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Catalog ID: 4215
Squidco Product Code: 4590
Format: 2 CDs
Country: Great Britain
Packaging: 2 CDs in a single Jewel tray, not sealed
Recorded at the freedom of the city festival in London's Conway Hall on May 2nd, 2004 by Sebastian Lexer.
Stefan Keune-sopranino saxophone
Philipp Wachsmann-violin, electronics
Clive Bell-sipsi, shakuhachi, pi saw flute, mini-khene, Cretan pipes
Sylvia Hallett-viola, bicylce wheel, saw, jews harp, breath, digital delays
Chris Burn-piano, percussion
John Butcher-soprano saxophone, tenor saxophone
Jim Denley-flute, bass flute, flax, alto saxophone, voice
Will Guthrie-amplified percussion
Matt Hutchinson-synthesizers, electronics
Louis Moholo-Moholo-drum set, musical doll
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1. Whithersoever 22:34
2. Titled Improvisation Part One 9:24
3. Titled Improvisation Part Two 7:56
4. Titled Improvisation Part Three 5:10
5. A Skein 12:16
6. A Lock 6:52
7. A Gaggle 7:07
8. A Purl 4:50
1. Tension Sort 7:52
2. Geiger Release 10:33
3. Heart Sliced Open 10:27
4. Pop Goes The Drunkard 12:10
5. The Very First Time 30:29
6. The End Of The Very First Time 5:29
Related Categories of Interest:
EMANEM & psi
European Improv, Free Jazz & Related
sample the album:
"Various ensemble recordings, from May, 2004. Some of the groups and soloists presented by Emanem: Clive Bell (sipsi, shakuhachi, pi saw flute, mini-khene, Cretan pipes) & Sylvia Hallett (viola, bicycle wheel, saw, jews harp, breath, digital delays); Gail Brand (trombone) & Morgan Guberman (voice); Chris Burn (piano), John Butcher (soprano & tenor saxophones), Clare Cooper (guzheng), Jim Denley (flutes & alto saxophone), Will Guthrie (amplified percussion) & Matt Hutchinson (synthesizers); John Russell (guitar), Stefan Keune (sopranino saxophone), Phil Minton (voice), Philipp Wachsmann (violin), Georg Wolf (double bass); Paul Rutherford (trombone); Roger Smith (guitar) & Louis Moholo-Moholo (percussion)."-Emanem
• Show Bio for John Russell
"John Russell got his first guitar in 1965 while living in Kent and began to play in and around London from 1971 onwards. An early involvement with the emerging free improvisation scene (from 1972) followed, seeing him play in such places as The Little Theatre Club, Ronnie Scott's, The Institute of Contemporary Arts, The Musicians' Co-Op and the London Musicians' Collective. From 1974 his work extended into teaching, broadcasts (radio and television) and touring in the United Kingdom and, ever extensively, in other countries around the world . He has played with many of the world's leading improvisers and his work can be heard on over 50 CDs and albums. In 1981, he founded QUAQUA, a large bank of improvisers put together in different combinations for specific projects and, in 1991, he started MOPOMOSO which has become the UK's longest running concert series featuring mainly improvised music."-John Russell Website (http://www.john-russell.co.uk/biography/)
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• Show Bio for Phil Minton
"Phil Minton comes from Torquay. He played trumpet and sang with the Mike Westbrook Band in the early 60s- Then in dance and rock bands in Europe for the later of part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980's.
For most of the last forty years, Minton has been working as a improvising singer in lots of groups, orchestras, and situations, all over the place. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians.
Since the eighties, His Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries."-Phil Minton Website (https://www.philminton.co.uk/8-2/)
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• Show Bio for Paul Rutherford
"Paul William Rutherford (29 February 1940 - 5 August 2007) was an English free improvising trombonist. Born in Greenwich, South East London, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama.
In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the 3-CD set Chapter One (Emanem, 2000). A film soundtrack was separately released as Buzz Soundtrack. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Russian word for "spark"; it was the title of the Iskra revolutionary newspaper edited by Lenin. The "1903" designation means "20th century music for trio"; occasionally Evan Parker played with the group (Iskra 1904) and Rutherford also at one point assembled a 12-piece ensemble called, inevitably, Iskra 1912. The group was later revived with Philipp Wachsmann replacing Bailey, a phase of the group's life that lasted from roughly 1977 to 1995; its earlier work is documented on Chapter Two (Emanem, 2006) and its final recordings were issued on Maya (Iskra 1903) and Emanem (Frankfurt 1991).
Rutherford also played with Globe Unity Orchestra, London Jazz Composer's Orchestra, Centipede, the Mike Westbrook Orchestra, and the Orckestra, a merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. He also played a very small number of gigs with Soft Machine. He is perhaps most famous for solo trombone improvisations. His album The Gentle Harm of the Bourgeoisie is a landmark recording in solo trombone and his 1983 Trio album Gheim, recorded at the Bracknell Jazz Festival is another acclaimed work.
Rutherford died of cirrhosis of the liver and a ruptured aorta on 5 August 2007, aged 67."-Wikipedia (https://en.wikipedia.org/wiki/Paul_Rutherford_(trombonist))
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• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
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• Show Bio for Jim Denley
"Jim Denley was born in Bulli, Australia in January 1957. Wind instruments and electronics are core elements of his musical output.
An emphasis on spontaneity, site-specific work and collaboration has been central to his work. He sees no clear distinctions between his roles as instrumentalist, improviser and composer.
Collaborations, his radio feature for the Australian Broadcasting Corporation, won the Prix Italia in 1989. His interest in radio has continued with the ABC over 17 years. In May 2006 he recorded a program for the ABC in the Budawang Mountains, south-west of Sydney, which has now been made into a CD, Through Fire, Crevice and the Hidden Valley. This received an Honorary Mention in the Digital Musics category of the Prix Ars Electronica 2008. He has been to the Budawangs again to record a new program for the ABC, Co-existence. The ABC will enter the 2006 recordings in Prix Italia 2009.
In 1990 he was a member of Derek Bailey's Company for a week of concerts in London. He co-founded the electroacoustic text/music group Machine for Making Sense.
In 2006 and 2007 he received a Fellowship from the Australia Council for the Arts to research and develop his concept of Meta instrument. As part of this he formed the group Metalog - they toured Australia July 2008.
He has played throughout Australia, Europe, Japan and the US with artists such as Chris Abrahams, Clare Cooper, Keith Rowe, Joel Stern, Robbie Avenaim, Jon Rose, John Butcher, Otomo Yoshide, Fred Frith, Phil Niblock, Trey Spruance, Clayton Thomas, Tess de Quincy, Axel Doerner, Adam Sussman, Ami Yoshida, Oren Ambarchi, Tony Buck, Ikue Mori, Satchiko M, Malcolm Goldstein and Annette Krebs."-Australian Music Centre (http://www.australianmusiccentre.com.au/artist/denley-jim)
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• Show Bio for Will Guthrie
"Will Guthrie is an Australian drummer / percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics..He plays solo and in various projects such as THE AMES ROOM & THE SOMMES ENSEMBLE. His music has been released on labels such as Gaffer Records, Erstwhile, Clean Feed, 23five, Editions Mego, Ipecac, iDEAL and his own label Antboy Music.
While studying jazz and improvised music(s) at the Victorian College of the Arts in Melbourne, alongside Ren Walters he started the weekly concert series 'Improvised Tuesdays', now known as the Make It Up Club and is Australia's longest running performance space dedicated to experimental and improvised musics. In Nantes, France he is part of the collective CABLE# which also organizes regular concerts and an annual festival. He also runs the experimental improvised CD label and mail-order service; ANTBOY MUSIC.
He plays solo using different combinations of drums, percussion, amplification and electronics, in minimalist/maximalist free jazz trio THE AMES ROOM (with Jean-Luc Guionnet & Clayton Thomas), as well as the improvised/composed ensemble THE SOMMES ENSEMBLE (with Pierre-Antoine Badaroux, Julien Desperez & Maxime Petit).
Regular collaborators past and present include Jérôme Noetinger, Oren Ambarchi, Anthony Pateras, Chulki Hong, Keith Rowe, David Maranha, Toma Gouband, Erell Latimier, Ava Mendoza, Adam Sussmann, Matt Earle, Ren Walters, Helmut Schafer, David Ades, Mark Simmonds, the film maker Hangjun Lee and choreographer/dancer Mette Ingvartsen."-Will Guthrie Website (http://will-guthrie.com/index.php?/about/)
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• Show Bio for Louis Moholo-Moholo
"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.
Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.
He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.
Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."-Wikipedia (https://en.wikipedia.org/wiki/Louis_Moholo)
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