Charles, Xavier / Diane Labrosse / Kristoff K. Roll / Martin Tetreault
Tout le monde en place pour un set americain
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Label: Les Disques Victo
Catalog ID: CD 090
Squidco Product Code: 2771
Recorded at the 20th International Festival of Musique Actuelle in Victoriaville (May 17th, 2003)
Kristoff K. Roll
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1. Presentation 2:29
2. Tous 23:27
3. En Place 28:51
4. Clap Clap 1:01
descriptions, reviews, &c.
"The most successful was the Saturday afternoon concert by Diane Labrosse (electronics), Martin Tetreault (turntables etc), Xavier Charles (clarinet and electronics) and French duo Kristoff K. Roll (household objects). The five were placed on a platform in the middle of the Colisëe, and the audience was free to walk around and observe the musicians at close range, which de-mystified the process. The improvisation was powerful and atmospheric, dominated by Labrosse's inventive use of samples taken from around her house. Tetreault was drolly inventive, while Charles and KK. Roll added splashes of colors."
• Show Bio for Xavier Charles
"The work of clarinetist Xavier Charles ranges from noise to electro-acoustic via sound poetry. He has played in numerous new music festivals in France and abroad. In his work with groups and collectives, he has also collaborated with Martin Tetrault, The Ex, Ingar Zach, Pierre Berthet, Axel Dörner, Ivar Grideland, John Butcher, Jacques Di Donato, Frédéric Le Junter, Otomo Yoshihide, Getachew Mekuria, Christian Wallumrod, Emmanuelle Pellegrini, Lionel Marchetti, Jean-Philippe Gross, Michel Doneda and Frédéric Blondy. Different collectifs (Dans Les Arbres, Ouie-Dire, ONCEIM, No Spaguettitti Edition, Chris Burn Ensemble, Atmosphérique). Currently his musical research ranges from performance on the clarinet to the installation of vibrating speakers, at the edge of improvised music, noisy rock and electro-acoustic sound. He's deeply involved in the music world as an organizer of the festival "Densités". "-Xavier Charles Website (http://www.xaviercharles.com/index.php/presentation/)
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• Show Bio for Diane Labrosse
"Diane Labrosse. Born Montréal, Québec, 1950. Residence: Montréal, Québec. Composer, Performer (sampler, accordion, voice).
Working mainly with electronic samplers, Diane Labrosse has a very personnal approach to sounds, exploring different textures and timbres and creating an abstract but evocative music. She is a regular on several different music scenes and has performed at internationally known festivals of musique actuelle, electronic, avant-garde and improvised music all over the world (Canada, USA, Europe, Japan, Australia).
Her most recent projects take different forms: Endangered Species, a sound and visual installation/performance based on obsolete objects such as rotary dial phones and ticking alarmclocks; Dactylotactiles, performance for 3 typewriters and live video (Sébastien Cliche); Petit Bestiaire, naïve songs for a quintet (texts by Guy Marchamps); Sagesse pratique, a series of miniature pieces based on proverbs and O.V.N.I., a sign language for an improvising orchestra of variable sizes.
As a composer, using conventionnal or graphic scores, she wrote for many different ensembles: Array Music and The Burdocks (Toronto), L'Ensemble SuperMusique and Espaces Sonores Illimités (Montréal), NOW Orchestra and 999 years of Music, (Vancouver). She also wrote for less conventionnal instruments, such as ship horns (Harbour Symphonies), train whistles, air bottles and toy pianos. She worked with director Robert Lepage and co-signed (with percussionist Michel F Côté) the music for two of his plays: La Géométrie des miracles and Zulu Time.
As sound designer, she created music for dance (Louise Bédard, Crystal Pite, Andrew Harwood, Marc Boivin, Deborah Dunn, Catherine Tardif, Harold Rhéaume, Richard Siegal), film (Montréal vu par..., Pendant que les arbres tombent, L'Entrevue, Plan de fuite) and radio (Le Navire Night, Les Décrocheurs d'étoiles) and theatre (Nuit d'orage, Je suis d'un would-be pays, Bliss, 38 Contes shakespiriens...).
She has created multimedia installations for Danish company Tura-ya-moya (in situ performances in an old chalk mine), and Scottish-based Theatre Cryptic (Wall of Secrets in situ installation for 20 speakers) as well as the Centre de Musique Canadienne (a sound garden playing ramdom sound tracks on surround speakers).
In 1980, she founded Productions SuperMémé/SuperMusique with Joane Hétu and Danielle P Roger. She remained Co-Artistic Director of this company presenting many concerts and events of innovative music from 1980 to 2008. With long-time colleagues Hétu and Roger she created the groups Wondeur Brass, Justine, and Les Poules. She collaborated with many musicians such as Jean Derome, Pierre Tanguay, Michel F Côté, Martin Tétreault, Ikue Mori, Philippe Lauzier.
Her discography comprises more than 50 recordings mostly recorded on Montreal based label Ambiances Magnétiques. She has received several grants from Canada Arts Council as well as Conseil des arts et des lettres du Québec."-ActuelleCD (http://www.actuellecd.com/en/bio/labrosse_di/)
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