The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC

Chadbournes, The

The Kitchen Concert (Torture in the Eighties)

Chadbournes, The: The Kitchen Concert (Torture in the Eighties) (Chadula)

The original Chadbournes (Eugene Chadbourne, John Zorn, Tom Cora, Mark Kramer and David Licht) playing the freakiest improv country music you ever heard at, the Kitchen in the early 80s.
 

Price: $12.95

**Adding this out of stock item to your basket with other in stock items may delay shipping or incur additional shipping charges.


Quantity:

Out of Stock


Shipping Weight: 3.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


Label: Chadula
Catalog ID: 1981B
Squidco Product Code: 6003

Format: CDR
Condition: New
Released: 2008
Country: USA
Packaging: CDR in a cardboard sleeve with Dr. Chad's unique packaging

Personnel:

Eugene Chadbourne-guitar, voice, bandleader

John Zorn-Bb clarinet, soprano, alto saxophone, game calls

Tom Cora-cello

Mark Kramer-cheap organ, tapes

David Licht-drums

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Love' Not For Me 3:14

2. Live Fast, Love Hard, Die Young 5:07

3. Last Word In Lonesome Is Me 14:31

4. Blues Come Around/Only Hell My Mama Ever Raised/W. VA Spec 10:55

5. Bound To Ride/Starting Over/I've Just Seen A Face 5:56

6. Move It On Over/Gone Gone Gone/I'm A Loser/Funny How Time Slips Away 16:50




Related Categories of Interest:


Rock and Related
Improvised Rock
Improvised Music
NY Downtown & Jazz/Improv
Chadbourne. Eugene
Zorn. John
Cora, Tom
Staff Picks & Recommended Items

sample the album:


descriptions, reviews, &c.

The original Chadbournes (Eugene Chadbourne, John Zorn, Tom Cora, Mark Kramer and David Licht) playing the freakiest improv country music you ever heard at, the Kitchen in the early 80s.


Artist Biographies:

"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."

-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
10/11/2017

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
10/11/2017

"Thomas Henry Corra (September 14, 1953 April 9, 1998), better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and The Ex, and was a member of Curlew, Third Person and Skeleton Crew.

Tom Cora was born in Yancey Mills, Virginia, United States. He made his musical debut as drummer on a local television program and in the mid-1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it.

In 1979 Cora moved to New York City where he worked with Shockabilly guitarist Eugene Chadbourne, introducing the cello to the honky tonk circuits of North America. He performed at improvising clubs and venues in New York with John Zorn, Fred Frith, Andrea Centazzo, Butch Morris, Wayne Horvitz, David Moss, Toshinori Kondo and others. Cora also collaborated with George Cartwright and Bill Laswell which led to the formation of the art rock band Curlew in 1979 . Cora remained with Curlew for over ten years and appeared on five of their albums.

In 1982 Tom Cora and Fred Frith formed Skeleton Crew, an improvising rock and jazz band best known for their live performances where they played various instruments simultaneously. Cora and Frith were each one-man bands on stage and for their act, Cora constructed musical contraptions he could play with his feet. The band existed for five years during which time they toured Europe, North America and Japan extensively. They made two studio albums, Learn to Talk (1984) and The Country of Blinds (1986), the latter with Zeena Parkins who had joined the band in 1984. In October 1983 Skeleton Crew joined Duck and Cover, a commission from the Berlin Jazz Festival, for a performance in West Berlin, followed by another in February 1984 in East Berlin.

Cora was also a member of the improvising trio Third Person, formed in 1990 as a live collaboration with percussionist Samm Bennett and a "third person" who changed from concert to concert. Two CDs of some of their performances were released, The Bends in 1991 (with "third persons" Don Byron, George Cartwright, Chris Cochrane, Nic Collins, Catherine Jauniaux, Myra Melford, Zeena Parkins, and Marc Ribot) and Luck Water in 1995 (with "third person" Kazutoki Umezu).

Cora performed with a number of other bands, including Nimal with Momo Rossel and post-rock quartet Roof. In 1990, he played two concerts with Dutch anarcho-punk band, The Ex, and the success of this collaboration resulted in Cora performing hundreds of concerts with The Ex and appearing on two of their CDs. In 1995 in The Netherlands, Cora and Frith collaborated, as Skeleton Crew, on Etymology, a CD-ROM sound sample library of sonic sounds and wire manipulations.

Tom Cora died of malignant melanoma at the age of 44 in a hospital in the south of France, where he lived with his wife, singer Catherine Jauniaux, and their son, Elia Corra."

