of the performances from the one-day event Freedom of the City festival in 2005, London"-Emanem


Artist Biographies:

"Paul William Rutherford (29 February 1940 - 5 August 2007) was an English free improvising trombonist. Born in Greenwich, South East London, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama.

In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the 3-CD set Chapter One (Emanem, 2000). A film soundtrack was separately released as Buzz Soundtrack. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Russian word for "spark"; it was the title of the Iskra revolutionary newspaper edited by Lenin. The "1903" designation means "20th century music for trio"; occasionally Evan Parker played with the group (Iskra 1904) and Rutherford also at one point assembled a 12-piece ensemble called, inevitably, Iskra 1912. The group was later revived with Philipp Wachsmann replacing Bailey, a phase of the group's life that lasted from roughly 1977 to 1995; its earlier work is documented on Chapter Two (Emanem, 2006) and its final recordings were issued on Maya (Iskra 1903) and Emanem (Frankfurt 1991).

Rutherford also played with Globe Unity Orchestra, London Jazz Composer's Orchestra, Centipede, the Mike Westbrook Orchestra, and the Orckestra, a merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. He also played a very small number of gigs with Soft Machine. He is perhaps most famous for solo trombone improvisations. His album The Gentle Harm of the Bourgeoisie is a landmark recording in solo trombone and his 1983 Trio album Gheim, recorded at the Bracknell Jazz Festival is another acclaimed work.

Rutherford died of cirrhosis of the liver and a ruptured aorta on 5 August 2007, aged 67."

-Wikipedia (https://en.wikipedia.org/wiki/Paul_Rutherford_(trombonist))
6/13/2017

"After taking up the bass, around 1987, John Edwards co-formed The Pointy Birds who went on to win awards for their music for The Cholmondeleys and Featherstonehaughs dance troupes. The group appeared at festivals in Glasgow, Edinburgh, Moers, Leverkusen, Copenhagen. Around 1990, Edwards played his first gigs with London improvisers such as Roger Turner, Lol Coxhill, Maggie Nicols, Phil Minton.

Between 1990 and 1995 Edwards was a member of three touring groups simultaneously: B-Shops For The Poor, The Honkies and GOD. During this period he also became an increasingly regular player on the London improvised music scene and performed his first solo gigs; he composed and performed music theatre with the bass and cello duo The Great Explorers, street-busked a lot and appeared at many more festivals in Germany, Estonia, France, Italy, Czech, etc.

Since 1995 John Edwards has become a "mainstay" of the London scene, playing with just about everybody, an activity that has seen him clocking up between 150 and 200 gigs a year. He has become regular player with Evan Parker, in many groupings, and with Tony Bevan, Veryan Weston, and Elton Dean, often in collaboration with Mark Sanders on percussion. He has become a more frequent player on the European (and festival) scene, appearing at Taktlos, Ulrichsburg, Nickelsdorf, Budapest, New Zealand and in the USA. He continues to work on solo performances."

-EFI (http://www.efi.group.shef.ac.uk/musician/medwards.html)
6/13/2017

"Mark Sanders has played with many renowned musicians including Roscoe Mitchell, Wadada Leo Smith, Derek Bailey, Henry Grimes, Roswell Rudd, Peter Brotzmann, Barry Guy, Otomo Yoshihide, Jah Wobble, Sidsel Endresen , Charles Gayle, Peter Evans and William Parker. He works with John Edwards in a duo and with groups including Evan Parker, `Foils` with Frank Paul Schubert and Matthius Muller and groups with Veryan Weston, John Tilbury, Agusti Fernandez and Mathew Shipp. Mark works in a regular improvising duo with John Butcher and also performing John`s composition `Tarab Cuts` which has played festivals in Rio de Janiero, Amsterdam, Barcelona, Glasgow, Bristol and London. In a trio with cellist Okkyung Lee, John and Mark have played in Belgium, France, England and Scotland. He also has a longstanding duo with Sarah Gail Brand which has featured on the BBC`s `The Stuart Lee Show`and in the film `Taking the dog for a Walk`.

