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After Dinner

Souvenir Cassette (2019)

After Dinner: Souvenir Cassette (2019) (Fish Prints)

Originally released in 1988 in limited cassette and LP editions and comprising live recordings from performances in 1987, the Japanese avant rock band After Dinner with vocalist Haco merged Japanese traditional music and electronics in sublime ways, their live performances a great reflection of their recorded albums, here impeccably remastered by Bob Drake.
 

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product information:


Label: Fish Prints
Catalog ID: RD 009 / RER ADC
Squidco Product Code: 27947

Format: CASSETTE
Condition: New
Released: 2019
Country: UK
Packaging: Cassette
Recorded at De Lindenberg in Nijmegen, the Netherlands, on June 17th, 1987; Melkweg in Amsterdam, the Netherlands, on June 21th, 1987; I.C.A. in London, UK, on June 24th, 1987; Rote Fabrik in Zurich, Switzerland, on June 28th, 1987; Festival MIMI in St. Remy de Provence, France, on July 2rd, 1987.

Remastered by Bob Drake.

Originally released in 1988 on Zero Records and ReR Megacorp as ReRAD*.

Recording spaces:

De Lindenberg in Nijmegen, the Netherlands on June 17, 1987

Melkweg in Amsterdam, the Netherlands on June 21, 1987

I.C.A. in London, UK on June 24, 1987

Rote Fabrik in Zürich, Switzerland on June 28, 1987

Festival MIMI in St. Rémy de Provence, France on July 2, 1987


Personnel:

Seiichi Kuroda-bass

Hideyuki Yamagata-drums

Mutsuhiko Izumi-guitar

Haco-vocals, lyrics, composer

Ohji Hayashi-live mix

Miki Omori-slide operation

Ichiro Inoue-percussion

Tadahiko Yokogawa-violin, bass, mandolin

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Artist Biographies:

"Vocalist/lyricist-composer/multi-instrumentalist/sound-artist. At her studio, Mescalina, in Kobe, Japan, she has created numerous recordings both as producer and engineer. As a musician and sound-artist, Haco has also given performances and created live installations throughout Japan and the world. With her unique sensibility, Haco has developed her own genre of art based on principles of post-punk, electroacoustics, the avant-garde, improvisation, post-rock, environmental sound, and technology. Haco also frequently lectures and gives workshops on various sound-related topics. In 2005, her CD Stereo Bugscope 00 was awarded a prize in the digital music category at Prix Ars Electronica in Austria.

In the 80s, Haco formally studied acoustics, electronic music, and recording technology. She earned a large following for her recorded work and performances as the composer/lyricist/vocalist of After Dinner (1981-1991), one of the first Japanese indie bands to tour abroad. In 1990, Haco appeared in the film Step Across the Border, a documentary on Fred Frith, which was selected as one of the top 100 films of all time by Cahiers du Cinema. One of Haco's songs, which she played on piano, was also included in the soundtrack CD. A DVD version of the film was released in 2003.

In the 90s, Haco worked as a sound exhibition and installation curator at Xebec, an innovative hall and presentation space for computer music and sound art, which was profiled by the writer David Toop and others. In 1995, Haco released her first solo album. Around the same time, she began performing improvisations with compact samplers, self-produced electronic units, electric mandolin, percussion and toys along with voice. Her "howling pot" performances, which make creative use of feedback, have been compared to sound art. Since her first solo tour of Europe in 1996, her live performances have been hugely successful at the LMC Festival (London), Le Weekend (Scotland), Vooruit Geluid Festival (Belgium), Isole Che Parlano (Italy), and other events.

In addition, she is involved with the guitar improvisation duo Mescaline Go-Go (Christopher Stephens), the odd-song unit Happiness Proof, and the all-female collaboration Hoahio (Yagi Michiyo: koto, Era Mari: percussion, and Sachiko M: sine wave). She has collaborated on recorded work or in performance with numerous musicians, including Ash in the Rainbow (Hiromichi Sakamoto), Yesterday's Heroes (Terre Thaemlitz), Kam-pas-nel-la (Kazuhisa Uchihashi, Samm Bennett, Zeena Parkins), Peter Hollinger, Pierre Bastien, Carl Stone, Seiichi Yamamoto, Otomo Yoshihide, Ikue Mori, Aki Onda, Martin Tétreault, Diane Labrosse, David Toop, Fred Frith, Chis Cutler, Yoshimi P-we (OOIOO, Boredams), Gurun Gurun, and Stefan Schneider. Her original style of vocalizing, experimental pop sound and improvisation surpasses conventional genres and national borders, and continues to attract new listeners.

