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Pitch Splitter Orchester, The: Frozen Orchestra (Splitter) (Mikroton Recordings)

The third and most ambitious release from Splitter Orchester, with an amazing mix of experimental and ea musicians including Boris Baltschun, Kai Fagaschinski, Michael Thieke, Burkhard Beins, Axel Dorner, Matthias Muller, Magda Mayas, &c. &c., in a slow moving work exploring fields of harmonic relationships consisting of pitch sets, a beautiful work of drone and depth.
 

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product information:


UPC: 5056198930334

Label: Mikroton Recordings
Catalog ID: mikroton cd 61
Squidco Product Code: 25831

Format: CD
Condition: New
Released: 2018
Country: Russia
Packaging: Cardboard Gatefold
Recorded at studioborne45, in Berlin, Germany, on December 12th and 13th, 2017, by Richard Konig and Roy Carroll.


Personnel:

Koen Nutters-double bass

Boris Baltschun-electric pump organ

Morten J. Olsen-vibraphone, percussion

Michael Thieke-clarinet

Burkhard Beins-percussion

Anthea Caddy-cello

Anat Cohavi-bass clarinet

Axel Dorner-trumpet

Kai Fagaschinski-clarinet

Robin Hayward-microtonal tuba

Steve Heather-percussion

Chris Heenan-bass clarinet

Mike Majkowski-double bass

Matthias Muller-trombone

Magda Mayas-clavinet

Andrea Neumann-inside piano, mixing board

Simon James Phillips-piano

Julia Reidy-guitar

Ignaz Schick-turntables, oscillators, electronics

Mario de Vega-objects, electronics

Sabine Vogel-flutes

Biliana Voutchkova-violin

Marta Zapparoli-tape recorders, reel to reel tape machine

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Artist Biographies:

Koen Nutters is an upright bass player, born in The Hague, Netherlands in 1976. He is a founding member of the N Collective, and also organises the concertseries: DNK-Amsterdam.

-N-Collective Website (http://www.n-collective.com/files/koennutters.html)
12/12/2018

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Boris Baltschun was born in 1974 in Hansestadt Bremen, Germany and is a improvisor, composer and sound artist. He is known for his work with Serge Baghdassarians in Splitter, and the trio Baghdassarians / Baltschun / Beins.

-Squidco 12/12/2018

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"Morten J. Olsen (b. 1981, Stavanger) is a musician, composer and artist. He studied in Amsterdam, but has been living and working in Berlin and Stavanger since 2006. Olsen mainly plays percussion, usually within selected forms of experimental music. He works with a sound palette which includes orchestral, electronic, improvised music and rock. He has performed throughout Europe, North America, Oceania and Asia with MoHa!, Ultralyd The Pitch and his latest collaboration NMO with Rubén Patiño. Olsen is also a member of Splitter Orchester, a 25-piece improvising collective based in Berlin. He has released more than 40 records on approximately 10 different labels and recently adapted a new hobby as techno DJ."

-Morten J. Olsen Website (http://plus3db.net/artists/morten_olsen/)
12/12/2018

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"The Berlin-based clarinetist/composer/performer Michael Thieke is equally at home across a broad range of musical environments, such as experimental song forms, collectively composing projects, improvising collectives, and music on the fringes of jazz. He is exploring the minutiae of sound, timbre and noise, with a particular interest in microtonality and related sound phenomena, and with a preference for long-term collaborations and collective work.

