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© 2002-2017, Squidco LLC


Brotzmann Chicago Tentet, Peter: Signs (Okka)


 

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product information:


Label: Okka
Catalog ID: OKKA 048
Squidco Product Code: 2896

Format: CD
Condition: New
Released: 2003
Country: USA
Packaging: Jewel Tray
Recorded at Airwave Studios / Chicago 17th and 18th of June 2002 by John McCortney


Personnel:

Joe McPhee-trumpet

Jeb Bishop-trombone

Ken Vandermark-tenor saxophone, baritone saxophone, b flat clarinet

Mats Gustafsson-tenor saxophone, baritone sax

Mars Williams-alto saxophone, tenor saxophone, sopranino saxophone

Peter Brotzmann-alto saxophone, tenor saxophone, a clarinet, tarogato

Fred Lonberg-Holm-cello

Kent Kessler-bass

Michael Zerang-drums

Hamid Drake-drums

Highlight an artist name or instrument above
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track listing:
Related Categories of Interest:

Improvised Music
Jazz
European Improv, Free Jazz & Related
June 2007
Peter Brotzmann
Ken Vandermark
Joe McPhee
Chicago Jazz & Improvisation
Mats Gustafsson
Recordings by or featuring Reed & Wind Players
Jeb Bishop
Okka

sample the album:
descriptions, reviews, &c.
"2 discs of live and studio material from 2002 & 2003 with new compositions by Brotzmann (both title pieces), Ken Vandermark, Mats Gustafsson and Fred Longberg-Holm."

Artist Biographies:

"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.

His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.

In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.

In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."

-Joe McPhee Website (http://joemcphee.com/bio.html)
4/19/2017

"Jeb Bishop was born in Raleigh, North Carolina during the Cuban missile crisis. He began playing the trombone at the age of 10, under the tutelage of Cora Grasser. Other influential teachers during junior high and high school included Jeanne Nelson, Eric Carlson, Richard Fecteau, Greg Cox, and James Cozart.

He majored in classical trombone performance at Northwestern University from 1980-82, studying with Frank Crisafulli. Deciding he did not want to pursue a career as an orchestral musician, he returned to Raleigh in 1982 and took up engineering studies at NC State University. Raleigh's developing underground rock scene attracted him, and from 1982-84 he played bass guitar in rock bands in the Raleigh area.

At the same time, he developed an interest in philosophy, eventually majoring in the subject, and spent 1984-85 studying philosophy at the Higher Institute of Philosophy of the Catholic University of Louvain, Belgium.

Returing to Raleigh in 1985, he spent the next few years working at menial jobs and playing guitar, bass, cheap keyboards, drums, etc., in rock bands including and/or, the Angels of Epistemology, Egg, and Metal Pitcher.

In 1989 he left Raleigh to pursue graduate studies in philosophy, first at the University of Arizona, then at Loyola University of Chicago (where he was awarded the Crown Fellowship in the Humanities). During 1991-92 he returned to Europe, spending the summer of 1991 studying German at the Goethe-Institut Iserlohn (now closed), and then pursuing independent studies in philosophy at the French-language division of the University of Louvain.

Returning to Chicago in 1992, he completed his M.A. at Loyola in 1993. By this time he had already begun to make connections with improvising musicians in Chicago, having joined the Flying Luttenbachers as bassist (later adding trombone) in late 1992, and playing guitar occasionally in a quartet with Weasel Walter, Ken Vandermark, and Kevin Drumm. Other bands during this period included the Unheard Music Quartet (with Vandermark, Mike Hagedorn on trombone, and Otto Huber on drums) and the Rev Trio (with Walter and saxophonist Joe Vajarsky). Bishop played electric bass in both these bands.

