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© 2002-2017, Squidco LLC


Rowe, Keith / M, Sachiko / Nakamura, Toshimaru / Yoshihide, Otomo: ErstLive 005 (erstwhile)


 

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product information:


Label: erstwhile
Catalog ID: ErstLive005
Squidco Product Code: 4737

Format: 3 CDs
Condition: New
Released: 2005
Country: USA
Packaging: Box Set

Personnel:

Keith Rowe-guitar, electronics

Sachiko M-sine waves, contact microphone on objects

Toshimaru Nakamura-no-input mixing board

Otomo Yoshihide-electric guitar, turntables

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track listing:




Related Categories of Interest:

erstwhile
Sound, Noise, &c.
Keith Rowe
Yoshihide, Otomo
Asian Improvisation & Jazz
Turntablists
Quartet Recordings
Before April-2006
Objects and Home-made Instruments

descriptions, reviews, &c.
"ErstLive 005 is from the quartet of Keith Rowe, Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide, the centerpiece show of AMPLIFY 2004: addition, the "four hour quartet", and contains three individually packaged slimline CDs in a slipcase with original artwork by Keith Rowe, which wraps around the entire box, front, side, and back, as well as liner notes from all four musicians and numerous pictures from Yuko Zama. This release documents only the second performance of this quartet, after a brief set in Cologne the week before."-Erstwhile

Artist Biographies:

"tabletop guitarist and painter. Rowe is a founding member of both the influential AMM in the mid-1960s (though in 2004 he quit that group for the second time) and M.I.M.E.O. Having trained as a visual artist, Rowe's paintings have been featured on most of his own albums. After years of obscurity, Rowe has achieved a level of relative notoriety, and since the late 1990s has kept up a busy recording and touring schedule. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recent recordings having been released by Erstwhile Records.

Rowe began his career playing jazz in the early 1960s-notably with Mike Westbrook and Lou Gare. His early influences were guitarists like Wes Montgomery, Charlie Christian and Barney Kessel. Eventually, however, Rowe grew tired of what he considered the form's limitations. Rowe began experimenting, slowly and gradually. An important step was a New Year's resolution to stop tuning his guitar-much to Westbrook's displeasure. Rowe gradually expanded into free jazz and free improvisation, eventually abandoning conventional guitar technique.

This change in his approach to guitar, Rowe reports, was partly inspired by a teacher in one of his painting courses who told him, "Rowe, you cannot paint a Caravaggio. Only Caravaggio can paint Caravaggio." Rowe reports that after considering this idea from a musical perspective, "trying to play guitar like Jim Hall seemed quite wrong." For several years Rowe contemplated how to reinvent his approach to the guitar, again finding inspiration in visual art, namely, American painter Jackson Pollock, who abandoned traditional painting methods to forge his own style. "How could I abandon the technique? Lay the guitar flat!"

Rowe developed various prepared guitar techniques: placing the guitar flat on a table and manipulating the strings, body and pick-ups in unorthodox ways to produce sounds described as dark, brooding, compelling, expansive and alien. He has been known to employ objects such as a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar. A January 1997 feature in Guitar Player magazine described a Rowe performance as "resemble a surgeon operating on a patient." Rowe sometimes incorporates live radio broadcasts into his performances, including shortwave radio and number stations (the guitar's pick-ups will also pick up radio signals, and broadcast them through the amplifier).

AMM percussionist Eddie Prévost reports that Rowe has "an uncanny touch on the wireless switch", able to find radio broadcasts which seem to blend ideally with, or offer startling commentary on, the music. (Prévost, 18). On AMMMusic, towards the end of the cacophonous "Ailantus Glandolusa", a speaker announces via radio that "We cannot preserve the normal music." Prevost writes that during an AMM performance in Istanbul, Rowe located and integrated a radio broadcast of "the pious intonation of a male Turkish voice. AMM of course, had absolutely no idea what the material was. Later, it was complimented upon the judicious way that verses from The Koran had been introduced into the performance, and the respectful way they had been treated!" In reviewing World Turned Upside Down, critic Dan Hill writes, "Rowe has tuned his shortwave radio to some dramatically exotic gameshow and human voices spatter the mix, though at such low volume, they're unintelligible and abstracted. Rowe never overplays this device, a clear temptation with such a seductive technology - the awesome possibility of sonically reaching out across a world of voices requires experienced hands to avoid simple but ultimately short-term pleasure. This he does masterfully, mixing in random operatics and chance encounters with talkshow hosts to anchor the sound in humanity, amidst the abstraction." "

Some accounts report that Rowe's guitar technique was an influence on Pink Floyd founder Syd Barrett: "Taking his cues from experimental guitarist Keith Rowe of AMM, Barrett strived to push his music farther and farther out into the zone of complete abstraction."

Rowe has worked together with numerous composers and musicians, including Cornelius Cardew, Christian Wolff, Howard Skempton, Jeffrey Morgan, John Tilbury, Evan Parker, Taku Sugimoto, Otomo Yoshihide, Sachiko M, Oren Ambarchi, Christian Fennesz, Burkhard Beins, Kurt Liedwart, Toshimaru Nakamura, David Sylvian and Peter Rehberg.

-Wikipedia (https://en.wikipedia.org/wiki/Keith_Rowe)
5/19/2017

Other Releases With These Artists:
Recommended & Related Releases:
Rowe, Keith / Martin Kuchen
The Bakery
(Mikroton Recordings)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Rowe, Keith / Alfredo Costa Monteiro / Ilia Belorukov / Kurt Liedwart
Contour
(Mikroton Recordings)
NG4 Quartet (Keith Rowe / Anthony Taillard / Emmanuel Leduc / Julien Ottavi)
A Quartet For Guitars
(Mikroton Recordings)
Reed, Rick / Keith Rowe / Bill Thompson
Shifting Currents [2 CDs]
(Mikroton Recordings)
Rowe, Keith / John Tilbury
E.E. Tension And Circumstance
(Potlatch)
Mimeo
WIGRY [2 VINYL LPs]
(Monotype)
Malfatti, Radu / Keith Rowe
"Phi" [3 CDs]
(erstwhile)
Rowe, Keith & Mark Wastell
Live at i-and-e
(Confront)
Kuchen / Rowe / Wright

(Another Timbre)
Rowe, Keith / Toshimaru Nakamura
ErstLive 008
(erstwhile)
Rowe, Keith / Sachiko M
M-contact [2 CDs]
(erstwhile)
Rowe, Keith
ErstLive 007
(erstwhile)
Rowe, Keith / Taku Unami
ErstLive 006
(erstwhile)
Rowe, Keith / Nakamura, Toshimaru
Between
(erstwhile)
London Improvisers Orchestra
Responses, Reproduction & Reality (freedom of the city 2003-4)
(Emanem)
Rowe, Keith / Beins, Burkhard
Erstwhile Live 001
(erstwhile)
Rowe, Keith / Fennesz, Christian
Live at the LU
(erstwhile)
Rowe, Keith/ Thomas Lehn / Marcus Schmickler
Rabbit Run
(erstwhile)
Rowe, Keith / Toshimaru Nakamura
Weather Sky
(erstwhile)
AMM
AMMMusic 1966
(Recommended Records)
Other Recommended Releases:
Rowe, Keith
The Room Extended [4 CDs]
(erstwhile)
Olive / Owen (Tim Olive / Ben Owen)
63-66
(845 Audio)
Rowe, Keith
September
(erstwhile)
Wolff, Christian / Keith Rowe

(erstwhile)



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