The Squid's Ear Magazine


Klaxon Gueule: Cote, Falaise, St-Onge: Grain (Ambiances Magnetiques)

Michel F Cote, Bernard Falaise, Alexandre St-Onge, Christof Migone, and Sam Shalabi, all members of the excellent group Klaxon Gueule, in a minimalist release of improv.
 

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product information:

Personnel:



Michel F. Cote

Bernard Falaise

Alexandre St-Onge-Onge

Christof Migone

Sam Shalabi


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UPC: 771028110124

Label: Ambiances Magnetiques
Catalog ID: AM_101
Squidco Product Code: 550

Format: CD
Condition: New
Released: 2002
Country: Canada
Packaging: Cardstock 3 page foldover
Recorded in July 2000 in Saint-Jacques-le-Mejeur, CA.

Descriptions, Reviews, &c.

"Klaxon Gueule always end up where you don't expect them. Following a disturbing episode of near-silence (the Muets CD, previously released on the damn fine Ambiances Magnétiques label) they went and recorded their third and latest CD inside a barn situated in Saint-Jacques-le-Majeur (Québec). Microscope-minded music, again, but very much audible, and very much comestible too. Eolian textures, organic developments without pesticides, and here we are: the Côté, Falaise, St-Onge trio has found its way to the center of living matter and are ready to make you hear its most intimate sonic secrets. Also heard on this disc are the untested genetic contributions of Christof Migone and Sam Shalabi, two eminent scientists of complicated improv. Grain may be the smallest measure of life; but take our word on it: there's a lot going on inside the shell!

Ingredients: L-Isoleucine 10.6g, Whole Rye Flour, Albumin (BSA) 3%, Rye, Carraway Seeds, Thiamin, Beta Lactoglobulin 44%, Riboflavin, Fat 27.9g, Folacin, Salt"-Ambiances Magnetiques


Artist Biographies

"Alexandre St-Onge. Born Montréal, Québec, 1976. Residence: Montréal, Québec. Composer, Performer (double bass).

Alexandre St-Onge is an audio artist, a musician/improviser (acoustic bass, bass, voice and electronics) and a sound performer. He has studied literature and philosophy and he is currently doing his PhD in art. He is fascinated by creativity as a pragmatic approach of the ineffable and he has released seven solo CDs: Entités (Oral), Joseph Carey Merrick (Oral), Mon animal est possible (Alien8 Recordings), L'amitié ou les rumeurs insoutenables du désir (Squint Fucker Press), kasi naigo (Squint Fucker Press), Une mâchoire et deux trous (Namskéio Records), Image/négation (Alien8 Recordings). He also plays in quite a few bands, including Et Sans, K.A.N.T.N.A.G.A.N.O., Klaxon Gueule, Pink Saliva, Mineminemine, Shalabi Effect and Undo. As a composer he has worked for interactive/mixed-media company kondition pluriel, as well as composing for artists such as Marie Brassard, Karine Denault, Lynda Gaudreau, Line Nault, Jérémie Niel, Maryse Poulin and Mariko Tanabe."

