"Since the early 1980s, Dresser has refined several approaches to playing the complete string that are now central to his music, including two-handed string tapping and methods of pressuring and/or releasing the string. Transforming normally soft timbres into major, even defining components of a performance is an ambitious proposition, even if the artist is availed a pristine environment like IRCAM. But, Dresser has had to contend with the colliding realities of performance, hardware and travel. ... The double bass has always had the capacity to make music such as Dressers; but, it needed Dresser to prove it. In the process, Dresser affirms the human endeavor of unveiling the fantastic"-Bill Shoemaker
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NY Downtown & Jazz/Improv
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