The Squid's Ear Magazine


Cote, Michel F. (w/ Derome / Guilbeault / Tetreault): Bruire: Chants Rupestres (Ambiances Magnetiques)

Jean Derome (sax, vocals), Normand Guilbeault (double bass), Michel F. Cote (drums, vocals) and Martin Tetreault (turntables) in a release that is ageless and archaic.
 

Price: $14.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:


product information:

Personnel:



Jean Derome-baritone saxophone, vocals

Normand Guilbeault-doublebass

Michel F. Cote-drums, vocals

Martin Tetreault-turntables


Click an artist name above to see in-stock items for that artist.




UPC: 771028109722

Label: Ambiances Magnetiques
Catalog ID: AM_097
Squidco Product Code: 591

Format: CD
Condition: New
Released: 2001
Country: Canada
Packaging: Cardstock Sleeve

Descriptions, Reviews, &c.

"A quartet born of hair-covered brawn and primeval sinew; cave music prehistoric, ageless and archaic. Casting our thinking about music back 50,000 years, perhaps to its very birth, to those first true pioneering musical experimenters, our ancestors."-Ambiances Magnetique


Artist Biographies

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"First and foremost a double-bass player, composer, jazz and musiqueactuelle performer, he is very active in the provincial and national musicscenes and is highly regarded in the field. The tone, rhythm, and style of Guilbeault explain why he has played with Montréal's most creativemusicians (Jean Derome, Robert Marcel Lepage, Pierre St-Jak, René Lussier,and others) and why he has recently teamed up with excellent singers (suchas Lou Babin and Geneviève Letarte). Out of his ambitious projects havecome accomplished and very inspired and spirited works (Hommage à Mingusand RIEL Plaidoyer Musical). Along with other musicians (Pierre St-Jak, François Marcaurelle, and Jean Vanasse) is also the prime mover, programplanner, and organizer behind the Montréal OFF Festival de Jazz, at whichhe presented the first part of his PARKEROUAC, a project wedding poetry andjazz.

Normand Guilbeault, who first became known through his work with Jean Beaudet, Yannick Rieu, Nelson Symonds, Bernard Primeau, and other jazz musicians, has gained public acclaim with the Normand Guilbeault Ensemble (winner of the Prix de Jazz duMaurier at the 1994 Festival international de Jazz de Montréal), whose 1994 album Dualismus [Red Toucan] was followed by Basso Continuo in 1995 and, with guest artist Jean Derome, Hommage à Mingus in 1996 [both on Justin Time]. The Jazz Report Magazine (Canada) voted the ensemble "Acoustic Group of the year" for 1997.

Since 1995 some of the people he has worked with have included Jean Derome (on music for film, theatre and dance, and as part of a jazz trio and a jazz quartet), René Lussier (Les Boudines, Pour un Punch Hawaiien, music for film), Robert Marcel Lepage (music for film, theatre and dance), Michel F Côté (Bruire / Les Chants Rupestres, and music for dance), and trombonist Tom Walsh with the group NOMA.

In May 1998, the 15th Festival international de musique actuelle de Victoriaville opened with his most recent project, Riel, which brought together thirteen of Montréal's most creative musicians and two talented narrators. He also presented the work at the Open Waters Festival of New and Improvised Music in Halifax, and at the Lion d'Or in Montréal on 20 and 21 February 1999. Recordings of these concerts were used to produce the double album entitled Riel Plaidoyer musical / Musical Plea, which appeared on the Ambiances Magnétiques label [AM 073] on 15 November 1999. Recently, performance of Normand Guilbeault's Riel project, in Confederation Park, was one of a the highlights of the Ottawa International Jazz Festival (July 17, 2000)."