In late 1995, Bishop joined the Vandermark 5 as one of its founding members, and remained with the band through the end of 2004. During this period he also became associated with many other groups, including the Peter Brötzmann Chicago Tentet, School Days, Ken Vandermark's Territory Band, and his own Jeb Bishop Trio, and became a very frequent participant in ad hoc and free-improvised concerts in Chicago. Bishop performed in the inaugural concerts of two of the longest-running free-music concert series in Chicago: the Myopic Books weekly concerts (originally at Czar Bar; with Rev Trio) and the Empty Bottle Wednesday night concert series (with a quartet of Terri Kapsalis, Kevin Drumm, and Jim O'Rourke). He curated the monthly Chicago Improvisers Group concerts at the Green Mill from 1999-2002, and co-curated the weekly Eight Million Heroes concert series at Sylvie's in 2005-6.

Bishop has made dozens of recordings with many different groups, has toured North America and Europe many times, and maintains a busy performing schedule."

-Jeb Bishop Website (http://www.jebbishop.com/jebbio.html)
4/19/2017

"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
4/19/2017
"Born 1964 in Umeå, Northern Sweden.Saxplayer, improviser and composer. Solo artist and international tours and projects with a.o. Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, FIRE!, Gush, Boots Brown, Swedish Azz and Fake (the facts). Large ensemble work with Barry Guy New Orchestra,FIRE! Orchestra and the NU - ensemble.over 1800 concerts and over 200 record productions in Europe, Australia, Africa, North & South America and Asia.Collaborations with contemporary dance, theater, art, poetry as well as projects with noise, electronica, contemporary rock and free jazz.Discaholic - running the discaholic corner website.Producer of international festivals and concert tours as well as work with own record labels Slottet, OlofBright Editions and Blue Tower Records."-Mats Gustafsson Website (http://matsgus.com/archives/category/bio)
4/19/2017

"Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato.

Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid.

Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald. During 1962/63 Brötzmann, Kowald and various drummers played regularly - Mingus, Ornette Coleman, etc. - while experiencing freedoms from a different perspective via Stockhausen, Nam June Paik, David Tudor and John Cage. In the mid 1960s, he played with American musicians such as Don Cherry and Steve Lacy and, following a sojourn in Paris with Don Cherry, returned to Germany for his unorthodox approach to be accepted by local musicians like Alex von Schlippenbach and Manfred Schoof.

The trio of Peter Brötzmann, Peter Kowald and Sven-Ake Johansson began playing in 1965/66 and it was a combination of this and the Schoof/Schlippenbach Quintet that gave rise to the first Globe Unity Orchestra. Following the self-production of his first two LPs, For Adolphe Sax and Machine gun for his private label, BRÖ, a recording for Manfred Eicher's 'Jazz by Post' (JAPO) [Nipples], and a number of concert recordings with different sized groups, Brötzmann worked with Jost Gebers and started the FMP label. He also began to work more regularly with Dutch musicians, forming a trio briefly with Willem Breuker and Han Bennink before the long-lasting group with Han Bennink and Fred Van Hove. As a trio, and augmented with other musicians who could stand the pace (e.g. Albert Mangelsdorff on, for example, The Berlin concert), this lasted until the mid-1970s though Brötzmann and Bennink continued to play and record as a duo, and in other combinations, after this time. A group with Harry Miller and Louis Moholo continued the trio format though was cut short by Miller's early death.

The thirty-plus years of playing and recording free jazz and improvised music have produced, even on just recorded evidence, a list of associates and one-off combinations that include just about all the major figures in this genre: Derek Bailey (including performances with Company (e.g. Incus 51), Cecil Taylor, Fred Hopkins, Rashied Ali, Evan Parker, Keiji Haino, Misha Mengelberg, Anthony Braxton, Marilyn Crispell, Andrew Cyrille, Phil Minton, Alfred 23 Harth, Tony Oxley. Always characterised as an energy player - and the power-rock setting of Last Exit with Ronald Shannon Jackson, Sonny Sharock and Bill Laswell, or his duo performances with his son, Casper, did little to disperse this conviction - his sound is one of the most distinctive, life-affirming and joyous in all music. But the variety of Brötzmann's playing and projects is less recognised: his range of solo performances; his medium-to-large groups and, in spite of much ad hoc work, a stability brought about from a corpus of like- minded musicians: the group Ruf der Heimat; pianist Borah Bergman; percussionist Hamid Drake; and Die like a dog, his continuing tribute to Albert Ayler, with Drake, William Parker and Toshinori Kondo. Peter Brötzmann continues a heavy touring schedule which, since 1996 has seen annual visits to Japan and semi-annual visits to the thriving Chicago scene where he has played in various combinations from solo through duo (including one, in 1997, with Mats Gustafsson) to large groups such as the Chicago Octet/Tentet, described below. He has also released a number of CDs on the Chicago-based Okka Disk label, including the excellent trio with Hamid Drake and the Moroccan Mahmoud Gania, at times sounding like some distant muezzin calling the faithful to become lost in the rhythm and power of the music.

