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Rempis Percussion Quartet, The
Rip Tear Crunch

Rempis Percussion Quartet, The: Rip Tear Crunch (482 Music)
Label: 482 Music    
Released in: USA    


"The name of Dave Rempis's latest group is fair warning: never before has the local saxophonist led a band that hit this hard. Bassist Anton Hatwich provides a stable fulcrum with his thrumming, insistent vamps, around which drummers Frank Rosaly and Tim Daisy, both on trap sets, play a dynamic array of swinging beats, interlocking Latin motifs, martial cadences, and nuanced, meterless textures. Even at full throttle the two drummers mesh precisely, despite their divergent styles: Rosaly's is fluid and sinuous, busy with double- kick flutters, while Daisy's is more spiky and agitated. Rempis sketches keening alto and tenor lines across the surface, taking a more overtly melodic tack than he does in Triage or his free-improv quartet with Jim Baker. At other times he switches to baritone and plunges down into the ensemble's dense and surging rhythms, using his horn like yet another percussion instrument--and it's then I start thinking this might be the best new jazz band in town. The set I caught a couple weeks ago at Hotti Biscotti created an unstoppable momentum with its seamless transitions, opening with a polyrhythmic whirlwind worthy of late - 60s Pharoah Sanders and building from there."-Bill Meyer, Chicago Reader

"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.

In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.

Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.

During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.

Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.

Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."

-Dave Rempis Website (http://daverempis.com/bio/)
2/22/2017

"Bassist, composer, and improviser Anton Hatwich has lived in Chicago since 2003. He was born and raised in Rockford, IL, growing up in a musical family. Anton moved to Iowa City, IA in 1995 and lived there until 2002, earning a Bachelor of Music degree from the University of Iowa. After graduation Hatwich taught for two years as Visiting Artist in Music at Cornell College in Mt. Vernon, IA. At the UI he studied bass with Dr. Diana Gannett, jazz and improvisation with John Rapson, and also gained valuable experience playing with the school's renown Center for New Music, under the direction of David Gompper. Outside of class, Anton was active in the local music scene. Of particular lasting importance was his work with clarinettist, saxophonist, and composer Robert Paredes, with whom Anton took first steps in the world of free improvisation.

In late 2002 Hatwich started spending large amounts of time amongst Chicago's improvised music community, hanging out all night with his new friends at concerts and bars, and crashing on his brother's couch. One thing led to another, and by spring of 2003 he was playing so much in Chicago that it made sense to move there. Since that time he has played in endlessly varied groups of (mostly) improvising musicians, with some combinations sticking around longer than others. A partial list of his collaborators includes Frank Rosaly, Keefe Jackson, Aram Shelton, Nick Mazzarella, Russ Johnson, Tim Daisy, Jason Stein, Fred Lonberg-Holm, Josh Berman, and Paul Giallorenzo. With the bands that lasted, Anton has recorded a number of critically acclaimed albums and toured nationally and internationally. He has appeared at a handful of the major jazz festivals, including the Chicago Jazz Festival, the Monterey Jazz Festival, the Ring Ring Festival in Belgrade, the Umbrella Festival, and the Ulrichsberger Kaleidophon Festival in Austria."

-Anton Hatwich Website (http://www.antonhatwich.com/about-1/)
2/22/2017

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
2/22/2017

"Frank Rosaly (Francisco Javier Rosaly Amoros Rosello - b. 5/30/74 Phoenix, AZ) is a drummer and composer living in Chicago. He has been involved in the improvised and experimental music community since 2001 where he has become an integral part of Chicago's musical fabric, navigating a fine line between the vibrant improvised music, experimental, rock and jazz communities. He contributes much of his time to performing, composing, teaching, as well as organizing musical events, while also touring regularly domestically and internationally.

Frank is currently active in many projects throughout Chicago as well as New York and in Europe. Some groups include Bobby Bradford/Frode Gjerstad Quartet, Matana Robert's Chicago Project, Rob Mazurek's Mandarin Movie, The Rempis Percussion Quartet, Ingebrigt Haker-Flaten Quintet, Scorch Trio, Nicole Mitchell Ice Crystal Quartet, Jason Stein Quartet, Jeff Parker/Nels Cline Quartet, Josh Abrams' Natural Information Society, Fred Lonberg-Holm's Valentine Trio, Keefe Jackson's Project Project, The Fast Citizens, The Jeb Bishop Trio, Jason Adasievicz's Rolldown, Jorrit Dijkstra's Flatlands Collective, Chicago Lucern Exchange, Hearts and Minds, Slow Cycle, Outskirts, Darren Johnston's Chicago Quintet, Anchor and others."

-Frank Rosaly Website (http://fjrosalbio.blogspot.com/)
2/22/2017





Related Categories of Interest:

Improvised Music
Jazz
May 2006
Chicago Jazz & Improvisation
Quartet Recordings



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Price: $13.95
In Stock


Quantity:

Shipping Weight: 4.00 units

Quantity in Basket: None

Product Information:

UPC: 650594104624

Label: 482 Music
Catalog ID: 482-1046
Squidco Product Code: 6190

Format: CD
Condition: New
Released: 2006
Country: USA
Packaging: Jewel Tray
Personnel:

Dave Rempis-alto, tenor, baritone saxohpones

Anton Hatwich-bass

Tim Daisy-percussion

Frank Rosaly-percussion

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Track Listing:

1. Shreds

2. Flank

3. Rip Tear Crunch

4. Dirty Work Can Be Clean Fun

5. The Rub