He has performed solo for a Christian Marclay exhibition at The White Cube Gallery in London, Evan Parker`s festival`Unwhitstable` in Wroclaw, Poland for `Solos Festival` The 100 Years Gallery London, an improvised music series in Derby and Cafe Oto in London. Working with Christian Marclay in his `Everyday` piece for film and live music, he has performed in Aldeburgh, Ruhr Trienalle, Vienna Bienalle, Holland festival and London`s QEH and has also collaborated with him playing for the film `Screenplay`in London and Lisbon. In situations using composition in one form or another Mark works in various projects including `13 Vices` with Brian Irvine/Jennifer Walshe, Alex Hawkins Ensemble featuring Peter Evans, Simon Fell Ensembe, groups with Hasse Poulsen and Luc Ex , Sarah Sarhandi`s `Both Universe`, Elaine Mitchener`s `Sweet Tooth` and has played in the groups of Shabaka Hutchings including`Sons of Kemet` Conceptual Artist Sam Belinfante collaborated with Mark in his piece `On the One Hand, and the Other` in two exhibitions at Camden Arts Centre, London For Conceptual artist Henrik Hakensen`s film `The End` he has performed as an improvising soloist with orchestras conductedd by Jessica Cottis, playing the music of John Coxon in Glasgow, Sydney and Monte Carlo As a guest with New York`s ICE Ensemble he has performed John Zorn`s `The Tempest` in London and at Huddersfield New Music Festival.

Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, in duo and `Frisque Concordance` with Georg Graewe , and the ensembles of Mikolaj Trzaska, Uwe Oberg and Peter Jaquemyn. He has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Australia, Mozambique and Turkey, playing at many major festivals including Nickelsdorf, Riga, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, FMP, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D`hiver and Hurta Cordel."

-Mark Sanders Website (http://www.marksanders.me.uk/biography.html)
6/13/2017

"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.

After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era.[1] There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston,[2] Charlotte Hug, Maggie Nicols,[3] Phil Hargreaves, and the London Improvisors Orchestra[4] among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra[5] and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.

Recordings include Transitions with Maggie Nichols and Charlotte Hug,[6] Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.

Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM[7] and is the editor for the London Musicians Collective's magazine Resonance."

-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
6/13/2017

"Born in 1950, and moved from Cornwall to London in 1972 and began playing as a freelance jazz pianist as well as developing as an improviser at Little Theatre Club.


1975-85: Residency & fellowship for Digswell Arts Trust (Hertfordshire). Activities included:

Collaborations with visual artists (potter-Elizabeth Fritsch and fine artist Steve Cochrane).
Work on written theoretical material, commissioned by The Digswell Arts Trust.
Co-ordinating music workshops, supported by Eastern Arts Association.
Co-founded and composed for young local group - Stinky Winkles, voted 'Young Musician of 1979' by Greater London Arts Association and won first prizes in France, Spain and Poland.
Collaborations with Lol Coxhill, music for Derek Jarman Film. First released recordings.

Throughout 1980s and early 90s worked with Eddie Prévost Quartet, Trevor Watts' Moiré Music and Lol Coxhill and Phil Minton. Major festivals have included Zurich, Berlin, Nickelsdorf, Karlsruhr, Warsaw, Wroclaw, San Sebastian, Bombay, Vancouver, Nancy, Aukland, Nevers, Washington, Lille, Houston, Le Mans, Strasbourg, Bologna and Victoriaville.

Ensemble projects with Minton:

Duo - Ways, Ways Past, and....Past - diverse songs, originals & improvisation structures.
Songs from a Prison Diary - French commission for 25 singers with poems by Ho Chi Minh.
Naming the Animals -a quartet with Lianne Carol and Ian Shaw, words by Adrian Mitchell.
Mouthfull of ecstasy - with John Butcher, Roger Turner, texts from Joyce's Finnegans wake.
Makhno - for chamber choir commissioned by Taktlos Festival 1997.
4Walls - a quartet with songs and improvisations with Luc Ex and Michael Vatcher.