The "Chicago Tentet" was first organized by Brötzmann with the assistance of writer/presenter John Corbett in January 1997 as an idea for a one-time octet performance that included Hamid Drake and Michael Zerang (drums), Kent Kessler (bass) and Fred Lomberg-Holm (cello), Ken Vandermark and Mars Williams (reeds), and Jeb Bishop (trombone). The first meeting was extremely strong and warranted making the group an ongoing concern and in September of that same year the band was expanded to include Mats Gustafsson (reeds) and Joe McPhee (brass) as permanent members (with guest appearances by William Parker (bass), Toshinori Kondo (trumpet/electronics), and Roy Campbell (trumpet) during its tenure) - all in all a veritable who's who of the contemporary improvising scene's cutting edge. Though the Tentet is clearly led by Brötzmann and guided by his aesthetics, he has been committed to utilizing the compositions of other members in the ensemble since the beginning. This has allowed the band to explore an large range of structural and improvising tactics: from the conductions of Mats Gustafsson and Fred Lonberg-Holm, to the vamp pieces of Michael Zerang and Hamid Drake, to compositions using conventional notation by Ken Vandermark and Mars Williams, to Brötzmann's graphic scores - the group employs almost every contemporary approach to composing for an improvising unit. This diversity in compositional style, plus the variety in individualistic approaches to improvisation, allows the Tentet to play extremely multifaceted music. As the band moves from piece to piece, it explores intensities that range from spare introspection to all out walls of sound, and rhythms that are open or free from a steady pulse to those of a heavy hitting groove. It is clear that the difficult economics of running a large band hasn't prevented the group from continuing to work together since its first meeting. Through their effort they've been able to develop an ensemble sound and depth of communication hard to find in a band of any size or style currently playing on the contemporary music scene."

-EFI (European Free Improvisation Pages) (http://www.efi.group.shef.ac.uk/mbrotzm.html)
4/19/2017

"Michael Zerang was born in Chicago, Illinois, and is a first-generation American of Assyrian decent. He has been a professional musician, composer, and producer since 1976, focusing extensively on improvised music, free jazz, contemporary composition, puppet theater, experimental theater, and international musical forms.

Michael has collaborated with contemporary theater, dance, and other multidisciplinary forms and has received three Joseph Jefferson Awards for Original Music Composition in Theater, in collaboration with Redmoon Theater, in 1996, 1998, and 2000.

As a percussionist and composer, Michael has over eighty titles in his discography and has toured nationally and internationally to 34 countries since 1981, and works with and ever-widening pool of collaborators.

Michael founded and was the artistic director of the Link's Hall Performance Series in Chicago from 1985-1989 where he produced over 300 concerts of jazz, traditional ethnic folk music, electronic music, and other forms of forward thinking music. Michael has been a Board Member of Links Hall Since 1989. He continued to produce concerts at Cafe Urbus Orbis from 1994-1996, and at his own space, The Candlestick Maker in Chicago's Albany Park neighborhood, from 2001 - 2005.

Michael has taught as a guest artist at The School of the Art Institute of Chicago in performance technique, sound design, and sound/music as it relates to puppetry; rhythmic analysis for dancers at The Dance Center of Columbia College, Northwestern University, and MoMing Dance and Arts Center; courses in Composer/Choreographer Collaborations at Northwestern University; music to children at The Jane Adams Hull House.

Michael currently tours and holds workshops in improvisational music, and teaches private lessons in rhythmic analysis, music composition, and percussion technique.

