Premiere recordings of two major works from Canadian guitarist Tim Brady: "Desir" in 3 movements, a concerto for electric guitar and large chamber ensemble that showcases Brady's playing; and "Eight Songs about: Symphony # 7" where each song is a character in a fictional, subtle and ironic commentary about Dmitri Shostakovich's Symphony No. 7 premiered on August 9th, 1942.
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Catalog ID: ST-230
Squidco Product Code: 27547
Packaging: Cardboard Gatefold
Recorded at Studio 270, in Montreal, Canada, on May 24th, 2017, by Morris Apelbaum.
This is a USED (previously owned) item
Sarah Albu-soprano vocals
Tim Brady-composer, electric guitar
Bradyworks Large Ensemble-ensemble
Vincent Ranallo-baritone vocals
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• Show Bio for Tim Brady
"Known for his radiant orchestrations, his dramatic structures and his innovative guitar work, Canadian Tim Brady is a composer and guitarist who has created music in a wide range of genres ranging from chamber and orchestral music to electroacoustic works, chamber opera, contemporary dance scores, jazz and free improvisation. He has been commissioned and performed by numerous ensembles and orchestras in North America and Europe including the Orchestre symphonique de Montréal, the Vancouver Symphony Orchestra, the Winnipeg Symphony Orchestra, the Société de musique contemporaine du Québec, The South Bank Centre, New Music Concerts, INA-GRM (Radio-France), the English Guitar Quartet, the Pittsburgh New Music Ensemble, the Esprit Orchestra (CBC), the Philadelphia-based Relâche ensemble, the Australian group Topology, and the New York groups Newspeak and the Trinity Wall Street Choir.
Since 1988 he has released 24 CDs as both a composer and a performer on Justin Time Records and Ambiances magétiques, and, more recently, on ATMA Classique, Centrediscs and Starkland labels. His most recent CDs are: Music for Large Ensemble - with Bradyworks (Autumn 2018 - Starkland Records), The How and the Why of Memory, with Symphony Nova Scotia (Centrediscs - 2015) Atacama: Symphonie #3 (ATMA Classique - Feb. 2013) - nominated for a JUNO Award in 2014, . His two most recent major orchestral works are The How and the Why of Memory: Symphony #4, commissioned by Symphony Nova Scotia, and The Absence of Shelling is Almost Like Music, for cello, video and orchestra, commissioned by the Orchestre symphonique de Québec.
In June 2018 his work "While 100 Guitars Gently Weep: Concerto for George", for 100 guitars, was premiered at the Luminato festival in Toronto to over 1,400 people. The work was commissioned by Luminato from Tim Brady, with Brady as guitar soloist.
Other recent touring success include the premiere of the chamber opera Ghost Tango in Halifax and Kitchener (Sept. 2015), and the New York premiere of Atacama: Symphony #3, with Newspeak and the Trinity Wall Street Choir at the National Sawdust concert hall (Oct. 2015), under the direction of Julian Wachner. His work "Journal: String Quartet #2" has toured North America to great success, performed by the New Orford String Quartet, which commissioned the work in 2013. It was released on CD by the NOSQ in early 2018.
His electric guitar collective "Instruments of Happiness" presented shows for 100, 20 and 4 guitars to sold out houses across Canada in 2015 and 2016, and the first IoH CD was released in March 2016 on the American Starkland Records, to excellent reviews. The group has toured Canada twice (2017, 2018), presenting new works by a range of Canadian composers.
Other recent orchestral pieces include Viola Concerto (Orchestre symphonique de Laval, Requiem 21.5: Violin Concerto, commissioned by Symphony Nova Scoti and Amplify, Multiply, Remix and Redfine: in memory of Les Paul (for 21 electric guitars & orchestra), commissioned for the 2010 Winnipeg Symphony Orchestra New Music Festival. His most recent international success was the June 2010 production of excerpts from "24 Frames - Trance" at the Bang on a Can Marathon in New York City, as well as a 6-city East Coast US tour in September 2012.
Brady regularly tours North America, Europe, Asia and Australia as an electric guitar soloist, performing his own music as well as new works which he commissions from other composers in his effort to create a new voice for the electric guitar. He has performed at many leading venues including The South Bank Centre and the ICA (London), The Huddersfield Contemporary Music Festival (UK), The Darwin International Guitar Festival (Australia), the Bang on a Can Festival (NY), and De Ijsbreker (Amsterdam), Radio-France (Paris), the Barcelona Contemporary Music Festival and BKA (Berlin). He has recorded extensively for Radio-Canada, the Canadian Broadcasting Corporation, the British Broadcasting Corporation, Netherlands Public Radio, Radio-France, Spanish National Radio and National Public Radio in the USA. In 1999 his Strange Attractors World Tour took him to 10 countries for a total of 23 concerts. The ensemble's most recent tour in March and April 2014 took them to the USA and Australia, including a broadcast recording for the Australian Broadcasting Corporation show New Music Up Late.
His new music ensemble Bradyworks has toured Canada six times (1991, 1994, 2000, 2004, 2006, 2009), performed in the United States, and records regularly for both the CBC and Radio-Canada. The ensemble released its first CD in 1991, entitled Inventions, and released its second recording, Revolutionary Songs, in 1996 to coincide with its performance at the Festival international de musique actuelle de Victoriaville. In the autumn of 2003 the group released its third CD, entitled Unison Rituals, and presented its first European tour, including a radio performance for the BBC Radio 3 programme "Hear and Now", along with concerts in Aberdeen, Dublin and Cork. The ensemble recently presented Brady's two chamber operas in highly successful productions: Three Cities in the Life of Dr. Norman Bethune (Montreal, 2003 / Toronto, 2005), and The Salome Dancer (Kitchener, 2005). In May 2008 it presented 5 performances of the multi-media work My 20th Century in a tour across Québec, including a performance at the Festival international de musique actuelle de Victoriaville. My 20th Century's success continued in 2009, with a 10-city Canadian tour, to rave reviews.
