The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2018, Squidco LLC


Eskelin, Ellery w/ Andrea Parkins & Jim Black: Five Other Pieces (+2) (Hatology)

"Tenor saxophonist Ellery Eskelin just keeps getting better. On this disc he explores some of the music that has mattered to him over the years, and it's a wide range: from Mahavishnu John McLaughlin's "The Dance of Maya" through Coltra...
 

Price: $16.95


Quantity:

In Stock


Shipping Weight: 2.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 752156053323

Label: Hatology
Catalog ID: hatOLOGY 533
Squidco Product Code: 27722

Format: CD
Condition: New
Released: 1999
Country: Switzerland
Packaging: Cardboard Gatefold 3 Panels
Recorded at Kulak, in Berikon, Switzerland, on October 12th and 13th, 1998, by Peter Pfister.


Personnel:

Andrea Parkins-accordion, sampler

Jim Black-drums

Ellery Eskelin-tenor saxophone

Click an artist name above to see in-stock items for that artist.

Highlight an instrument above
and click here to Search for albums with that instrument.

Artist Biographies:

"Andrea Parkins is an American composer, sound artist, performer and improvisational musician based in New York. She is known for her inventive explorations on the electric accordion, generative sound processing, and arrangements of objects and sound. Parkins received a BFA from Tufts University and MFA from Mason Gross School of the Arts, Rutgers University.

Andrea Parkins's work is influenced by the compositional strategies of John Cage and Fluxus and pays homage to musique concrète and 1970s analog synth. Parkins often incorporates electronically processed accordion, customized sound processing, live tape manipulation, analog effects boxes, laptop electronics, acoustic piano, sampling, and amplified objects. Her method and sound were characterized by LA Weekly as: "The big, varied, confidently conceived abstractions Parkins yanks from her squeezebox, laptop, effects devices and maybe piano - cloudy and cranky one minute, surgically sharp the next." With an unconventional approach to instruments, Parkins "fragments the instrument's traditional vocabulary and expands its capabilities with electronics and extended techniques."

Recently Andrea Parkins has been developing a series of interactive sound and image works inspired by the structures of Rube Goldberg's circuitous machines. Describing this organizational approach Stephen Bezan remarked: "the individual sounds manipulated by Parkins seem to interact and influence the outcome of the other, crafting a goal-oriented structure based on timbre, not harmony or rhythm. This approach transcends the inherent cacophony of the material and reveals a genuinely organic, even playful quality to her work." Parkins has described her Rube Goldberg approach as a means for examining slippages between object and meaning. She observed: "An important conceptual thread running through these pieces is the discovery and expression of metaphors for the slippage and tension between object and meaning that occurs through the passage of time." Describing her intentions, Parkins noted: "As both a sonic and visual artist, I try to build and layer idiosyncratic systems and structures that point to these shifts in meaning."

Andrea Parkins has toured and exhibited internationally and has been presented at the Whitney Museum of American Art, The Kitchen, Experimental Intermedia, and Diapason Gallery for Sound and Intermedia. She has collaborated with musicians such as Nels Cline, Jim Black, Ellery Eskelin, David Watson, David Fenech, Fred Frith, Thomas Lehn, Günter Müller, and Otomo Yoshihide and choreographers Olive Bieringa and Otto Ramstad from the BodyCartography Project. Parkins has been the recipient of various grants, awards, and residencies including Meet the Composer, New York State Council for the Arts, Harvestworks Media Art Center, in New York City, Frei und Hanseastadt Hamburg Kulturbehoerde, in Germany, and CESTA in the Czech Republic."

-Wikipedia (https://en.wikipedia.org/wiki/Andrea_Parkins)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty-five years.

Since the mid-90's, Black has played a major role in the incorporation of new sounds and techniques into the jazz/creative music context. As a member of the collective group Pachora (with Speed, Sverrisson, and guitarist Brad Shepik) Black was one of the leaders in the study and adaptation of Balkan music into jazz-based music. His advanced techniques abstracted the odd time signatures of the Balkans into a new polyrhythmic language equally informed by modern jazz, drum&bass and the dumbeks of the Balkans. Black has also been an innovator in the use of electronics in improvisation, bridging the gap between electro-acoustic improv and more jazz-based traditions. Today, Black's performances are just as likely to feature his laptop-based electronic textures as his drumming.

Born in 1967, Jim Black grew up in Seattle alongside future colleagues Chris Speed, Andrew D'Angelo and Cuong Vu. After cementing their personal and artistic relationships in Seattle's various youth jazz ensembles, in 1985 they moved to Boston, where Black entered the Berklee School of Music. In Boston, Black, Speed and D'Angelo formed Human Feel with guitarist Kurt Rosenwinkel, which rapidly attracted the attention of the jazz cognoscenti in Boston, New York and beyond.