-ActuelleCD (http://www.actuellecd.com/en/bio/stonge_al/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Christof Migone is an artist, curator and writer. He often works with language, voice, bodies, performance, intimacy, complicity and endurance. He co-edited the books Writing Aloud: The Sonics of Language (Los Angeles: Errant Bodies Press, 2001) and Volumes (Blackwood Gallery, 2015). His writings have been published in Aural Cultures, S:ON, Experimental Sound & Radio, Musicworks, Radio Rethink, Semiotext(e), Angelaki, Esse, Inter, Performance Research, etc. He obtained an MFA from NSCAD in 1996 and a PhD from the Department of Performance Studies at the Tisch School of the Arts of New York University in 2007. He has released nine solo audio cds on various labels (Avatar, ND, Alien 8, Locust, Oral). He has curated a number of exhibitions and events: Touch that Dial (1990), Radio Contortions (1991), Rappel (1994), Double Site (1998), stuttermouthface (2002), Disquiet (2005), START (2007), STOP.(2008), and Should I Stay or Should I Go (Nuit Blanche 2010), and numerous others for the Blackwood Gallery between 2008 and 2013. He has performed at Beyond Music Sound Festival (Los Angeles), kaaistudios (Brussels), Resonance FM (London), Nouvelles Scènes (Dijon), On the Air (Innsbruck), Ménagerie de Verre (Paris), Experimental Intermedia (NYC), Méduse (Québec), Images Festival (Toronto), Send+Receive (Winnipeg), Kill Your Timid Notion (Dundee), Liquid Architecture (Melbourne), Mutek, Victoriaville Festival, Oboro, Casa del Popolo, Théâtre La Chapelle, DHCArt, CAFKA, Museum Leuven, Whitney Museum, etc. His installations have been exhibited at the Banff Center, Rotterdam Film Festival, Gallery 101, Art Lab, eyelevelgallery, Forest City Gallery, Studio 5 Beekman, Mercer Union, CCS Bard, Optica. He has collaborated with Lynda Gaudreau, Martin Tétreault, Tammy Forsythe, Alexandre St-Onge, Michel F. Côté, Gregory Whitehead, Set Fire To Flames, and Fly Pan Am. A monograph on his work, Sound Voice Perform, was published in 2005. In 2006, the Galerie de l'UQAM in Montreal presented a mid-career survey of his work accompanied by a catalog and a DVD entitled Trou. A book compiling his writings on sound art, Sonic Somatic: Performances of the Unsound Body was published in 2012 by Errant Bodies Press. He has been the recipient of commissions from the Tate Modern, Dazibao, Kunstradio, Centre for Art Tapes, New Adventures in Sound Art, Radio Canada, New American Radio. He is a founding member of Avatar (Québec City). He currently lives in Toronto and is an Associate Professor in the Department of Visual Arts at Western University in London, Ontario."

-Christof Migone Website (http://christofmigone.com/cv/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Sam Shalabi is a central node in Montréal's free improv scene. One cannot count the many projects he is a part of. He is best known as a founding member of Shalabi Effect, who have recorded 2 albums on Alien8 Recordings which have earned the band extremely good response from critics and music enthusiasts alike. Apart from Shalabi Effect, he is also part of a number of bands, among which Detention, Molasses, Balai Mécanique, Po, 'Gypt Gore, and a trio with David Kristian and Alexandre St-Onge. He is also known for three solo albums, Luteness (Squint Fucker Press, deleted), On Haschisch (Alien8), and of course Osama, his investigation of arabophobia in a "post-9-11 world". His style ranges from freeform psychedelic rock to the most oddball abstract performance. Although mostly known as a guitarist, the highly versatile Shalabi also performs on oud and a variety of other instruments."

-ElectroCD.com (http://www.electrocd.com/en/bio/shalabi_sa/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1 orme sans enduit 5:00

2 fonte sur plomb 3:59

3 fer blanc sur frêne 2:33

4 hêtre mouillé d'eau 7:01

5 fer (huilé) 3:06

6 fonte sur cuivre jaune 5:30

7 fer sur plomb 3:31

8 fonte et cuir de bœuf 4:19

9 fer pour bronze 4:09

10 frêne sur fer enduit 3:00

Related Categories of Interest:

Michael F Cote
Quintet Recordings
Before April-2006
Canadian Composition & Improvisation
Michael F Cote
Quintet Recordings
Before April-2006
Canadian Composition & Improvisation

Search for other titles on the label:
Ambiances Magnetiques.


Recommended & Related Releases:
Other Recommended Releases:
Klaxon Gueule (Cote, Falaise, St-Onge)
Pour en finir
(Ambiances Magnetiques)
Montreal's electroacoustic trio of Michel F Cote (percussion), Bernard Falaise (guitars) and Alexandre St-Onge (bass), in their 6th release, 12 succinct tracks of sophisticated improv merging unorthodox approaches for peculiarly satisfying compositions.
Mecha Fixes Clock
Beau Comme un Aeroport
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Percussionist Michel F Cote takes his Mecha Fixes Clocks ensemble (Philippe Lauzier-sax, Elwood Epps-trumpet, Jean Rene-sax, Pierre-Yves Martel-feedback, Bernard Falaise-guitar, Guillaume Dostaler-piano) on a compelling audio tour of air travel.



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