Swiss pianist and composer leads her Luzia von Wyl Ensemble, a 10 piece band orchestrated with piano, bass, drums, flute, bassoon, clarinet, bass clarinet, violin, cello, and marimba, in a series of original jazz pieces that embrace third-stream jazz and Middle Eastern modal melodies, her players taking on exceptional solo spots fueled by her sophisticated compositions.
Format: CD Condition: VG Released: 2018 Country: Switzerland Packaging: Cardboard Gatefold 3 Panels Recorded at Bauer Studios, in Ludwigsbrug, Germany, on September 8th, 9th, 10th and 11th, 2017, by Johannes Wohlleben.
Previously played Squidco store copy, used for cataloging and samples, in excellent condition.
"When classically trained composers try their hand at "jazz", the results can often recall plain-clothes members of the drugs squad trying to pass themselves off among the crowds at a music festival. Their attempts at improvisation invariably sound tame, soulless and desperately unfunky, lacking any sonic element of danger.
Fortunately, the Swiss pianist and composer Luzia von Wyl avoids such cliches by keeping the jazz elements tangential to her compositions. Her nine-piece band (featuring kit drums, marimba, double bass and a mix of woodwind and strings) explore some of the textures of "third-stream" jazz, while her compositions - tricksy, episodic works, filled with multiple rhythms and audacious chord changes - sometimes share some of the tropes of contemporary jazz songwriting. But her mischievous arrangements transcend such binary distinctions, and display a sonically satirical bent that recalls Frank Zappa.Sign up for the Sleeve Notes email: music news, bold reviews and unexpected extrasRead more
Throwing Coins starts with a rigorous melody called "Chromatika", which cycles through all 12 tones of the scale in an oddly comforting manner. Later in the album, the same complex melody is brilliantly transformed into a Brechtian dirge ("Chromatika II").
There are Middle Eastern-themed modal melodies such as "Q" and "Antumbra", based around classical Arabic maqams, elegantly arranged for strings and woodwind.
On a wonderfully spartan track called "Wasps", two duelling flutes replicate birdsong.
Wisely, Von Wyl rarely tries to improvise herself, instead delegating the solos to skilled players: Spark features a free-jazz freakout from flautist Amin Mokdad, while Akumal includes a wonderfully elastic bass clarinet solo from Lukas Roos. But Von Wyl's disruptive, quizzical compositions are a thing of impish joy throughout."-John Lewis, the Guardian