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Surplus 1980 Collectiv Ensembl With G.W. Sok : Forget All This (Music a la Coque)

Surplus 1980 Collectiv Ensembl takes the current members of drummer Moe! Staiano's Surplus 1980 along with associated musicians, including Kyle Bruckmann, John Shiurba, Vicky Grossi, Paul Costuros, &c, with vocals from Dutch vocalist G.W. Sok (The Ex), in an album of avant post-punk rock, sophisticated but determined and pointed music, an unusual hybrid of impressive styles.
 

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product information:


Label: Music a la Coque
Catalog ID: coq-012
Squidco Product Code: 27396

Format: CD
Condition: New
Released: 2019
Country: Italy
Packaging: Cardboard Gatefold
Recorded at Ex'pression, in Emeryville, California, on November 17th, 2017, by HL Nelly.


Personnel:

Yacob McCann-guitar

Melne Murphy-guitar

John Shiurba-guitar

Bill Wolter-guitar

Vicky Grossi-bass

Steve Lew-bass

Jason Hoopes-bass

Jordan Glenn-drums

Mark Pino-percussion

Kyle Bruckmann-oboe

Paul Costuros-bass clarinet

G. W. Sok-voice

Moe! Staiano-composition, conducting, snare

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Artist Biographies:

"Melne Murphy is a West Coast guitarist known for the bands Surplus 1980, Surplus 1980 Collectiv Ensembl With G.W. Sok, Têtes Noires."

-Discogs (https://www.discogs.com/artist/3308186-Melne-Murphy)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Shiurba is a composer and guitarist whose musical pursuits include improvisation, art-rock, modern composition and noise. Shiurba has recorded and toured the U.S. and Europe as a member of the bands Eskimo, The Molecules and Spezza Rotto, as a member of the Merce Cunningham Dance Company, Anthony Braxton's ensemble and the SFSound Group, and as an improvisor.

Shiurba has conducted the premieres of his compositions at ODC in 2005 ("Moon Cycle" for SFSound) at New Langton Arts in 2002 ("Triplicate") and at SFAlt in 2002 ("5x5 1.4" for SFSound). Shiurba was invited to play at the Seattle Improvised Music Festival in 1998, at the High Zero Festival in Baltimore in 1999, at the SFAlt Festival in 2004 and at the Olympia Experimental Music Festival in 2002 and 2004, and at the Push International Performing Arts Festival in Vancouver in 2007.

As a guitarist Shiurba has developed a unique and personalized approach to the guitar. Through the use of extended techniques and unusual preparations, he expands the traditional sound range of the instrument, producing stunning, often unrecognizable results. Cadence Magazine calls Shiurba a 'wildly creative guitarist... anti-jazz, anti-everything else, yet utterly compelling.'"

-John Shiurba Website (http://www.shiurba.com/bio.html)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bill Wolter is a composer, guitarist, audio engineer, and sound educator based in the San Francisco Bay Area. He composes music for film, games, and modern dance. His music is inspired by the sounds of jazz, classical new music, film music, progressive rock, and experimental music.

His main musical project is Inner Ear Brigade (IEB), an ensemble that plays a mix of progressive rock, avant-garde jazz, and classical new music. A restless collaborator who seeks the most diverse and challenging musical experiences, Bill performs and collaborates frequently with a wide range of musicians, bands, improvisers, and choreographers.

As a sound designer, Bill has worked on musical games such as Guitar Hero, Tap Tap Revenge, as well as several films from shorts to feature lengths.

Bill is also a passionate educator teaching music and audio at Diablo Valley College, Ex'pression College for Digital Arts, and The Art Institute of California, San Francisco."

-Bill Wolter Website (http://billwolter.com/splash-page/about/)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Vicky Grossi is a West Coast bassist known for the bands Bitches Brew, Surplus 1980 Collectiv Ensembl With G.W. Sok, The Girlz with a Z, and The Blue and Tan.

-Squidco 5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Steve Lew is a West Coaast bassist, known for his work with M-99, Slack, Surplus 1980, Surplus 1980 Collectiv Ensembl With G.W. Sok, and Vacuum Tree Head.

-Discogs (https://www.discogs.com/artist/1625268-Steve-Lew)
5/15/2019

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"Jason Hoopes is a bassist and educator. His work as bassist includes numerous bay area groups including but not limited to...Jack O' The Clock, Fred Frith Trio, OrkestRova, Scott Amendola / Karl Alfonso Defensor Evangelista, Perfect Loss, Eat The Sun, Dominique Leone, The Atomic Bomb Audition, Satya Sena, powerdove, Host Family."