In a sound-art context, Haco established the "sound collection and observation organization," View Masters, an environmental sound project which seeks to select, extract and define sounds from daily life. In 2002, she began to curate and produce a four-year series of View Masters lectures, concerts and workshops at Aka Renga Soko (Red Brick Warehouse) in the Osaka Port area. In the first installment, she premiered a performance of "Stereo Bugscope," which captured oscillating sounds emitted by the circuitry of an electronic device, and thus, established herself in a new genre of art. In 2003, she gave her first performance using the "Pencil Organ," an instrument created from a home electronics kit that uses test leads (+/-) to produce sound, at the Festival Beyond Innocence in Osaka.

In 2007, she released a whispering vocal-based solo album with acoustic instruments and electronics called Riska. This was followed in 2011 by Forever and Ever (on Disk Union's Arcangelo label), a solo album centering on laptop electronica (including ambient sounds and glitch noises) and vocals. In 2015, her sixth solo album, Secret Garden was released on the Japanese label, Nuovo Immigrato. This internationally acclaimed album includes long-distance collaborations with Marcelo Radulovich (USA), Stuart O'Connor (UK), and Sigbjørn Apeland (Norway). ReR Megacorp offered this assessment: "Haco continues to plough her unique furrow. Small sounds, electronics, distant choirs and floating strands that coalesce into islands of harmony and song before they break apart again. If there's a secret Japanese underground, this is it. Handmade and always inventive, but light as gossamer." Since 2004, she has used voice and self-programmed electronics as an "organic method" in her performances, sometimes accompanied by video images shot and edited with Mariko Tajiri."

-Haco Website (http://www.hacohaco.net/haco/bio_english.html)
9/16/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. After Dinner 5:10

2. Kitchen Life 3:25

3. The Room of Hair Mobiles 3:39

4. A Walnut 4:08

5. An Accelerating Etude 3:47

SIDE B



1. Sepia-Ture 5:05

2. Cymbals at Dawn 4:04

3. A Man of Marble 2:52

4. Glass Tube 10:25

5. Soknya-Doll 3:54
sample the album:








descriptions, reviews, &c.

"After Dinner was formed in 1981 by Haco, a vocalist who wrote both the lyrics and music. The group had a fluid line-up with members from many varied musical backgrounds brought together according to each recording or live performance project. Their collective backgrounds encompass new wave, Japanese traditional, contemporary music, and avant-garde rock.

In 1982, German national radio selected the band's first single (EP), After Dinner / Cymbals at Dawn (Kagero Records, Japan) and placed it on their permanent playlist. In 1983, The album (LP), Glass Tube (Kang-Gang, Japan), was released domestically, and distributed abroad where it received much attention in the European and American "free music" scenes. Sounds, the British music paper, described the record as a unique fusion of Japanese traditional music and electronics "with the delicious voice of Haco holding things together." In 1984, the band made their foreign debut with the album (LP), After Dinner (Recommended Records, UK). In 1987, the group was invited to perform at France's Mimi Festival, and did their first European tour. The band's concert at ICA (Institute of Contemporary Art) received the unanimous praise of music publications such as NME, LAM, and Melody Maker, which commented that After Dinner was helping to "reverse Japan's massive importation of Western mega-pop." In 1988, Souvenir Cassette (Recommended Records, UK / Zero Records, Japan), which was tape-edited by Haco from After Dinner's concerts in Europe and Japan, was released.

In 1989, the album Paradise Of Replica (RecRec Music, Switzerland / Zero Records, Japan) was released. The album was described as "a stimulating voyage into a landscape of feelings, sometimes cheerful, bouncing about to change into a reflective melancholic mood." The group successfully undertook a tour of 19 cities in Europe. In 1990, the band also took part in five international music festivals, achieving even greater popularity in Europe. In the same year Haco appeared in the film Step Across the Border, a documentary on Fred Frith, and one of After Dinner's songs, which she played on piano, was included in the soundtrack CD.

In 1991, the band performed at Canada's Victoriaville Festival. ReR Megacorp (UK) released the CD, After Dinner/Live Editions, which re-releaseed After Dinner's 1st album (LP, 1984) and 5 songs from Souvenir Cassette (1988), and 4 additional live tracks (1986-1990). This marked the end of After Dinner."-433rpm

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