Other recent duo collaborations with:

Trevor Watts - improvisations with a feeling of form, where rhythm and melody sit comfortably with more abstract moments. A major current project.
Caroline Kraabel - duets that explore acoustic phenomena related to two instruments and how these sounds interact in specific acoustic spaces.
Jon Rose - improvisations using different acoustic keyboards and violins with selected tunings derived from science, history and the imagination.
Hugh Metcalfe - Films by Hugh, images of objects, animals, humans, holidays, journeys, unfold, transform, collide and provide the basis for accompanying duet improvisations.


Local activities:

(1995-6) playing in rhythm section for 'Changes' jazz club in North London with British jazz artists.
Awarded A4E National Lottery support to give series of workshops/concerts with John Edwards & Mark Sanders titled 'Playing Together' in East Anglia (1998).

Helped coordinate and arrange the Lindsay Cooper Song Project (1999). European festivals - Taktlos (Zurich), Angelica (Bologna, commissioned arrangement of "Oh Moscow" for orchestra), Moers (Germany) and Roccella Jonica (Italy)"

-Veryan Weston Website (http://veryanweston.weebly.com/biog--discog.html)
6/13/2017

"Phil Wachsmann (born 5 August 1944) is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom."

-Wikipedia (https://en.wikipedia.org/wiki/Phil_Wachsmann)
6/13/2017

"Roger Turner (born 1946, Whitstable, England) is an English jazz percussionist. He plays the drumset, drums, and various percussion, and was brought up into the jazz and visual art cultures inhabited by his older brothers, playing drums from childhood in informal jazz contexts.

Turner studied English literature and contemporary philosophy at Sussex University, playing with Chris Biscoe for the British Council in 1968, a first concert in improvisation. His move to London gave him contact with the first and second generation improvisers and he began to play primarily with Lol Coxhill, Gary Todd, John Russell, Hugh Davies, Steve Beresford, and Phil Minton.

In the years immediately after 1974 his work was primarily concentrated on opening the way to a more personal percussion language. This was also a period of intense collaborations that structured many of his future approaches to music-making and saw the formation of two long-lasting acoustic duos with Phil Minton and with John Russell. Recordings of these duos document an extreme attention to timbre and pitch, as well as a constantly shifting speed that typified much of his work at the time. The duo with Minton toured extensively throughout Europe, USA and Canada.

In 1979 he established CAW records with John Russell and Anthony Wood, and recorded the solo album The Blur Between focussing on single surface improvisations: a linear and reduced equipment approach he had started using with Carlos Zingaro and others in live performances.

In addition to forming Trump music with Gary Todd to promote improvised music in London, he also involved himself in formative activities of the London Musicians Collective during this period. He was awarded Arts Council of Great Britain bursaries for solo percussion in 1980, and in 1983 for investigation into percussion with electronics. Extensive festival and club solo work followed, including the Bracknell Jazz Festival and the Brussels Festival of Percussion.

In 1982 the trio The Recedents was formed with Lol Coxhill and Mike Cooper exploring the possibilities of electro-acoustic music, in which Turner initially played drumset and EMS Synthi A as a means of bending the sounds of various metal percussion instruments. This group, still existing, mixes song, jazz, punk/thrash, with acoustic detail in always shifting sonorities, and has worked throughout Europe, Canada and the UK, also recording for the French Nato label. Involvements with experimental rock musics and open-form song included extensive work in duo with Annette Peacock 1983-5, with whom he toured in Europe and Scandinavia. They recorded the album I have no feelings for Ironic.

In 1984-5, he was invited for workshop residences at Alan Silva's Institute Art Culture Perception in Paris, where long-term collaborations with Alan began, culminating in The Tradition Trio with Johannes Bauer. This group was central to his explorations of forms of free jazz, an interest that has seen him working with musicians on both sides of the Atlantic (including Elton Dean, Irene Schweizer, Cecil Taylor, Roy Campbell, Henry Grimes, The Wardrobe Trio and Charles Gayle).