-Bay Improviser (http://www.bayimproviser.com/artist/320/jason-hoopes)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jordan Glenn is a drummer, percussionist, composer, band leader, conductor, video maker, and general craftsman who lives in Oakland, California.

Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying jazz, classical, and rock music. In 2003 Glenn received a bachelor's degree in Jazz Studies from the University of Oregon.

In 2006 he relocated to the Bay Area, received a masters degree from Mills College and since has worked closely with Fred Frith (FF Trio and Gravity Band), William Winant, Zeena Parkins (The Adorables), Roscoe Mitchell, ROVA Sax Quartet, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, Matthew Welch, Rhys Chatham and the bands Jack O' The Clock, Arts & Sciences, Young Nudist, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band."

-Jordan Glenn Website (http://jordanglennmusic.com/)
5/15/2019

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"Mark Pino began playing drums at the age of 13. He has performed in the SF Bay Area and other parts of the country since the early 1990's. Mark has shared stages and playing situations with many talented individuals, and is grateful to all of them, most of all those who have shared their insights with him. He considers himself a band player, first and foremost. He also plays percussion with Cloud Shepherd, The Ruminations, and other experimental/improv groups. More on his work is available at markpinoondrums.blogspot.com"

-Acousmatique (https://acousmatique.bandcamp.com/album/live-at-the-luggage-store)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Composer/performer Kyle Bruckmann's work extends from a Western classical foundation into genre-bending gray areas encompassing free jazz, electronic music and post-punk rock. A busy and varied performance schedule and appearances on more than 60 recordings have led to his recognition as "an excellent composer, striking the right balance between form and freedom" (Signal to Noise), "a modern day renaissance musician" (Dusted) and "a seasoned improviser with impressive extended technique and peculiar artistic flair" (All Music Guide).

Shortly after moving to the San Francisco Bay Area in 2003, he joined forces with acclaimed new music collective sfSound and with Quinteto Latino (a woodwind quintet specializing in Latin American composers). He is now also a member of the San Francisco Contemporary Music Players, Eco Ensemble, and Splinter Reeds. He has worked with the San Francisco Symphony and most of the area's regional orchestras remaining active in an international community of improvisers and sound artists. Current local improvising working groups include Addleds, Shudder, and mchtnchts.

From 1996 until his westward relocation, he was a fixture in Chicago's experimental music underground, with frequent collaborators Jason Ajemian, Jim Baker, Jeb Bishop, Olivia Block, Guillermo Gregorio, Fred Lonberg-Holm, Robbie Hunsinger, Bob Marsh, Weasel Walter, and Michael Zerang. Long-term affiliations include the electro-acoustic duo EKG, the "rock" monstrosity Lozenge, and the Creative Music quintet Wrack (recipient of a 2012 Chamber Music America New Jazz Works award).

Bruckmann earned undergraduate degrees in music and psychology at Rice University in Houston, studying oboe with Robert Atherholt, serving as music director of campus radio station KTRU, and achieving academic distinction as a member of Phi Beta Kappa. He completed his Masters degree in 1996 at the University of Michigan, Ann Arbor, where he studied oboe performance with Harry Sargous and contemporary improvisation with Ed Sarath."

-Kyle Bruckmann Website (http://www.kylebruckmann.com/about/biography/)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paul Costuros is a clarinetist, Musician, Graphic Artist, Performance Artist and Disc Jockey. He is known for the groups Burmese, Cops, Death Sentence: Panda!, Man Slaughter, Murder Murder, Surplus 1980 Collectiv Ensembl With G.W. Sok, The Fisticuffs Bluff, The Nuckle Brothers, Total Shutdown, XBXRX."

-Discogs (https://www.discogs.com/artist/310473-Paul-Costuros)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Moe! is conductor and composer for the Moe! Staiano Ensemble, (formerly Moe!kestra!), a large-ensemble avant garde orchestra, which can feature over 30 musicians playing everything from violins, clarinets and cellos to drum kits, oscillators and electric guitars. Moe! Staiano Ensemble performances are high-energy, electrifying experiences that create unique and memorable soundscapes that intrigue and beguile.