Some of his current Projects are: The International Nothing (with Kai Fagaschinski cl, CD on ftarri), The Magic I.D. (with Christof Kurzmann, Kai Fagaschinski, Margareth Kammerer, CD/LP on ErstPop and staubgold), The Pitch (with Boris Baltschun organ, Koen Nutters b, Morten Olsen dr, LP on gaffer), Der lange Schatten (with Håvard Wiik p, Antonio Borghini b), Voutchkova/Thieke (with Biliana Voutchkova vl), Splitter Orchester, Toulemonde/Thieke (with Olivier Toulemonde acoustic objects), Hotelgäste (with Derek Shirley b, Dave Bennett g, CD on schraum, LP on self), Michael Thieke Unununium (with Luca Venitucci acc/p, Martin Siewert g, Christian Weber b, Derek Shirley b, Steve Heather dr, Eric Schaefer dr, CD on charhizma), motif (with Atle Nymo sax, Håkon Mjåset Johansen dr, Eivind Lønning tp, Ole Morten Vågan b, Håvard Wiik p), Porta Chiusa (with paed Conca cl, Hans Koch cl), Spirit Songs (with Mike Cooper voc/g, Elio Martusciello el, Fabrizio Spera dr, Luca Venitucci acc/el.), Roman Tics (with Burkhard Beins, Luca Venitucci, CD on Cathnor), Cowards Bend The Knee (Live Music in different setups with the film Cowards Bend The Knee by Guy Maddin), Gebhard Ullmann's The Clarinet Trio (with Gebhard Ullmann bass clarinet, Jürgen Kupke clarinet) and Uli Gumpert Workshop Band."

-Michael Thieke Website (http://www.michael-thieke.de/e/biographie.htm)
12/12/2018

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"Burkhard Beins, born 1964 in Lower Saxony, lives in Berlin since 1995. As a composer/performer working in the fields of experimental music and sound art he is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers and has conceived several sound installations.

Since the late 1980's he is performing at internationally renowned venues and festivals throughout Europe, America, Australia and Asia as diverse as the LMC Festival (London), Int. Ferienkurse (Darmstadt), SKIF (St. Petersburg), Musiktage (Donaueschingen), Musique Action (Nancy), Choppa Festival (Singapore), Cave 12 (Geneva), The Now now (Sydney), ZKM (Karlsruhe), Kaleidophon (Ulrichsberg), Kid Ailack Music Hall (Tokyo), Gaudeamus Festival (Amsterdam), Liquid Architecture (Australia), Meteo (Mulhouse), Taktlos (CH), Berghain (Berlin), Konfrontationen (Nickelsdorf), Serralves (Porto), Wien Modern (Vienna), MoMA (New York), New Music Festival (Hanoi), Irtijal (Beirut), or Maerzmusik (Berlin).

Alongside his solo work he is a member of the ensembles Polwechsel, Activity Center, The Sealed Knot, Perlonex, Sawt Out, Trio Sowari, Tree, Junk Orbit, Fracture Mechanics, and Splitter Orchester and also works with composers/musicans such as Sven-Åke Johansson, Andrea Neumann, Keith Rowe, Axel Dörner, Tarek Atoui, John Tilbury, or Charlemagne Palestine.

Burkhard Beins gives workshops based on his graphic score system Adapt/Oppose, has published several articles on music theory, and is a co-editor of the book "Echtzeitmusik Berlin - Self-Defining a Scene" as well as the curator of a follow-up 3CD compilation featuring the Berlin Echtzeitmusik scene. Meanwhile he has released more than 50 CDs and LPs on labels like Zarek, Erstwhile, 2:13 Music, Hat Hut, Potlatch, Absinth, alt.vinyl, God Records, Mikroton, or Confront."

-Burkhard Beins Website (http://www.burkhardbeins.de/cv.html)
12/12/2018

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"Anthea Caddy (b.1981) lives and works in Berlin, Germany and Melbourne, Australia. Her practice explores the spatio-temporal aspects of sound and architecture, applying these to audio works that manipulate and distort perceptions of time, space and experience. Caddy's work focuses on the incorporation of acoustic, electro-acoustic and recorded space within performance, installation and concert presentation, often using amplified cello as her primary sound source. In her live performance she uses multi-channel configurations in low lighting or complete darkness.

Alongside her solo work Anthea has collaborated with many artists in various projects, most notably with Thembi Soddell (Cajid Media, Room40), Annette Krebs (AnotherTimbre), Philip Samartzis, Magda Mayas (Dromos), Valerio Tricoli, Michael Vorfeld, Liz Allbee (Bogan Ghost), Helena Gough (Entr'acte), Eric la Casa, Werner Dafeldecker, Christian Wolff and Tony Conrad. She is a current member of the 24 piece Splitter Orchestra, Berlin.