Since the early 1980s his work has focussed on numerous projects with improvising musicians and groups, touring Europe, Australia, USA and Canada. Perhaps the most important of the later groups would be Konk Pack, formed in 1997, with Tim Hodgkinson and Thomas Lehn, a group whose use of volume and sense of detail continues the exploration of an electro-acoustic dynamic that forms one of his main musical concerns. This group has toured extensively in Europe and USA.

He forged working relationships with Japanese musicians over the years: in the 1980s with Toshinori Kondo in the trio with John Russell, but since the mid-1990s in concerts and recordings with guitarist Kazuhisa Uchihashi in Austria, Japan, and U.K, and in the recent (2009) Hana-Bi three-day event in London that included the guitarist and the pianist Chino Shuichi.

An active involvement in visual art has always been in dialogue with his music, and an inspiration for it. In the forefront of this is his work with Susan Turcot (the investigation/documentation of music and sound-drawing both in Europe and Canada-including the Being Rich box collection --, and music for her 2008 animation film Bitumen, Blood, and the Carbon Climb.

His music for dance/performance includes work with Alexander Frangenheim's Concepts of Doing, Stuttgart ; Carlos Zingaro's Encontros projects in Lisbon and Macau; and most recently in the Josef Nadj production etc.etc. (premiered Vandeouvre, France, 2008) and which is a continuing involvement.

In March 2009 he was invited to travel and perform on the Arctic island Svalbard, and was also invited to attend and play in the Comprovise event in Cologne, Germany in June 2009, set up to examine any possible relationship between improvisation and composition.

Turner's music-making with international improvisers in ad hoc and group collaborations have since the 1970s to the present day included Toshinori Kondo, Derek Bailey, Fred Frith, Evan Parker, William Parker, Cecil Taylor, Otomo Yoshihide, Shelley Hirsch, Joelle Leandre, Keith Rowe, Ab Baars, Barry Guy, Barre Philips, Henry Grimes, Paul Rutherford, Gunter Christmann, Marilyn Crispell, Irene Schweizer, Frederik Rzewski, and Malcolm Goldstein."

-Wikipedia (https://en.wikipedia.org/wiki/Roger_Turner_(musician))
6/13/2017

"George Lowen Coxhill (19 September 1932 - 10 July 2012), generally known as Lol Coxhill, was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey's Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree. He also developed his practice of playing unaccompanied solo saxophone, often busking in informal performance situations. Other than his solo playing, he performed mostly as a sideman or as an equal collaborator, rather than a conventional leader - there was no regular Lol Coxhill Trio or Quartet as would normally be expected of a saxophonist. Instead he had many intermittent but long-lasting collaborations with like-minded musicians.

In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. He was thought to have largely inspired Joni Mitchell's song "For Free", while busking solo on the old footbridge which formed part of the Hungerford Bridge between Waterloo and Charing Cross. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher (of Mott the Hoople), Chris McGregor's Brotherhood of Breath and its musical descendant The Dedication Orchestra, Django Bates, the Damned, Hugh Metcalfe, Derek Bailey and performance art group Welfare State.

He often worked in small collaborative groups with semi-humorous names such as the Johnny Rondo Duo or Trio (with pianist Dave Holland - not the bassist of the same name), the Melody Four (characteristically a trio, with Tony Coe and Steve Beresford), and The Recedents (with guitarist Mike Cooper and percussionist Roger Turner), known as such because the members were (in Coxhill's words) "all bald", though the name may additionally be a play on the American band the Residents. Typically these bands performed a mix of free improvisation interspersed with ballroom dance tunes and popular songs. There was humour throughout his music but he sometimes felt it necessary to tell audiences that the free playing was not intended as a joke. Coxhill was compere and occasional performer at the Bracknell Jazz Festival, and a raconteur as well as a musician; he often would introduce his music by saying the words, "what I am about to play you may not understand". It was following a performance at Bracknell that he recorded the melodramatic monologue Murder in the Air."

-Wikipedia (https://en.wikipedia.org/wiki/Lol_Coxhill)
6/13/2017

"Born Ilford,East London, 22 August 1955; soprano, alto and baritone saxophones, voice.