Moe!'s innovative solo percussion shows feature prepared drum kit, found objects, audio looping and the inventive use of a "percussion guitar" woven in with performance art, which always gets the audience involved and eagerly expectant of what might happen next.

Moe! also fronts Surplus 1980, a post-punk band that continually evolves its journey of no-wave progressive and percussive musical exploration. Surplus 1980 features Moe!'s bracing guitar and wry wordplay and a wide palette of timbres from the multi-instrumentalist members of the group.

Over the years, Moe! has worked with a veritable who's-who of the Bay Area creative music scene, including Ron Anderson (the Molecules, RonRuins, PAK), Tom Nunn, Vacuum Tree Head, Z'ev, Amy X Neuburg, Ava Mendoza, Nurse With Wound, David Slusser, Karen Stackpole, Ches Smith, Michael Evans (God Is My Co-Pilot), Caroline Kraabel & John Edwards (Shock Exchange), Gino Robair, William Hooker, Tom Dimuzio and has performed with all these plus Henry Kaiser, Mark Growden's Electric Pinata, Amy Denio, Cheer-Accident and sfSoundGroup among others.

Solo Percussion

Moe! performs solo percussion shows, some are based around a modified drum set and looping, while others include "playing" a variety of found objects. His performances are always interesting and engaging, and often include the audience as a participant, as well as observer.

Moe! Staiano Ensemble (formerly Moe!kestra) is a large-ensemble avant garde orchestra, which can include over 30 musicians that play everything from traditional classical instruments and percussion to contemporary mainstays like electric guitars and drum kits.

Moe!'s ferocious conducting leads the ensembles through his own compositions--epic forays into sonic landscapes from pastoral and evocative to jagged and frenetic.

Moe! has created over ten works for his ensemble, including the dramatic and safety-glasses-encouraged "Piece No.1: Death of a Piano"--which climaxes with a frenzied crescendo and Moe! destroying a piano with a sledgehammer.

Collaborations

Moe! has collaborated in small ensembles with notable musicians such as Amy X Neuburg, Aram Shelton, Jordan Glenn, Thollem McDonas and more."

-Moe! Staiano Website (http://www.moestaiano.com/about.html)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Glory Hole 11:30

2. Aftermath 9:06

3. Gutter 14:09

4. Flim Flam 8:52
sample the album:








descriptions, reviews, &c.

"So far I had not heard of Surplus 1980. This is a band around Moe Staiano in which plays most instruments himself, but also using studio recordings from other people, such as (quoting Discogs here) "Carla Kihlstedt, Matthias Bossi, and Dan Rathbun (Sleepytime Gorilla Museum), guitarist Ava Mendoza (Mute Socialite, Unnatural Ways), violinist Meredith Yayanos (Faun Fables)" but also bits from Andy Moor (The Ex), GW Sok (ex-The Ex, King Champion Sounds) and others. This new release collects all (?) members so far that have been a more or less permanent presence in the band under the banner of Surplus 1980 Collectiv Ensembl With G.W. Sok. The latter recorded his vocal contributions in Amsterdam, whereas the rest was recorded in California, but even then some might have been taped elsewhere. The line-up consists of guitars, bass ("low, high, upright"), drums, oboe and bass clarinet. The music reminds me of post-punk but that might be because of Sok's voice, as the music itself is at times quite complex. I could be wrong but it takes the more complex rhythm and signatures from progressive rock in the mid-seventies but playing them with the vigour of a punk band. There have been times that the Ex sounded like this, around Tumult and Blueprints For A Blackout; it is almost an orchestral approach here and it works damn fine. If they all play at the same time, we are talking about four guitars, three basses, two drummers plus the oboe and bass clarinet. As you may know by now, I am not a man caring that much about lyrics, so I must admit I have no idea what these lyrics are about; one is about Elvis. I guess that's not enough, right? Sok sings as he does best; full-on, almost spitting the words out, but it is controlled aggression that he is putting on display here. It all sounds like a pleasant, intelligent work of post-punk, using all the energy and inventive composition, taking elements of seventies progressive rock with all the changes, but then as executed by punks who know how to play their instruments. This label I know for their interesting obscure re-issues but this one branches out to a current recording; it is something that could have been from the past as well."-Frans de Waard, Vital Weekly


Get additional information at Vital Weekly
Related Categories of Interest:


Rock and Related
Improvised Rock
West Coast/Pacific US Jazz
Large Ensembles
Unusual Vocal Forms
New in Rock Forms
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