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Catalog ID: SHCD 152
Squidco Product Code: 5779
Packaging: Jewel Tray
Recorded May 2nd, 1999 during the New Orleans Jazz Festival, Dream Palace, New Orleans, Louisiana
Edward 'Kidd' Jordan-tenor saxophone
Joel Futterman-piano, soprano saxophone, Indian flute
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Chicago Jazz & Improvisation
descriptions, reviews, &c.
"This live recording was made in May 1999 at the Dream Palace in New Orleans during the annual jazz festival. The session was improvisationally interactive to an explosive degree, even for these four musicians, and the recording had become legendary a while before it was released. 'Kidd' Jordan is from New Orleans and that is where he's mostly played, but lately he's been in demand in New York and Chicago, and Europe too. Pianist Joel Futterman is a Chicagoan now based in Virginia and before he became a cohort of 'Kidd' Jordan he was a cohort of the late Jimmy Lyons. Alvin Fielder held the drum chair for the Roscoe Mitchell Sextet album, 'Sound' (Delmark) when, in 1966, it signalled the appearance of new jazz activity in Chicago. He's been on innumerable sessions since, including a number for Silkheart Records. Bassist William Parker is just about the most central, and creative, figure on the New York new jazz scene and has been for twenty years or thereabouts. The quartet's 'New Orleans Festival Suite' confirms what may or may not be common knowledge, namely that the 'Kidd' Jordan Quartet is not only the senior improvising jazz group on the scene but also the hottest and the most excitingly evocative."-Silkheart
• Show Bio for William Parker
"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."
In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.
Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."-William Parker Website (http://www.williamparker.net/)
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• Show Bio for Alvin Fielder
"Alvin Leroy Fielder, Jr. Born: November 23, 1935, Meridian, Mississippi. Drums, Percussion, Composer. Father, Alvin Fielder Sr., studied coronet. Mother played piano and violin; grandmother played piano; mother's brother played clarinet. Brother, William, is Director of Jazz Studies, trumpeter, and trumpet instructor at Rutgers University.
At 13, Alvin Fielder began musical studies by joining Harris Senior High Band in Meridian, Mississippi, under leadership of Carlia "Duke" Otis. Alvin continued studies with Ed Blackwell while in New Orleans studying pharmacy at Xavier U. in 1952-53. After transferring to Texas Southern U. in Houston, TX, he continued course of study with Herb Brockstein as well as private lessons with George "Dude" Brown, Gene Ammons, drummer from Washington, DC, and Clarence Johnston, James Moody's drummer, from Boston, MA, whenever they came through Houston working. Alvin also had informal lessons with Jual Curtis and G.T. Hogan.
From 1954-56, Alvin worked with the "Pluma" Davis sextet, which included Don Wilkerson, Richard "Dicky Boy" Lillie, John Browning, Carl Lott, Cr., and many other Houston jazz luminaries. He backed such artists as Lowell Fulsom, Amos Milburn and other R&B artists with extended engagements in Houston. Alvin also made several studio dates for Duke records. He was also active on Houston jazz scene with Jimmy Harrison Quintet, John Browning quintet, and Eddie "Cleanhead" Vinson sextet.
From 1959 to 1968, Alvin was active in Chicago with: Sun Ra Arkestra 1960-61, Muhal Richard Abrams 1962-63, Roscoe Mitchell 1963-66, Eddie Harris and Kalaparusha 1965, co-op trio with Fred Anderson and Lester Lashley 1967-69. In between, he worked with John Stubblefield, Jack DeJohnette, "Scotty" Holt, Joseph Jarman, and other Chicago jazz musicians. Alvin is a charter member of AACM with Muhal Abrams, Roscoe Mitchell, Fred Anderson, Malachi Favors, Jodie Christian, Steve McCall, Phil Cohran, Thurman Barker, Ajaramu, Charles Clark, Christopher Gaddy, Freddy Berry, etc.
While in NY in 1962, Alvin played and rehearsed with Ernie Farrow, Bernard McKinney, Ray McKinney, Wilbur Ware, Vincent Pitts, Pat Patrick, George Scott and musicians associated with this era.
Alvin moved back to Mississippi in late 1968 to take over family pharmacy due to father's illness. With John Reese and Black Arts Music Society, Alvin was active in obtaining grants from NEA and Mississippi Arts Commission to bring musicians such as Roscoe Mitchell, John Stubblefield, Malachi Favors, Muhal Richard Abrams, Clifford Jordan and others to Mississippi.
Alvin worked extensively in early 1970s with Joe Jennings, alto saxophonist now in Atlanta, and Edward "Kidd" Jordan, multi-saxophonist from New Orleans, with whom he co-leads the Improvisational Arts quintet. One of the most important new music groups in the South, IAQ has included at various times Clyde Kerr, trumpet; Alvin Thomas, tenor saxophone; London Branch, Elton Herron, basses; Darryl Levine, piano; Kent Jordan, flute. Also worked with Dennis Gonzalez, trumpeter and multi-instrumentalist from Dallas, another leader on the new music scene in Dallas and TX.
Alvin also had a founding role in the nationally-acclaimed Louis "Satchmo" Armstrong Jazz Camp in New Orleans, LA. Alvin has been involved with this growing program since it began in 1995.
Recordings include Sound (1967) with Roscoe Mitchell Sextet, No Compromise (1983) with IAQ, The New New Orleans Music (1985) with New Music Jazz for Rounder, and Liquid Magic, Bannar, Namesake (all 1987) and Debenge-Debenge (1988) for Silkheart, (2006) Live at The Blue Monk, and (2004) Resolving Doors, The Joel Futterman, Alvin Fielder, Ike Levin Trio.
Appearances include Lincoln Center, Chicago; NO Jazz & Heritage Festival; Jazz Marathon '82 Festival, Holland; Moers Intl. New Jazz Festival, Germany 1982; Jazz Danes LA Drones Festival, France 1984; Northsea Jazz Festival, Netherlands 1984; Heinekin Jazz Festival, Netherlands 1988; Atlanta and Texas jazz festivals 1989; Festival Intl. de Louisiane 1991."-Alvin Fielder Website (http://www.alvinfielder.com/)
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