By 1991, Black and the other members of Human Feel had moved to New York City, where they electrified the Downtown music scene then centered around the Knitting Factory and rapidly became among the city's busiest sidemen. Black's early years in New York saw him take featured roles in some of the most critically acclaimed bands of the time, like Tim Berne's Bloodcount, Ellery Eskelin's trio, and Dave Douglas's Tiny Bell Trio. Thus began fifteen years of near-constant touring and recording, with the above bands as well as artists like Uri Caine, Dave Liebman, Nels Cline, Steve Coleman, Tomasz Stanko, and Laurie Anderson.

-Jim Black Website (http://www.jimblack.com/Jim_Black_dotcom/BIO.html)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"For the past thirty years Ellery Eskelin has been at the forefront of the global creative improvised music scene. Based in New York City, he has traveled widely performing, recording and amassing a very personal and iconoclastic body of work. And yet Ellery Eskelin has always remained deeply committed to the traditions of jazz and American music. Eskelin embodies this seeming contradiction with ease. He does not see jazz as a style or idiom but as a process. Further, a process of creative development that has great relevancy to our time. In this pursuit Eskelin consistently delivers to the listening public unadulterated, passionate music with no excuses and no apologies.

Ellery Eskelin (born 1959) was raised in Baltimore and began playing the tenor saxophone at age ten, inspired by his mother "Bobbie Lee" who played Hammond B3 organ professionally in the early sixties. In 1983 Eskelin moved to New York City and in 1987 began recording with the cooperative group Joint Venture which also began his exposure on the European international touring circuit. Soon after, Eskelin formed the first of many projects as a leader beginning with a trio comprised of bassist Drew Gress and drummer Phil Haynes followed by a short lived group featuring Joe Daley on tuba and Arto Tuncboyaciyan on bakdav drums and percussion. In 1992 Eskelin joined drummer Joey Baron's group, "Baron Down" (instrumentation of drums, trombone and saxophone), an experience that proved to be an important catalyst in his own work fostering an increased interest in new and unusual instrumentation. In 1994 Eskelin formed the group most often associated with him including accordionist Andrea Parkins and drummer Jim Black. To date he has written over 50 compositions for this group, each of which has been documented on a series of CD releases on the Swiss hatHUT record label. The band has toured regularly and performed hundreds of concerts in the US, Canada and throughout Europe during the past twenty years. Eskelin's most recent project is "Trio New York" featuring organist Gary Versace and drummer Gerald Cleaver. "Trio New York" takes a free approach to the great American songbook, bringing Eskelin full circle to his musical beginnings while addressing his varied musical journeys since then.

Along the way Eskelin has done a number of side projects including a group featuring guitarist Marc Ribot and drummer Kenny Wollesen dedicated to the music of Gene Ammons, improvisatory duos with Dutch drummer Han Bennink, an improvising ensemble consisting of strings, vibraphone and saxophone and most recently a group featuring Susan Alcorn on pedal steel guitar and bassist Michael Formanek. Over the years Eskelin has developed a number of other important associations with musicians such as Gerry Hemingway, Mark Helias, Sylvie Courvoisier, and Bobby Previte. As a side-person Eskelin has worked with a broad cross section of jazz, avant-pop and new-music figures such as organist Brother Jack McDuff, composer Mikel Rouse, guitarist Eugene Chadbourne, oud player and composer Rabih Abou-Khalil, drummer Daniel Humair and the pseudo-group "The Grassy Knoll" among many others.

Eskelin's recordings as a leader and co-leader (there are currently twenty) have been named in Best of the Year critics' polls in the New York Times, The Village Voice , and major jazz magazines in the US and abroad. He also appears on over fifty recordings as a side person. DownBeat Magazine named Eskelin as one of the 25 Rising Stars for the Future in its January 2000 issue ("...players who not only insure the music's survival but promise to take it to the next level") as well as including him in their Annual Critics Polls nearly every year since then. Eskelin was a nominee for the prestigious Danish Jazzpar award in 2003 and was the recipient of a Chamber Music America French-American Exchange grant in 2007 and in 2014 as well as a Chamber Music America New Jazz Works grant in 2009."

-Ellery Eskelin Website (http://home.earthlink.net/~eskelin/styled-5/)
10/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. The Dance Of Maya 10:30

2. April 8:45

3. India 12:32

4. Song For Che 6:14

5. Prelude II 6:22

6. Cause And Effect 10:27

7. Ways And Means 17:46
sample the album:








descriptions, reviews, &c.