-Michael Zerang Website (http://www.michaelzerang.com/)
4/19/2017

"Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career.

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups)

He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae."

-Wikipedia (https://en.wikipedia.org/wiki/Hamid_Drake)
4/19/2017

Other Releases With These Artists:
DEK Trio (Ken Vandermark / Elisabeth Harnik / Didi Kern)
Burning Below Zero
(Trost Records)
Bauer, Johannes / Peter Brotzmann
Blue City (Live At Blue City Osaka / Japan 16. October 1997)
(Trost Records)
Gustafsson, Mats / Joachim Nordwall
A Map of Guilt [VINYL]
(Bocian)
Eisenstadt, Harris
Recent Developments
(Songlines)
Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
The End [VINYL]
(Cien Fuegos)
Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Couscouss de la Mauresque [VINYL]
(Cien Fuegos)
Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Elements [VINYL]
(Cien Fuegos)
Mats Gustafsson / Craig Taborn
Ljubljana [VINYL]
(Clean Feed)
Dunmall, Paul Quintet
The Dreamtime Suite
(FMR)
Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann [VINYL]
(Shhpuma)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Chicago Plan, The (Swell / Ullmann / Lonberg-Holdm / Zerang)
The Chicago Plan
(Clean Feed)
Drake, Hamid / Sylvain Kassap
Heads Or Tails [2 CDs]
(RogueArt)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
McPhee, Joe / Raymond Boni
Live From The Magic City (Birmingham, Alabama)
(Trost Records)
Jerman / Barnes
Versatile Ambience [VINYL]
(IDEA Intermedia)
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
Kurzmann, Christof / Mats Gustafsson
Falling And Five Other Failings
(Trost Records)
Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann
(Shhpuma)
Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better
(Otoroku)
Konstrukt / Peter Brotzmann / Huseyin Ertunc / Dogan Dogusel / Barlas Tan Ozemek
Eklisia Sunday [VINYL]
(Holidays Records)
Eloping with the Sun (William Parker / Morris / Drake)
Counteract This Turmoil Like Trees and Birds
(RogueArt)
Universal Indians w/ Joe McPhee
Skullduggery [VINYL 2 LPs]
(Clean Feed)
Brotzmann, Peter / William Parker / Hamid Drake
Song Sentimentale [VINYL]
(Otoroku)
Roebke, Jason Octet
Cinema Spiral
(NoBusiness)
Rara Avis (Ken Vandermark / Stefano Ferrian / Simone Quatrana / Luca Pissavini / Sec)
Rara Avis
(Not Two Records)
Full Blast (Brotzmann / Pliakas / Wertmuller)
Risc [VINYL 2 LPs]
(Trost Records)
Full Blast (Brotzmann / Pliakas / Wertmuller)
Risc
(Trost Records)
Fire! Orchestra
Ritual [VINYL 2 LPs + CD]
(Rune Grammofon)
Fire! Orchestra
Ritual
(Rune Grammofon)
Jungle: Mat Walerian / Matthew Shipp / Hamid Drake
Live at Okuden [2 CDs]
(ESP)
Slobber Pup
Pole Axe [VINYL]
(Rarenoise Records)
Gustafsson, Mats
Piano Mating [VINYL]
(Blue Tapes and X-Ray Records)
Peter, Brotzmann / Fred Hopkins / Rashied Ali
Songlines [VINYL 2 LPs]
(Trost Records)
Fire!
She Sleeps, She Sleeps
(Rune Grammofon)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Vandermark, Ken
Site Specific [2 CDs + BOOK]
(Audiographic Records)
Audio One (Vandermark/Adasiewicz/Berman/Bishop/Rempis/Williams/Mazzarrella/Daisy/Macri/Paulson)