-Wikipedia (https://en.wikipedia.org/wiki/Tom_Cora)
10/11/2017

"David Licht (born 20th century in Detroit, Michigan) is a drummer and a founding member of the Grammy Award-winning American Klezmer band The Klezmatics. He moved to New York City in 1985 to help manage a recording studio, joined the band Bongwater, and later met Frank London with whom he started The Klezmatics. He also played with When People Were Shorter and Lived Near the Water."

-Wikipedia (https://en.wikipedia.org/wiki/David_Licht)
10/11/2017

Other Releases With These Artists:
Chadbourne, Eugene / John Zorn
Great Duo Live, 1977-'80 Volume II
(Chadula)
Eisenstadt, Harris
Old Growth Forest
(Clean Feed)
Protean Reality
Protean Reality
(Clean Feed)
Renku
Live in Greenwich Village
(Clean Feed)
IST: New York (Davies / Fell / Wastell / Zorn)
Featuring John Zorn
(Confront)
Double Tandem (Vandermark/ Baars / Nilssen-Love)
OX
(Den Records)
Chadbourne, Eugene
The Concerto (The Smoke Detector Concerto)
(Chadula)
Chadbourne, Eugene
The Pioneers
(Chadula)
Chadbourne, Eugene
Stop Snoring
(Chadula)
Chadbourne, Eugene
This Time We Won't Come Back (Gulf War Tour)
(Chadula)
Shockabilly
Live At 10 Foot Henry's
(Chadula)
Baker, Duck
The Ducks Palace
(Incus)
Dean, Elton's Ninesense
Happy Daze + Oh! For The Edge
(Ogun)
Blast 4tet
Sift
(Recommended Records)
Jack and Jim Show (Jimmy Carl Black / Eugene Chadbourne)
We Don't Have That In The Home!
(Chadula)
Keiji / Makoto / Tatsuya
Ichi to Ichi ga Kasanatte Shimaumade [DVD]
(Magaibutsu)
Chadbourne, Eugene
The Beat Goes On
(Chadula)
Chadbourne, Eugene / Various
Pee Wee on the Way
(Chadula)
Chadbourne, Eugene
Constellation Rake
(Chadula)
Davies, Hugh
Performances 1969 - 1977
(Another Timbre)
Chadbourne, Eugene
Horror Part 12
(Chadula)
MacLean, Steve
Frog Bug Guitar Computer
(Recommended Records)
Ochs, Larry / Rova Special Sextet / OrkestRova
The Mirror World (for Stan Brakhage)
(Metalanguage)
Brainville 3 (Allen / Hopper / Cutler)
Trial By Headline
(Recommended Records)
Chadbourne, Eugene
Sacred Insects of Ancient Egypt
(Chadula)
Chadbourne, Dr. Eugene
Jungle Cookies
(Chadula)
Chadbourne, Eugene / Centazzo, Andrea
Udine: December 29, 1978
(Chadula)
Kuntz, Henry
Wayang Saxophony Shadow Saxophone
(Humming Bird Records)
Chadbourne, Eugene
At Off Centre Centre June 6, 1980
(Chadula)
Chadbourne, Eugene
Rebuild New Orleans In Iraq
(Chadula)
Chadbourne, Eugene / Kramer / Licht, David
ShockaprilfoolsAbilly: Shockabilly Live 1983
(Chadula)
Chadbourne, Eugene
Now Return Us To Normal
(Chadula)
Chadbourne, Eugene
Vision-Ease
(Chadula)
Chadbourne, Eugene
The English Channel
(Chadula)
Chadbourne, Eugene
At Clouds and Water Jan 12-1979
(Chadula)
Chadbourne, Eugene and Hutton, Randy
Summer of 73: Recorded at Home
(Chadula)
Chadbourne, Eugene
Year of the Chadfest
(Chadula)
Chadbourne, Eugene
Doc Chad Banjo Book
(Chadula)
Chadbourne, Eugene
Stoned for the Future
(Chadula)
Chadbourne, Eugene
The Intellectual and Emotional World of the Cockroach
(Chadula)
Chadbourne, Eugene
Young and Innocent Days
(Chadula)
Chadbourne, Eugene
Worms With Strings
(Leo)
Chadbourne, Eugene
To Prevail or Not to Prevail
(Chadula)
Chadbourne, Eugene
There'll Be No Tears Tonight 2000
(Chadula)
Chadbourne, Eugene
LSDC&W
(Chadula)
Chadbourne, Eugene
Pachuco Cadaver
(Chadula)
Chadbourne, Eugene
Normalized
(Chadula)
Recommended & Related Releases:

Search for other titles on the Chadula label.