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Transit (Arnal / Misterka / Radding / Wooley): Transit (Clean Feed)


 

Price: $16.95

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product information:


Label: Clean Feed
Catalog ID: CF 055
Squidco Product Code: 5769

Format: CD
Condition: New
Released: 2005
Country: Portugal
Packaging: Jewel Tray

Personnel:

Jeff Arnal-percussion

Seith Misterka-alto saxophone

Reuben Radding-double bass

Nate Wooley-trumpet

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Cortelyou Q

2. Van Brunt

3. Gowanus Canal

4. Sabbath Siren

5. Brick City part 1

6. Brick City part 2

7. Journal Square

8. DerBlatt

9. Ditmas Park

10. Red Hook




Related Categories of Interest:

Clean Feed
Jazz
Improvised Music
January 2006
Nate Wooley
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Quartet Recordings

sample the album:
descriptions, reviews, &c.
"Arnal's group Transit includes an old companion of adventures, alto saxophonist Seth Misterka, member of the Anthony Braxton's Ghost Trance Ensemble and his partner in duo and trio records where we take notice of an inteligent use of extended techniques. Nate Wooley is the man with the trumpet, a musician very near the reductionist school, in the line of Axel Dorner, Franz Hautzinger and Birgit Ulher, and like them he mixes in his playing free jazz chops with contemporary classical, noise music and even lower-case electronics, even if it's entirely acoustic. Reuben Radding, the bassist, likes to sound his entire instrument. For him, musical notes aren't suficient, we hear also the wood of the double bass cracking; this when he's not exploring multiphonics with the arco, like he did in a much applauded duet with Daniel Carter."-Clean Feed

Artist Biographies:

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
3/27/2017

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