The Midwest School [VINYL]
(Audiographic Records)
Audio One (Vandermark/Adasiewicz/Berman/Bishop/Rempis/Williams/Mazzarrella/Daisy/Macri/Paulson)
An International Report [VINYL]
(Audiographic Records)
Eisenstadt, Harris
Old Growth Forest
(Clean Feed)
Trio X
Live At Craig Kessler & Janet Lessner's
(CIMPOL)
Trio X
Live At Kerrytown
(CIMPOL)
Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)
Rova Channeling Coltrane
Electric Ascension - Live At The 2012 Guelph Festival + "Cleaning The Mirror - A Documentary by John Rogers" [Blu Ray + DVD + CD]
(RogueArt)
Bathysphere (with Bishop / Malaby / Ho Bynum / &c)
Bathysphere
(Driff Records)
Chippendale, Brian / Mats Gustafsson / Massimo Pupillo
Melt [VINYL]
(Trost Records)
Brotzmann, Peter Group
Alarm [VINYL]
(Cien Fuegos)
McPhee, Joe / Raymond Boni
Jukebox-Series 003 [7-inch VINYL]
(Trost Records)
Thing, The
Shake [VINYL 2 LPs]
(The Thing Records)
Made to Break
Before the Code [VINYL]
(Trost Records)
Parker, William
For Those Who Are, Still [3 CD BOX]
(Aum Fidelity)
The Turbine! (Bankhead / Duboc / Drake / Lopez + guests)
Entropy/Enthalpy [2 CDs]
(RogueArt)
Last Exit
Iron Path [VINYL]
(ESP)
Chicago Reed Quartet (Mazzarella / Rempis / Williams / Vandermark)
Western Automatic
(Aerophonic)
Universal Indians + Joe McPhee (Dikeman / Strom / Ostvang)
Skullduggery
(Clean Feed)
Last Exit
Iron Path
(ESP)
Vandermark, Ken / Fred Lonberg-Holm
Resistance [VINYL]
(Bocian)
Vandermark, Ken / Fred Lonberg-Holm
Resistance
(Bocian)
Brotzmann / McPhee / Kessler / Zerang
Tales Out Of Time
(Hatology)
Gustafsson, Mats w/ John Russell & Phil Minton
a duo(s) [VINYL]
(Bocian)
Wooley, Nate / Ken Vandermark
East By Northwest
(Pleasure of the Text Records)
Bruckmann / Rosenberg / Zerang
Six Synaptics
(Ertia Creations / Barely Auditable Records )
Thing, The With Thurston Moore
Live [VINYL]
(The Thing Records)
McPhee, Joe
As Serious As Your Life [reissue]
(Hatology)
Decoy with Joe Mcphee
Spontaneous Combustion [2 CDs]
(Otoroku)
Whammies, The (Dijkstra / Oliver / Karayorgis / Roebke / Bishop / Bennink)
Play The Music of Steve Lacy Vol. 3, Live
(Driff Records)
Bruckmann's, Kyle Wrack
...Awaits Silent Tristero's Empire
(Singlespeed Music)
Margots, The
Sople
(Okka)
DKV Trio
Baraka
(Okka)
Gustafsson / Oehlan
Jukebox-Series 001 [7-INCH VINYL]
(Trost Records)
Brotzmann, Peter / Sonny Sharrock
Whatthefuckdoyouwant
(Trost Records)
Fire! Orchestra
Enter
(Rune Grammofon)
Gustafsson, Mats / Lasse Marhaug
The Oslo Tapes [VINYL 12"]
(Bocian)
Nilssen-Love, Paal / Mats Gustafsson
Sin Gas [Vinyl]
(Bocian)
Nilssen-Love, Paal / Mats Gustafsson
Con Gas [2 x 7-inch SINGLES]
(Bocian)
Nilssen-Love, Paal / Mats Gustafsson
Sin Gas [CD]
(Bocian)
Made to Break
Cherchez la Femme [VINYL]
(Trost Records)
Brotzmann, Peter / Harry Miller / Louis Moholo
Opened, But Hardly Touched [VINYL 2 LPs]
(Cien Fuegos)
Brotzmann Trio, Peter
For Adolphe Sax [VINYL]
(Cien Fuegos)
Trzaska, Mikolaj / Devin Hoff / Michael Zerang
Sleepless in Chicago [VINYL]
(NoBusiness)
Gregorio, Guillermo
Faktura
(Hat [now] ART)
Rutherford, Paul
Chicago 2002
(Emanem)
McPhee, Joe / Paal Nilssen-Love
Red Sky
(PNL)
Moore, Thurston & Mats Gustafsson
Vi Ar Alla Guds Slavar [VINYL]