-ElectroCD (https://electrocd.com/en/artiste/guilbeault_no/normand-guilbeault/biographie)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Initially a radio character, drummer, and composer, Michel F. Côté became a member of the collective Ambiances Magnétiques in 1988. Since that time, his activities have got encompassed free of charge improvisation along with his groupings Bruire and Klaxon Gueule, sound-art collaborations with Diane Labrosse and Christof Migone, and composing for dance, movie theater, and film. Côté was raised with rock and roll, admiring drummers like Led Zeppelin's powerhouse John Bonham and Yes/Ruler Crimson's man-of-finesse Costs Bruford. But he initial got into the music globe through radio, starting to transmit programs of innovative music in the first '80s at Montreal's community place, CIBL. In 1985, he begun to are a researcher and web host for "Chants Magnétiques" and afterwards "Musique Actuelle" at Radio-Canada, Canada's nationwide francophone radio. A music buff, he sucked in a huge selection of noises and affects, developing his drumming abilities but most of all his studio appearance. In 1988, Côté became the 8th person in Ambiances Magnétiques and documented his first recording beneath the name Bruire. An clothing of unpredictable geometry centered across the drummer, Bruire reinvented itself with each recording. Côté's evolution like a musician could be witnessed through the deconstructed pop tracks of Le Barman A Tort de Sourire (1989) towards the sensitive miniatures of Les Fleurs de Léo (1992) as well as the abstract improvised compositions on L'Âme de l'Objet (1995), a focus on in his discography. In the meantime, Côté started to create incidental music for theatre, dance, and film. This facet of his function quickly became probably the most time-consuming and commercially, aswell as artistically, practical, though it intended employed in the shadows. Since 1995 he is a regular collaborator of playwright/filmmaker Robert Lepage, composing and carrying out the music for the play Les Sept Branches de la Rivière Ota, carrying out in the theatrical cabaret Zulu Period, and composing as well as Bernard Falaise the music of his film Nô. The drummer also caused the dance troupe Carbone 14, and playwrights Wajdi Mouawad and Brigitte Haentjens. The single recording Compil Zouave culls excerpts from these different ratings. In the past due '90s, Côté created a pastime in live consumer electronics and shifted his music toward freer and more-textural pastures. A cooperation with sound designer and Avatar member Christof Migone (Vex, 1998) activated an exploration of the electro-acoustic improvisation that created in Austria and Germany at the same. This fresh vision is recorded on Muets, the next recording by his trio Klaxon Gueule (with Falaise and Alexandre St-Onge)."

-MusicianBio (https://musicianbio.org/michel-f-cote/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Martin Tétreault. Born Saint-Jean-Baptiste-de-Rouville, Québec, 1957. Residence: Montréal, Québec. Composer, Performer (turntable), Artist.

Martin Tétreault is an internationally-renowned sound artist based in Montréal. He is a leading figure in improvisation using turntables, unusual vinyl surfaces and objects. Tétreault's trajectory includes various productions on compact disc and live performances with a range of collaborators: Diane Labrosse, René Lussier, Érik M, Michel F Côté, i8u, Otomo Yoshihide, Xavier Charles, Kid Koala, and many more. He is the composer and director of a turntable quartet Quatuor de tourne-disques founded in 2006. His work has appeared under several labels including Ambiances magnétiques, Erstwhile, Japanimprov, Oral, Victo and Vand'œuvre. Commissioned for music, dance, theatre, poetry and installation, Tétreault has been the recipient of many grants and awards."

-ActuelleCD (http://www.actuellecd.com/en/bio/tetreault_ma/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1 Enterré avec des fleurs (2001) 1:44

2 Venus de Willendorf (2001) 3:20

3 Danse en rond (2001) 4:31

4 Croche de cerf (2001) 2:33

5 Altamira (2001) 5:01

6 Panneau du patriarche (2001) 2:28

7 Les trois frères (2001) 9:18

8 Bouche d'ombre (2001) 1:52

9 Sagaie-blessure (2001) 1:05

10 Érigeur (2001) 1:12

11 Gros blocs (2001) 3:12

12 Signe angulaire (2001) 1:51

13 Homme hibou (2001) 2:34

14 Figurines (2001) 4:37

15 Scène du puits (2001) 1:47

Related Categories of Interest:

Improvised Music
Musique Actuelle
Ambiances Magnetiques
Electro-Acoustic
Electro-Acoustic Improv
Turntablists
Quartet Recordings
Before April-2006
Canadian Composition & Improvisation

Search for other titles on the label:
Ambiances Magnetiques.


Recommended & Related Releases:
Other Recommended Releases:
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif [VINYL]
(Tour de Bras / Ramble)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif
(Tour de Bras / Circum-Disc)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Klaxon Gueule (Cote, Falaise, St-Onge)
Pour en finir
(Ambiances Magnetiques)
Montreal's electroacoustic trio of Michel F Cote (percussion), Bernard Falaise (guitars) and Alexandre St-Onge (bass), in their 6th release, 12 succinct tracks of sophisticated improv merging unorthodox approaches for peculiarly satisfying compositions.