After a short period in Manchester, deciding that the possibilit of a career in librarianship was not for him, Alan Wilkinson moved to Leeds in 1975 to undertake a Fine Arts degree, concentrating on painting. Shortly after completing his degree he began playing the alto saxophone and joined the group Crow with Mathew Coe (aka Xero Slingsby), Richard Ward, and long-time associate, drummer Paul Hession. Following a short tour of Belgium and Holland, he decided to quit painting and concentrate on the saxophone. In 1979 he formed the group Art, Bart & Fargo with Hession and tenor sax player Pete Malham,experimenting with playing a wide range of other instruments, mainly percussion, and mixing composition with pure improvisation. After playing in England, Belgium and Germany the trio disbanded after three years.

In 1982 Wilkinson attended the Improvised Music Summer School in South Wales and this introduced him to musicians such as Peter Brötzmann, Barry Guy, Fred Van Hove, Keith Tippett, Phil Wachsmann and Radu Malfatti among others. This led directly to gigs on the London improvised music scene, a trio with Paul Hession and Japanese pianist Akemi Kuniyoshi, and many gigs with drummer Steve Hubback in a wide variety of combinations. In 1983, in duo with Hession, he appeared at the 10th annual Free Music festival in Antwerp, Belgium and at the Holland Art Initiative in Eindhoven. The same year he was among the original organisers of the Termite Club in Leeds, specialising in improvised and experimental music and performing arts. A trio with Steve Noble and Tony Moore existed from 1985 to 1988, having toured in Britain, Belgium, Holland and Denmark and in 1985 Wilkinson also joined the large improvising ensemble The Ubiquity Orchestra. From 1987 to 1989 Wilkinson's activities included a widely toured quartet with Willi Kellers, Christoph Winckel and Alex Maguire (through to 1992); a tour of England and Wales with Phil Durrant, Thebe Lipere, Will Evans, Louis Moholo and Keith Tippett; gigs with Mick Beck's large group Feet Packets; and a tour of England with Alex Maguire's nine-piece Cat o'Nine Tails.

Alan Wilkinson has been invited to play in Derek Bailey's Company on a number of occasions, firstly in 1987 on a tour of Switzerland and Italy with Steve Noble, Barre Phillips and Ernst Reijseger; again in 1988 at the ICA in London in a Company Week which included Dennis Palmer, LaDonna Smith, Gregg Bendian and Milo Fine; and in 1993 he helped organise and participated in Company Week at the Place Theatre with, among others, Don Byron, Robyn Schulkowski, Ikue Mori and Phil Minton. Other associations have included a stint with the John Law Quartet; playing with the London group Ya Basta; Real Time, with artist Gina Southgate and drummer Mark Sanders joined occasionally by Maggie Nicols or Susanna Ferrar. He has also played solo gigs since 1991.

Alan Wilkinson is probably best known as a member of the take no prisoners Hession/ Wilkinson/Fell trio formed with the addition of Simon Fell to the longstanding duo in 1989. Though perhaps correctly typified as a high energy power trio - starting loud and then opening the throttles - and the recorded evidence goes some way to support this proposition, there are not only areas of respite in the playing but also an interest in fitting the group into new situations. For example, in 1996 a short UK tour took place in June with US guitarist Joe Morris (with a CD forthcoming on Incus); and in November the trio appeared in an incendiary, ear-numbing, exhausting and hugely enjoyable interchange with Derek Bailey at the annual Termite Festival in Leeds: a gig that the organiser's attempted unsuccessfully and on several occasions to end prematurely (this being Sunday night in a pub in the UK), finally resorting to flashing the room lights and talking loudly; Derek Bailey, having been sat head down in concentration for the uninterrupted 40 minutes of the second piece then looking up blinking, seemingly surprised at the near panic. The following night, Wilkinson and Fell undertook a four date tour of the UK with a quartet completed by Peter Brötzmann and Willi Kellers, reprising a similar tour by the same musicians in 1994."

-EFI (http://www.efi.group.shef.ac.uk/mwilkins.html)
6/13/2017

"Mark Sanders has played with many renowned musicians including Roscoe Mitchell, Wadada Leo Smith, Derek Bailey, Henry Grimes, Roswell Rudd, Peter Brotzmann, Barry Guy, Otomo Yoshihide, Jah Wobble, Sidsel Endresen , Charles Gayle, Peter Evans and William Parker. He works with John Edwards in a duo and with groups including Evan Parker, `Foils` with Frank Paul Schubert and Matthius Muller and groups with Veryan Weston, John Tilbury, Agusti Fernandez and Mathew Shipp. Mark works in a regular improvising duo with John Butcher and also performing John`s composition `Tarab Cuts` which has played festivals in Rio de Janiero, Amsterdam, Barcelona, Glasgow, Bristol and London. In a trio with cellist Okkyung Lee, John and Mark have played in Belgium, France, England and Scotland. He also has a longstanding duo with Sarah Gail Brand which has featured on the BBC`s `The Stuart Lee Show`and in the film `Taking the dog for a Walk`.

He has performed solo for a Christian Marclay exhibition at The White Cube Gallery in London, Evan Parker`s festival`Unwhitstable` in Wroclaw, Poland for `Solos Festival` The 100 Years Gallery London, an improvised music series in Derby and Cafe Oto in London. Working with Christian Marclay in his `Everyday` piece for film and live music, he has performed in Aldeburgh, Ruhr Trienalle, Vienna Bienalle, Holland festival and London`s QEH and has also collaborated with him playing for the film `Screenplay`in London and Lisbon. In situations using composition in one form or another Mark works in various projects including `13 Vices` with Brian Irvine/Jennifer Walshe, Alex Hawkins Ensemble featuring Peter Evans, Simon Fell Ensembe, groups with Hasse Poulsen and Luc Ex , Sarah Sarhandi`s `Both Universe`, Elaine Mitchener`s `Sweet Tooth` and has played in the groups of Shabaka Hutchings including`Sons of Kemet` Conceptual Artist Sam Belinfante collaborated with Mark in his piece `On the One Hand, and the Other` in two exhibitions at Camden Arts Centre, London For Conceptual artist Henrik Hakensen`s film `The End` he has performed as an improvising soloist with orchestras conductedd by Jessica Cottis, playing the music of John Coxon in Glasgow, Sydney and Monte Carlo As a guest with New York`s ICE Ensemble he has performed John Zorn`s `The Tempest` in London and at Huddersfield New Music Festival.

Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, in duo and `Frisque Concordance` with Georg Graewe , and the ensembles of Mikolaj Trzaska, Uwe Oberg and Peter Jaquemyn. He has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Australia, Mozambique and Turkey, playing at many major festivals including Nickelsdorf, Riga, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, FMP, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D`hiver and Hurta Cordel."