She has performed and exhibited in Australia, New Zealand, USA and Europe notably at, Bludenzer Tage, Austria, Liquid Architecture National Festival, Australia, Diapason Gallery, New York, Leipzig Museum of Modern Art, Reina Sofia Center of Contemporary Art, Madrid, Observatori Contemporary Arts Festival, Valencia, Issue Project Room, New York, Goethe Institut, Boston, Project Space Gallery, Melbourne, Wroclaw Museum of Contemporary Art, Poland, Internationales Musikinstitut Darmstadt, Tesla Centre of Media Arts and Radial System V, Berlin.

She has contributed to numerous works for video installation, dance, live sound design/score for theatre (with Darrin Verhagen and Franc Tetaz), film (Rogue, 2007) and video. Alongside Thembi Soddell she is discussed in Experimental Music: audio explorations in Australia edited by Gail Priest published by UNSW Press 2008."

-Anthea Caddy Website (http://www.antheacaddy.com/index.php/projects/bio/)
12/12/2018

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"Bass Clarinetist & Soprano Saxophonist Anat Cohavi was born 1979, in Haifa, Israel.

Anat is a clarinetist, saxophonist and composer, focusing on the music of the African American Improvising tradition. Her music encompasses the study of Indian classical music, Jazz, Modern Composition and free improvising. She brings expressionism, joy and lyrical beauty."

-Splitter Orchester Website (http://www.berlinsplitter.org/index.php?article_id=87)
12/12/2018

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"Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German jazz musician (trumpet and piano) and composer.

Dörner studied piano in the Dutch town Arnhem (1988-89) and at the Music Academy in Cologne (1989-1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light in the "The Street Fighters Duo". At this time he also joined the ensembles "The Street Fighters Quartet" and "The Street Fighters Double Quartet" together with Matthias Schubert, Bruno Leicht, and Claudio Puntin. In addition the "Axel Dörner Quartet" was initiated (with Frank Gratkowski, Hans Schneider and Martin Blume). With saxophonist Matthias Petzold. he participated on the albums Lifelines and Psalmen Und Lobgesänge.

Dörner has resided in Berlin since 1994, and occurs in the most diverse settings like "The London Jazz Composers Orchestra" and with "Hedros" (together with Mats Gustafsson, Günter Christmann, Barry Guy and others). Since then he has contributed on more than 50 album recordings.

Dörner is distinguished mainly by his versatility. He bouth play the more traditional Bebop, just like he fits in to classic Free Jazz or electronic music. He playd with Otomo Yoshihide at the Donaueschinger Musiktage in 2005. Dörner play both solo concerts and collaborates with his trio "TOOT" (together with Phil Minton and Thomas Lehn) and "Die Anreicherung" with Christian Lillinger, Håvard Wiik and Jan Roder, and in Ken Vandermarks "Territory-Band". Dörner is an integral part of the Berlin scene of experimental new improvisational music. Dörner was given special attention for his interpretation of all compositions by Thelonious Monk, with the pianist Alexander von Schlippenbach and his own band "Die Enttäuschung" released on a three CD album (Monks Casino, Complete 2005)."-Wikipedia

-Wikipedia (https://en.wikipedia.org/wiki/Axel_D%C3%B6rner)
12/12/2018

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"The Berlin-based clarinetist and composer/performer focuses on a subtle musicality of sound and noise phenomena. As an autodidact he has developed dubious manners on his instrument. His music is rooted in abstractness, including increasingly an insidious expressivity and a pre-melodic quality. He works on the borderline of composition and improvisation, with a preference for long-term collaborations.

His projects are The International Nothing - clarinet duo with Michael Thieke (cd: Mainstream, ftarri 2006 / less action, less excitement, less everything, ftarri 2010 / the dark side of success, ftarri 2014), los glissandinos with klaus filip (cd: Stand clear, creative sources 2005), the magic i.D. - Song Project with margareth kammerer, christof kurzmann & michael thieke (cd/vinyl: Till my breath gives out, erstwhile 2008 / i'm so awake - sleepless i feel, staubgold 2011), duo with Burkhard Stangl (cd: Musik - ein portrait in sehnsucht, erstwhile 2009), the dogmatics with Chris Abrahams (lp: The sacrifice for the music became our lifestyle, monotype 2012), here comes the sun with gunter schneider & barbara romen (cd: Here comes the sun, mikroton 2012), Kommando Raumschiff Zitrone with Christof kurzmann (cd: First time ever i saw your face, quincunx 2006), duo with Bernhard Gal (cd: Going round in serpentines, charhizma 2005), rebecca with michael renkel (cd: Rebecca [two variations], charhizma 2003), No Furniture with Boris Baltschun and Axel Dörner (cd: No furniture, creative sources 2003), and (exceptionally) solo.