Customers Who Bought This Item Also Bought:
Cote, Michel F
Flat Fourgonnette (mescal Free style)
(Ambiances Magnetiques)
Michel F Cote in a hybrid release of country and actuelle music that is unpredictable and funny with help from artists such as Bernard Falaise, Frank Martel, Billie Folliday, etc.
Lerner, Marilyn
Luminance
(Ambiances Magnetiques)
Pianist Marilyn Lerner in a compilation of improvisations created by setting up different microphones in various configurations to highlight different sound qualities of the piano.
Langevin, Pierre / Pierre Tanguay
La Boulezaille
(Ambiances Magnetiques)
Duo improvisations on pieces composed by clarinetist Pierre Langevin and percussionist Pierre Tanguay, using unusual instruments such as bagpipes, jaw-harps, accordions, etc.
Lepage, Robert Marcel
20 H 17 Rue Darling
(Ambiances Magnetiques)
Composer Robert Marcel Lepage arranges a film score for a full-length film by Bernard Emond that is fascinating and enchanting.
Brady, Tim
Twenty Quarter Inch Jacks
(Ambiances Magnetiques)
Making extensive use of sampling and computer electronics, composer and guitarist Tim Brady combines a major work for 20 guitars on his debut record for Ambiances Magnetiques.
Frith, Derome, Tanguay, Boisen
All is bright, but it is not day
(Ambiances Magnetiques)
Explosive, psychedelic music from the trio of Jean Derome, Fred Frith, and Pierre Tanguay recorded and mixed by Myles Boisen.
Asencio, Jon / Sylvie Chenard
Ocean a vendre / for sale
(Ambiances Magnetiques)
Guitarist and singer Sylvie Chenard in duet with musician/performance artist Jon Asencio, joyfully exploring the energies of resistance and anarchy, in shades of science-fiction and totalitarian reality.
Duchesne, Andre
Polaroide
(Ambiances Magnetiques)
Andre Duchesne (composer, acoustic guitar) plays with Pierre Tanguay (drums) and Jean-Francois Denis (viola) on this fantastic release.
Lepage, Robert Marcel
Tout Autour du Front
(Ambiances Magnetiques)
Derome, Jean / Pierre Tanguay
Plinc! Plonc!Live aux Soirées de musique fra”che de Québec
(Ambiances Magnetiques)
Jean Derome (saxophones, vocals, wind instruments) and Pierre Tanguay (drums, percussion, vocals) play a captivating set of improvised music on this excellent release.
Lussier, Rene
Solos de guitare electrique
(Ambiances Magnetiques)
Rene Lussier on solo electric guitar in fourteen improvisational pieces that were not overdubbed or processed post-recording.
Duchesne, Andre
Reflexions
(Ambiances Magnetiques)
A solo poetic album by Andre Duchesne on acoustic guitar playing 14 beautiful songs.
Frith, Fred Guitar Quartet (w/ Didkovsky / Lussier / Stewart)
Upbeat
(Ambiances Magnetiques)
Lepage, Robert M. / Martin Tetreault
Callas: La diva et le vinyle
(Ambiances Magnetiques)
Frith, Fred Guitar Quartet
Ayaya Moses
(Ambiances Magnetiques)
Fred Frith's leads a quartet of electric guitars (Rene Lussier, Nick Didkovsky, Mark Stewart) through 10 different journeys that explores the dynamic potential of this unique group composition.
Derome, Jean
La Bete / The Beast Within
(Ambiances Magnetiques)
A commissioned piece for Jean Derome by Montreal's O Vertigo dance troupe and their production "The Beast Within" that explores animalistic qualities in a dynamic mix of improvisation and composition.
Hetu, Joane
Castor et compagnie
(Ambiances Magnetiques)
With lyrics inspired by Hindu erotic books, Arabic love games, and sensual songs; Joane Hetu presents her first CD of her own music with accompaniment from Jean Derome, Diane Labrosse, and Pierre Tanguay.
Lepage, Robert Marcel
Les Choses Dernieres
(Ambiances Magnetiques)
Duchesne, Andre
Le Royaume Ou L'Asile
(Ambiances Magnetiques)
Composer and guitarist Andre Duchesne creates a soundtrack for the film Le Royaume ou l'Asile, by Jean and Serge Gagne, that brings the listener into a world of illusions.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC