Bay Area free improvisers Ernesto Diaz-Infante (acoustic guitar), John Shiurba (electric guitar), Karen Stackpole (percussion) and Kyle Bruckman (oboe, english horn & suona), crossing acoustic and electronic boundaries in unpredictable improvised collective compositions.
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Recorded at Guerrilla Recording in Oakland, California on January 1st, 2002 by Myles Boisen.
Kyle Bruckmann-Oboe, English horn, Suona
Ernesto Diaz-Infante-acoutsic guitar
John Shiurba-electric guitar
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1. Catatonic Posturing I 3:15
2. Nervous Tic 1:46
3. Gray Matter 5:27
4. Spatial Agnosia 2:11
5. The Final "D" In "Grand" Is Not Pronounced 6:56
6. Big, Bad 1:46
7. Retrograde Amnesia 10:42
8. Shaking Palsy 2:19
9. Tonic Clonic 4:39
10. Catatonic Posturing II 6:34
Related Categories of Interest:
West Coast/Pacific US Jazz
sample the album:
"A branch of improvising artists with roots on the USA's West Coast flourishes on not being satisfied with the status quo. These Bay Area renegades continue to push the envelope in search of that which is truly new. Their unique experimental environment has beckoned woodwind player Kyle Bruckmann from his Midwest abode on several occasions. On this trek, he unites with Ernesto Diaz- Infante, John Shiurba, and Karen Stackpole to form a union of sound processors submerged into one bubbling caldron of atonality.
Bruckmann plays an unusual assortment of double reeds, including the oboe; its larger sized but lower pitched cousin, the English horn; and the Chinese suona, whose conical bell generates penetrating nasality. With the staccato string outbursts from Diaz-Infante and Shiurba gurgling around him, and delicately placed percussive punctuation marks from Stackpole surfacing through the cracks, Bruckmann takes eerie, calculated steps toward a world of unconventional sound production. He squeezes a tonal spectrum of high-pitched nuances out of his horns, while an irregular form of discordant cadence marks the rout-step procession into areas rhythm makers fear to tread.
Ernesto Diaz-Infante is a charter member of the California alliance. He may be classified as a guitarist, but there is no avenue of sound he will not explore in his search for the purity residing along its corridors. Using any method available to eek stark messages from his acoustic instrument, Diaz-Infante turns the guitar into a form of primitive percussion device complete with frame raps and palm massages to counter-balance the sensitive string songs he very cautiously allows to escape from his magical bottle.
Shiurba takes the electric avenue in seeking the source of truth. From blunted notes to high- volume cascades of amplification, he coexists in this strange sound world. His instrument at times emulates a motorized vehicle rushing over the highway hitting speed bumps that jar the output to form a tangled olio of music/noise/static. Stackpole weighs her input thoughtfully using gongs, bells, and miniature forms of percussion. She splatters the canvas with intuitively placed strokes to ensure the ride will not veer toward conventionality.
When all these ethereal forces forge together, a strange new world of dawning knowledge emerges. The program gains momentum and descends in cloudbursts of multi-phonic signals to announce the collective meeting of four minds. It is music without any preconceived dictate on direction, yet the musicians arrive at their destination as though it were a planned route. The journey affords numerous challenges to the open mind, which in turn cleanses the soul through its chaste and fully unpredictable nature."-Frank Rubolino, All About Jazz
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• Show Bio for Kyle Bruckmann
"Composer/performer Kyle Bruckmann's work extends from a Western classical foundation into genre-bending gray areas encompassing free jazz, electronic music and post-punk rock. A busy and varied performance schedule and appearances on more than 60 recordings have led to his recognition as "an excellent composer, striking the right balance between form and freedom" (Signal to Noise), "a modern day renaissance musician" (Dusted) and "a seasoned improviser with impressive extended technique and peculiar artistic flair" (All Music Guide).
Shortly after moving to the San Francisco Bay Area in 2003, he joined forces with acclaimed new music collective sfSound and with Quinteto Latino (a woodwind quintet specializing in Latin American composers). He is now also a member of the San Francisco Contemporary Music Players, Eco Ensemble, and Splinter Reeds. He has worked with the San Francisco Symphony and most of the area's regional orchestras remaining active in an international community of improvisers and sound artists. Current local improvising working groups include Addleds, Shudder, and mchtnchts.
From 1996 until his westward relocation, he was a fixture in Chicago's experimental music underground, with frequent collaborators Jason Ajemian, Jim Baker, Jeb Bishop, Olivia Block, Guillermo Gregorio, Fred Lonberg-Holm, Robbie Hunsinger, Bob Marsh, Weasel Walter, and Michael Zerang. Long-term affiliations include the electro-acoustic duo EKG, the "rock" monstrosity Lozenge, and the Creative Music quintet Wrack (recipient of a 2012 Chamber Music America New Jazz Works award).
Bruckmann earned undergraduate degrees in music and psychology at Rice University in Houston, studying oboe with Robert Atherholt, serving as music director of campus radio station KTRU, and achieving academic distinction as a member of Phi Beta Kappa. He completed his Masters degree in 1996 at the University of Michigan, Ann Arbor, where he studied oboe performance with Harry Sargous and contemporary improvisation with Ed Sarath."-Kyle Bruckmann Website (http://www.kylebruckmann.com/about/biography/)
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• Show Bio for John Shiurba
"John Shiurba is a composer and guitarist whose musical pursuits include improvisation, art-rock, modern composition and noise. Shiurba has recorded and toured the U.S. and Europe as a member of the bands Eskimo, The Molecules and Spezza Rotto, as a member of the Merce Cunningham Dance Company, Anthony Braxton's ensemble and the SFSound Group, and as an improvisor.
Shiurba has conducted the premieres of his compositions at ODC in 2005 ("Moon Cycle" for SFSound) at New Langton Arts in 2002 ("Triplicate") and at SFAlt in 2002 ("5x5 1.4" for SFSound). Shiurba was invited to play at the Seattle Improvised Music Festival in 1998, at the High Zero Festival in Baltimore in 1999, at the SFAlt Festival in 2004 and at the Olympia Experimental Music Festival in 2002 and 2004, and at the Push International Performing Arts Festival in Vancouver in 2007.
As a guitarist Shiurba has developed a unique and personalized approach to the guitar. Through the use of extended techniques and unusual preparations, he expands the traditional sound range of the instrument, producing stunning, often unrecognizable results. Cadence Magazine calls Shiurba a 'wildly creative guitarist... anti-jazz, anti-everything else, yet utterly compelling.'"-John Shiurba Website (http://www.shiurba.com/bio.html)
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