(Otoroku)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly [VINYL]
(Rune Grammofon)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly
(Rune Grammofon)
Jordan, Kidd & Hamid Drake
A Night in November
(Valid Records)
Thing, The
Boot!
(The Thing Records)
Yudanov / Brotzmann / Luoma
Fryed Fruit
(Red Toucan)
Various Artists
Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
Fire!
Without Noticing
(Rune Grammofon)
DKV Trio + Gustafsson / Nilssen-Love / Pupillo
Schl8hof [VINYL]
(Trost Records)
Margots, The (Vandermark / Daisy / McPhee / Reid / &c)
Pescado
(Okka)
Vandermark's, Ken Topology Nonet w/ Joe McPhee
Impressions of Po Music
(Okka)
Made to Break
Lacerba [VINYL]
(Clean Feed)
McPhee, Joe
Sonic Elements
(Clean Feed)
Thieke / Gregorio / Baker / Zerang
Sack of Rice
(Peira)
Correction with Mats Gustafsson
Shift [VINYL]
(NoBusiness)
Trespass Trio + Joe McPhee
Human Encore
(Clean Feed)
Lacy, Steve & Joe McPhee
The Rest [VINYL]
(Roaratorio)
Dieb13 / Gustafsson / Siewert
(Fake) The Facts [VINYL 7-inch]
(Trost Records)
Recommended & Related Releases:
DEK Trio (Ken Vandermark / Elisabeth Harnik / Didi Kern)
Burning Below Zero
(Trost Records)
Bauer, Johannes / Peter Brotzmann
Blue City (Live At Blue City Osaka / Japan 16. October 1997)
(Trost Records)
Gustafsson, Mats / Joachim Nordwall
A Map of Guilt [VINYL]
(Bocian)
Eisenstadt, Harris
Recent Developments
(Songlines)
Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
The End [VINYL]
(Cien Fuegos)
Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Couscouss de la Mauresque [VINYL]
(Cien Fuegos)
Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff)
Elements [VINYL]
(Cien Fuegos)
Mats Gustafsson / Craig Taborn
Ljubljana [VINYL]
(Clean Feed)
Dunmall, Paul Quintet
The Dreamtime Suite
(FMR)
Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann [VINYL]
(Shhpuma)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Chicago Plan, The (Swell / Ullmann / Lonberg-Holdm / Zerang)
The Chicago Plan
(Clean Feed)
Drake, Hamid / Sylvain Kassap
Heads Or Tails [2 CDs]
(RogueArt)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
McPhee, Joe / Raymond Boni
Live From The Magic City (Birmingham, Alabama)
(Trost Records)
Jerman / Barnes
Versatile Ambience [VINYL]
(IDEA Intermedia)
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
Kurzmann, Christof / Mats Gustafsson
Falling And Five Other Failings
(Trost Records)
Black Bombaim & Peter Brotzmann
Black Bombaim & Peter Brotzmann
(Shhpuma)
Brotzmann, Peter / Steve Noble / John Edwards
The Worse The Better
(Otoroku)
Konstrukt / Peter Brotzmann / Huseyin Ertunc / Dogan Dogusel / Barlas Tan Ozemek
Eklisia Sunday [VINYL]
(Holidays Records)
Eloping with the Sun (William Parker / Morris / Drake)
Counteract This Turmoil Like Trees and Birds
(RogueArt)
Universal Indians w/ Joe McPhee
Skullduggery [VINYL 2 LPs]
(Clean Feed)
Brotzmann, Peter / William Parker / Hamid Drake
Song Sentimentale [VINYL]
(Otoroku)
Roebke, Jason Octet
Cinema Spiral
(NoBusiness)
Rara Avis (Ken Vandermark / Stefano Ferrian / Simone Quatrana / Luca Pissavini / Sec)
Rara Avis
(Not Two Records)

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