In January 2013 his work "Atacama: Symphonie #3" was named "Best new composition of the year" at the Prix OPUS. In 2004 he was awarded the Prix OPUS for "Composer of the Year" by the Conseil québécois de la musique, for the outstanding quality of his work as a creative artist. In Nov. 2006 he was awarded the Jan V. Matejcek Award by SOCAN, for the most concert music performance royalties in Canada for 2005 (francophone category). From 2008 to 2013 he served as the "composer-in-residence" with the Orchestre symphonique de Laval, working with music director Alain Trudel to build a creative music presence in the orchestra and in the city of Laval.
In addition to his work as a composer and guitarist, from 1994 to 2004 he served as the Artistic Director of Innovations en concert, a company which he founded. It is one of Montreal's main new music producers, and during his tenure as director he produced over 100 concerts of contemporary music from across Canada and around the world. He also has written for Musicworks Magazine, and has served on the boards of Codes d'accès, The Canadian League of Composers and the Music Gallery. He was the founding president of the Canadian New Music Network, serving from 2005 to 2014."-Tim Brady Website (https://www.timbrady.ca/TB_bio.html)
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1. Desir: mvt. 1 08:00
2. Desir: Mvt. 2 07:59
3. Desir: Mvt. 3 10:07
4. Eight Songs about: Song #1 - Bells 04:04
5. Eight Songs about: Song #2 - Exhaustion 04:00
6. Eight Songs about: Song #3 - The Radio 05:47
7. Eight Songs about: Song #4 - Distance 04:18
8. Eight Songs about: Song #5 - Metronome 05:56
9. Eight Songs about: Song #6 - Aria 03:26
10. Eight Songs about: Song #7 - Performance 05:19
1.. Eight Songs about: Song #8 - August 9th 04:53
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Previously played Squidco store copy, used for cataloging and samples, in excellent condition.
"This CD presents the premiere recordings of two major works from electric guitarist Tim Brady. Known for both his dynamic, engaging compositions as well as his highly developed electric guitar virtuosity, Brady is "extraordinarily talented [and] has a distinctive musical language" (Fanfare). His "work is deeply emotive, grounded and elegant" (I Care If You Listen).
As a guitarist, Brady has been described as "the leading proponent of gaining acceptance of the electric guitar in new music" (Downbeat), "technically staggering" (All About Jazz), and "a true mad scientist of guitar sound, placed on Earth, it seems, to smash the barriers between high and low culture" (Hour Weekly).
The highly energetic, 26-minute "Désir: concerto for electric guitar and large chamber ensemble" (2016-2017) is Brady's third such work, which he describes as "a marriage of the power and personality of the electric guitar with the subtlety and flexibility of top-flight classical performers." The composition was commissioned by and premiered at The Festival International de Musique Actuelle de Victoriaville.
Allan Kozinn comments that Désir "begins and ends with movements etched in hard-driven, sizzlingly fleet guitar playing, rumbling basses, and swirling textures. In both movements, the interplay between the guitar and the ensemble is lively and compelling."
The CD also premieres the intensely harrowing, yet poignant, 38-minute "Eight Songs about: Symphony #7" (2016-2017), in which Brady focuses on the Leningrad premiere of Dmitri Shostakovich's Symphony No. 7 on August 9th, 1942. The Leningrad performance took place in the middle of a 900-day siege of the city by the German Army, under the most horrific conditions of war, death, and privation. The soprano and baritone singers in Brady's work portray various characters connected to this historic performance and Leningrad, including: Josef Stalin; Nina Varzar, wife of Shostakovich; a German soldier in the trenches; a prostitute; performers in the orchestra; and conductor Karl Eliasberg.
Avant Music News wrote that Eight Songs "was dramatic and compelling, the orchestra and soloists succeeding in shining an artistic light on a period of great darkness, with stunning impact." Kozinn comments Eight Songs is "a fascinating, fresh approach to a work about war, and Brady and [lyricist] Smith bring it off with remarkable incisiveness and concision."
Starkland's previous Tim Brady CD (Instruments of Happiness) received over a dozen favorable reviews, was a Philadelphia Inquirer Classical Pick, and landed on several Best-of-the-Year lists.
About Tim Brady
Tim Brady (b. 1956) defies categorization - an electric guitar virtuoso who writes operas, plays concertos, and feels as comfortable with a laptop electronic improvisation as with a string quartet. Using the guitar as orchestra, he produces music which is a highly personal synthesis of contemporary classical, jazz, rock, and electronics. For the past thirty years Brady has toured the world, both as a soloist and with his group Bradyworks. His CD "Atacama: Symphony #3" was named Création de l'année for 2012 at the Prix Opus in Québec and it was nominated for a JUNO Award in 2014. Brady's chamber and orchestral works are often influenced by strong jazz and rock rhythms, combined with a subtle sense of harmony and texture, and a flair for dramatic forms and structures. Four operas, eight symphonies, over twenty CDs, and dozens of international tours later, his music continues to engage listeners around the world."-Starkland
Canadian Composition & Improvisation
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