Out of Stock
Shipping Weight: 3.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: CHALACY
Squidco Product Code: 2839
Packaging: Cardstock foldover
Eugene Chadbourne-vocals, guitar, banjo
Mike Dillon-vibes, marimba, drum set, percussion, electronics
Mark Southerland-tenor sax, 8 track, hybrid horns
Johnny Hammil-upright bass
Brad Hauser-baritone sax, bass clarinet
Highlight an artist name or instrument above
and click here to Search
Related Categories of Interest:
Song Based Music
sample the album:
Live, jazzy set with the good doctor on vocals, guitar and banjo, joined by the great midwestern jazzish quartet Malachy Papers. Nine tracks include Monk's "Epistrophy," John Lee Hooker's "I Had a Dream," Beefheart's "Buggy Boogie Woogle" and Roger Miller's "The Last Word in Lonesome is Me." Comes in an oddly deluxe cover - a silkscreened cardboard outersleeve with a seperate, silkscreened inner cover to which is glued a return envelope containing a cdr.
• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
^ Hide Bio for Eugene Chadbourne
Search for other titles on the Chadula label.