-Mark Sanders Website (http://www.marksanders.me.uk/biography.html)
6/13/2017

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(Ogun)
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Dunmall / Edwards / Noble / Sanders
Go Straight Around The Square
(FMR)
Runcible Quintet, The (featuring John Edwards / Neil Metcalfe)
Five
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Rutherford, Paul / Sabu Toyozumi
The Conscience
(NoBusiness)
Rutherford, Paul / Sabu Toyozumi
The Conscience [VINYL]
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Parker, Evan / John Edwards / Steve Noble
PEN
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Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
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Remote Viewers, The
No Voice From The Hall
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Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
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Spontaneous Music Orchestra
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(Otoroku)
Spontaneous Music Ensemble
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Akode (Wilkinson / Johannsesn / Hoyer / Andersen)
North And South
(Confront)
Kjaer, Julie 3 (Kjaer / Edwards / Noble)
Dobbeltgaenger
(Clean Feed)
Turner, Roger / Satoh Masahiko / Otomo Yoshihide
Live at Hall Egg Farm
(Doubtmusic)
Turner, Roger / Otomo Yoshihide
Live at SuperDeluxe
(Doubtmusic)
Weston, Veryan / Trevor Watts
Dialogues with Ornette!
(FMR)
Dunmall, Paul / John Edwards / Tony Marsh
To Be Real
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Carrier, Francois / Steve Beresford / John Edwards / Michel Lambert
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Remote Viewers, The
November Sky
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Wastell, Mark
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Catchpole / Edwards / Prevost
Beyond the Barrier
(Matchless)
Weston, Veryan / Jon Rose / Hannah Marshall
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(Emanem)
Cabinet Trio, The (Gjerstad / Turner / Molstad)
Blood Samples
(FMR)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
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Kraabel, Caroline / Phil Hargreaves
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(Leo)
Turner, Roger & Otomo Yoshihide
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(Clean Feed)
Remote Viewers, The
Pitfall
(Remote Viewers)
Moholo-Moholo, Louis Quartet (Hawkins / Edwards / Yarde)
4 Blokes
(Ogun)
Rutherford, Paul Trio
Gheim - live at Bracknell 1983
(Emanem)
Decoy with Joe Mcphee
Spontaneous Combustion [2 CDs]
(Otoroku)
Edwards / Sanders / Tilbury
A Field Perpetually At The Edge Of Disorder
(Fataka)
Moholo-Moholo, Louis Unit
For the Blue Notes
(Ogun)
Brotzmann / Adasiewicz / Edwards / Noble
Mental Shake
(Otoroku)
Deep Whole Trio (Dunmall / Rogers / Sanders)
That Deep Calling
(FMR)
Riverloam Trio
Inem Gortn
(FMR)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
N.E.W. (Noble / Edwards / Ward)
Motion [VINYL]
(Dancing Wayang)
Watts / Weston / Sanders / Edwards
Hear Now: A Film by Mark French [DVD]
(FMR)
Parker, Evan / John Edwards / Mark Sanders
The Two Seasons
(Emanem)
Rutherford, Paul
Chicago 2002
(Emanem)
Parker, Evan
The Ayes Have It
(Emanem)
Rutherford, Paul
The Gentle Harm of the Bourgeoisie
(Emanem)
Lunge (Brand / Durrant / Sanders / Thomas)
Strong Language
(Emanem)
Nicols, Maggie / Caroline Kraabel / Charlotte Hug
Transitions
(Emanem)
Rutherford, Paul and Paul Rogers
Rogues
(Emanem)
Ramanan, Roland
Shaken
(Emanem)
Burn / Coxhill / Edwards / Minton / Russell
Mopomoso Solos 2002
(Emanem)
Lovens, Paul / Paul Hubweber / John Edwards
Papajo
(Emanem)
Weston, Veryan / Caroline Kraabel
Five Shadows
(Emanem)
Various Artists
The All Angels Concerts [2 CDs]
(Emanem)
Various Artists
Freedom of the City 2002 - small groups [2 CDs]
(Emanem)
Various Artists
Freedom of the City 2001 - small groups [2 CDs]
(Emanem)
Remote Viewers, The
Crimeways
(Remote Viewers)
ISKRA 1903