"Tenor saxophonist Ellery Eskelin just keeps getting better. On this disc he explores some of the music that has mattered to him over the years, and it's a wide range: from Mahavishnu John McLaughlin's "The Dance of Maya" through Coltrane's "India," Lennie Tristano's "April," and even George Gershwin's "Prelude II." In the liner notes Eskelin says, "I've never been one for genre hopping or jump cutting for its own sake, however. I'm more interested in the effect that various textures or ideas that occupy a short unit of space have on the overall shape of a phrase or composition." Textures is the key word, for all of these pieces are simultaneously unified and thoroughly reconstituted by the unusual and enormously effective instrumentation of this trio: tenor saxophone plus accordion and/or sampler, and percussion. Andrea Parkins on accordion and sampler stands in for the electric bombast of the Mahavishnu piece, sacrificing none of the power of the tune but transplanting it from its time and place and, in the grand tradition of Ezra Pound's exhortation, making it new. Then more textural shifts. Eskelin glides through Tristano's "April" unaccompanied for nearly three minutes, before the other two join in to give it an amiable music hall veneer - but then Parkins, on the perhaps unlikely instrument of accordion, gives Eskelin a run for his money as she both comps and duels with the soloist a Black kicks it into high gear. On "India" there appears a ruminative piano (or a sample of a piano?) that soon transmogrifies into something more ecclesiastical and then into space dust - but where is "India"? It doesn't emerge for some time, but when it does, it continues the same restless vein of constructing and deconstructing. And so it is throughout this disc - even Eskelin's originals, "Cause and Effect" and "Ways and Means," are texturally rich and shifting. No mere tribute album, this is a testimony not only to the musical imaginations of Eskelin and his mates, butto the continued vitality of improvised music when old standards are revisited not just to be slavishly recreated. Don't miss this glorious vertigo."-Robert Spencer, allaboutjazz.com

Related Categories of Interest:

Back Catalog Additions

Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings


Other Releases With These Artists:
Eskelin, Ellery Trio (w/ Gary Versace / Gerry Hemingway)
Willisau Live
(Hatology)
Eskelin, Ellery / Andrea Parkins / Jim Black
One Great Day
(hatOLOGY)
Eskelin, Ellery / Parkins, Andrea / Black, Jim
One Great Night...Live
(Hatology)
Liebman, David / Ellery Eskelin
Renewal
(Hatology)
Douglas, Dave Tiny Bell Trio
Constellations (2002 edition)
(Hatology)
Eskelin, Ellery w/ Andrea Parkins / Jim Black
12 (+1) Imaginary Views
(Hatology)
Perkin, Miles Quartet (Perkins / Arthurs / Delbecq / Black)
The Point In Question [VINYL w/ DOWNLOAD CODE]
(Clean Feed)
Perkin, Miles Quartet (Perkins / Arthurs / Delbecq / Black)
The Point In Question
(Clean Feed)
Eskelin, Ellery / Andrea Parkins / Jim Black
Kulak, 29 & 30
(Hatology)
Dresser, Mark Seven (Nicole Mitchell / Ehlrlich / GoGwilt / Dessen / White / Black / McLagan)
Ain't Nothing But A Cyber Coup & You
(Clean Feed)
Gray, Devin / Ellery Eskelin / Michael Formanaek / Dave Ballou
Dirigo Rataplan II
(Rataplan Records)
Sacks, Jacob
Fishes
(Clean Feed)
Bica, Carlos & Azul (feat. Frank Mobus / Jim Black)
Azul In Ljubljana
(Clean Feed)
Fujii, Satoko Orchestra New York
Fukushima
(Libra)
Black, Jim
Malamute
(Intakt)
Black, Jim Trio
The Constant
(Intakt)
Bica, Carlos & Azul (w/ Frank Mobus / Jim Black)
More Than This
(Clean Feed)
Dresser, Mark Seven (Mitchell / Ehrlich / Boroff / Dessen / White / Black)
Sedimental You
(Clean Feed)
Chase, Brian / Andrea Parkins
Avalanche of Routes
(Confront)
Eskelin, Ellery Trio (w/ Gary Versace / Gerry Hemingway)
Willisau Live
(Hatology)
Davis, Kris Infrasound (w/ Goldberg / Noriega / Badenhorst / Bishop / Radley / Versace / Black)
Save Your Breath
(Clean Feed)
Eskelin, Ellery
Solo Live At Snugs
(Hatology)
Nagai, Shoko (w/ Reynolds / Goldberger / Takeishi / Black)
Taken Shadow
(Animul)
Trumpets and Drums (Wooley / Evans / Black / Lytton)
Live in Ljubljana
(Clean Feed)
Eisenstadt, Harris September Trio
The Destructive Element
(Clean Feed)
Eskelin, Ellery with Susan Alcorn and Michael Formanek
Mirage
(Clean Feed)
Smith, Ches and These Arches (Smith / Berne / Malaby / Halvorson / Parkins)
Hammered
(Clean Feed)
Petit, Didier - Alexandre Pierrepont
Passages - A Road Record: Woodstock - New York - Chicago - Los Angeles
(RogueArt)
Liebman / Eskelin with Tony Marino & Jim Black
Non Sequiturs
(Hatology)
Bica, Carlos & Azul
Things About
(Clean Feed)
Broken Record Chamber
Free Improv For Robots
(Spool)
Eisenstadt, Harris
September Trio
(Clean Feed)
Fujii, Satoko Orchestra New York
ETO
(Libra)
Fujii, Satoko Min-Yoh Ensemble
Watershed
(Libra)
Eskelin, Ellery / Andrea Parkins / Jim Black
One Great Day
(hatOLOGY)
Douglas, Dave Tiny Bell Trio
Constellations
(Hatology)
Eskelin, Ellery / Parkins, Andrea / Black, Jim
One Great Night...Live
(Hatology)
Fujii, Satoko Orchestra New York
Summer Suite
(Libra)
Fujii Trio, Satoko
Trace A River
(Libra)
Gonzalez NY Quartet, Dennis
Dance of the Soothsayer's Tongue (At Tonic)
(Clean Feed)
Cline, Nels / Andrea Parkins / Tom Rainey
Downpour
(Les Disques Victo)
Rothenberg, Ned Double Band
Real and Imagined Time
(Moers Music)
Hemingway Quartet, Gerry
The Whimbler
(Clean Feed)
Eskelin, Ellery & Han Bennink
Dissonant Characters
(Hatology)
Recommended & Related Releases:
Eskelin, Ellery Trio (w/ Gary Versace / Gerry Hemingway)
Willisau Live
(Hatology)
Eskelin, Ellery / Andrea Parkins / Jim Black
One Great Day
(hatOLOGY)
Eskelin, Ellery / Parkins, Andrea / Black, Jim
One Great Night...Live
(Hatology)
Liebman, David / Ellery Eskelin
Renewal
(Hatology)
Douglas, Dave Tiny Bell Trio
Constellations (2002 edition)
(Hatology)
Perkin, Miles Quartet (Perkins / Arthurs / Delbecq / Black)
The Point In Question [VINYL w/ DOWNLOAD CODE]
(Clean Feed)
Perkin, Miles Quartet (Perkins / Arthurs / Delbecq / Black)
The Point In Question
(Clean Feed)
Eskelin, Ellery / Andrea Parkins / Jim Black
Kulak, 29 & 30
(Hatology)
Bica, Carlos & Azul (feat. Frank Mobus / Jim Black)
Azul In Ljubljana
(Clean Feed)
Fujii, Satoko Orchestra New York
Fukushima
(Libra)
Bica, Carlos & Azul (w/ Frank Mobus / Jim Black)
More Than This
(Clean Feed)
Dresser, Mark Seven (Mitchell / Ehrlich / Boroff / Dessen / White / Black)
Sedimental You
(Clean Feed)
Chase, Brian / Andrea Parkins
Avalanche of Routes
(Confront)
Eskelin, Ellery Trio (w/ Gary Versace / Gerry Hemingway)
Willisau Live
(Hatology)
Davis, Kris Infrasound (w/ Goldberg / Noriega / Badenhorst / Bishop / Radley / Versace / Black)
Save Your Breath
(Clean Feed)
Nagai, Shoko (w/ Reynolds / Goldberger / Takeishi / Black)
Taken Shadow
(Animul)
Trumpets and Drums (Wooley / Evans / Black / Lytton)
Live in Ljubljana
(Clean Feed)
Eisenstadt, Harris September Trio
The Destructive Element
(Clean Feed)
Smith, Ches and These Arches (Smith / Berne / Malaby / Halvorson / Parkins)
Hammered
(Clean Feed)
Petit, Didier - Alexandre Pierrepont
Passages - A Road Record: Woodstock - New York - Chicago - Los Angeles
(RogueArt)
Bica, Carlos & Azul
Things About
(Clean Feed)
Broken Record Chamber
Free Improv For Robots
(Spool)
Eisenstadt, Harris
September Trio
(Clean Feed)
Fujii, Satoko Min-Yoh Ensemble
Watershed
(Libra)
Fujii, Satoko Orchestra New York
Summer Suite
(Libra)
Fujii Trio, Satoko
Trace A River
(Libra)

Search for other titles on the Hatology label.