South on the Northern (1988/9) [2 CDs]
(Emanem)
SFQ (Simon Fell Quartet)
Four Compositions [2 CDs]
(Red Toucan)
Thomas / Lash / Sanders
Skip
(FMR)
Spontaneous Music Ensemble
Challenge (1966-7)
(Emanem)
Coxhill, Lol & Michel Doneda
Sitting On Your Stairs
(Emanem)
Musique Action #4 (Marclay / Jauniaux / Minton / Yoshihide / Parkins / Weston / Vatcher / Luc Ex)
Madame Luckerniddle - Tribute to Tom Cora
(Vand'Oeuvre)
Schlippenbach, Alexander Von
The Living Music [VINYL]
(Cien Fuegos)
Edwards, John / Okkyung Lee
White Cable, Black Wires
(Fataka)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)
Trzaska, Mikolaj / Olie Brice / Mark Sanders
Riverloam Trio [2 LPs]
(NoBusiness)
Dunietz / Edwards / Noble
Cousin It
(Hopscotch Records)
Remote Viewers, The
City of Nets
(Remote Viewers)
Akchote / Foussat / Turner
Acid Rain
(Ayler)
Dunmall / Wooster / Sanders / Mapp
The Iceberg Quartet
(FMR)
Dunmall, Paul / Mark Sanders
Pipe & Drum
(FMR)
Butcher, John & Mark Sanders
Daylight
(Emanem)
Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better: Live at Cafe OTO, January 2010 [VINYL REPRESS]
(Otoroku)
Rutherford, Paul & George Haslam with the Samuli Mikkonen Trio
Raahe '99
(Slam)
Lazro, Daunik
Curare
(NoBusiness)
Wilkinson, Alan
Practice
(Bo Weavil Recordings)
Remote Viewers, The
Nerve Cure
(Remote Viewers)
ISKRA 1903
Goldsmiths
(Emanem)
Watts, Trevor & Veryan Weston
5 More Dialogues
(Emanem)
London Improvisers Orchestra
Lio Leo Leon
(psi)
SFE - Simon Fell Ensemble
Positions and Descriptions
(Clean Feed)
Coxhill / Ward
Old Sights New Sounds
(Incus)
Rutherford / Muller / Eisenstadt
The Zone
(Konnex)
Articles, The (Thomas / Gustafsson / Turner)
Goodbye Silence
(FMR)
Coxhill, Lol & Roger Turner
Success With Your Dog
(Emanem)
Remote Viewers, The
To The North
(Remote Viewers)
Dunmall / Edwards / Gibbs / Sanders
Boundless
(FMR)
LeBaron, Anne
1,2,4,3
(Innova)
Marsh, Tony
Stops
(psi)
Decoy & Joe McPhee
Oto
(Bo Weavil Recordings)
Lapin / Poore / Schubert / Turner / Bledsoe
Seek it Not with Your Eyes
(Red Toucan)
Takase, Aki
A Week Went By
(psi)
Decoy (Hawkins / Edwards / Noble)
Vol. 1: Spiri
(Bo Weavil Recordings)
Foussat, Jean-Marc
Nouvelles
(Potlatch)
Rutherford, Paul
Tetralogy 2CD
(Emanem)
Remote Viewers, The
Sinister Heights
(Remote Viewers)
Weightless (Butcher / Edwards / Spera / Braida)
A Brush with Dignity
(Clean Feed)
Chant / Davies / Drew / Edwards
Decentred
(Another Timbre)
Recommended & Related Releases:
Tippett's, Keith Ark
Frames (Music For An Imaginary Film) [2 CDs]
(Ogun)
Dean, Elton Quintet
Welcomet - Live in Brazil, 1986
(Ogun)
Dunmall / Edwards / Noble / Sanders
Go Straight Around The Square
(FMR)
Runcible Quintet, The (featuring John Edwards / Neil Metcalfe)
Five
(FMR)
Rutherford, Paul / Sabu Toyozumi
The Conscience
(NoBusiness)
Rutherford, Paul / Sabu Toyozumi
The Conscience [VINYL]
(NoBusiness)
Parker, Evan / John Edwards / Steve Noble
PEN
(Dropa Disc)
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
(FMR)
Remote Viewers, The
No Voice From The Hall
(Remote Viewers)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Cundy, Chris
Gustav Lost
(FMR)
Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better
(Otoroku)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Kjaer, Julie 3 (Kjaer / Edwards / Noble)
Dobbeltgaenger
(Clean Feed)
Turner, Roger / Satoh Masahiko / Otomo Yoshihide
Live at Hall Egg Farm
(Doubtmusic)
Turner, Roger / Otomo Yoshihide
Live at SuperDeluxe
(Doubtmusic)
Weston, Veryan / Trevor Watts
Dialogues with Ornette!
(FMR)
Dunmall, Paul / John Edwards / Tony Marsh
To Be Real
(FMR)
Carrier, Francois / Steve Beresford / John Edwards / Michel Lambert
OUTgoing
(FMR)
Remote Viewers, The
November Sky
(Remote Viewers)
Wastell, Mark
Quartet
(Confront)
Catchpole / Edwards / Prevost
Beyond the Barrier
(Matchless)
Cabinet Trio, The (Gjerstad / Turner / Molstad)
Blood Samples
(FMR)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Kraabel, Caroline / Phil Hargreaves
Where We Were (Shadows Of Liverpool)
(Leo)

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