Kai has been the commander of Raumschiff Zitrone from 2000 to 2006, joined by christof kurzmann in 2002. Recently both commanders have been retired and closed the legendary raumschiff zitrone which has presented concerts of countless international artists. In 2001 he co-initiated together with gregor hotz and conrad noack berlin's experimental music platform www.Echtzeitmusik.De.

Kai was artist-in-residense at quartier21 (part of museumsquartierwien, vienna) in 2004. As a result of fruitful collaborations and good friendships vienna feels like a second home for him."

-Kai Fagaschinski Website (http://kylie.klingt.org/bio.html)
12/12/2018

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"The tuba player and composer Robin Hayward was born in Brighton, England in 1969. He studied classical music at the University of Manchester and tuba at the Royal Northern College of Music, where he graduated in 1991. In following years he was active in the improvised and experimental music scenes in Manchester and London. Since 1998 he has been based in Berlin.

He has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve' in 1996, and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, partly out of a desire to visualise the harmonic space implicit within the microtonal tuba. In 2005 he founded the ensemble Zinc & Copper to explore brass chamber music from an experimental music perspective.

Robin Hayward has toured extensively both solo and in collaboration, and been featured in such festivals as Maerzmusik, Fri Resonans, Donaueschingen, TRANSIT festival, Ghent Festival of Flanders, Ostrava New Music Days, Sound Symposium, Kieler Tage für Neue Musik and Wien Modern. Collaborations include such musicians as Charles Curtis and Roberto Fabbriciani, along with composers such as Christian Wolff, Alvin Lucier and Eliane Radigue. His approach to the tuba has been documented in the solo releases Valve Division, States of Rushing, Nouveau Saxhorn Nouveau Basse and Rubble Master, along with numerous collaborative releases, such as with the microtonal tuba trio Microtub and the tuba and double bass duo Reidemeister Move. He has lectured at such institutions as Stuttgart Musikhochschule, the Sibelius Academy in Helsinki, UDK Berlin, Dartmouth College and Wesleyan University. He has also worked regularly with such orchestras as the Rundfunk-Sinfonieorchester Berlin and the Konzerthausorchester Berlin, and from 2002 to 2012 was a member of the new music ensemble KNM Berlin.

In 2012 the International Tuba and Euphonium Association (ITEA) presented him with the Clifford Bevan Award for Excellence in Research for his 2011 article on the history and development of the microtonal tuba. In 2016 he received the ITEA's Jim and Jamie Self Creative Award for his work with the microtonal tuba and Hayward Tuning Vine."

-Robin Hayward Website (http://www.robinhayward.de/eng/biography.php)
12/12/2018

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"Steve Heather (Composer/Performer/Musician) is a freelance musician (drums, percussion, electronics) and composer, performance and installation maker based in Berlin. Born in Melbourne and studied percussion/improvisation at the Victoria College of the Arts and performance art at Das Arts/Amsterdam.

Steve Heather's current music projects/bands vary from avant guard, free jazz to noise, drone rock and prog fitness disco include: STIFF LEATHER, TUB, NEU TRAINERS, THE STILL, BOOKLET, MRS CONCEPTION, RAFT, SHELTER, THE PEELED EYE and ASHES. Steve was the co founder of the Amsterdam based electo acoustic music series, Kraak Geluiden and is also is the co-founder of the new media/ performance group SXS ENTERPRISE with Siegmar Zacharias and Xander De Boer.

As sound designer, composer and performer, Steve Heather works regularly in the fields of dance, theatre, film new media, performance and has worked with The Netherlands Dance Theatre, Sandra Parker Dance, Scapino Ballet, Ivana Müller, United Sorry and Dansgroep Amsterdam.

He performs regularly at European Festivals with performances, among others, at Hebbel am Ufer (Berlin) Haus Der Berliner Festspiele (Berlin), BRUT (Vienna), Grand Theatre (Gronigen), Sophiensaele (Berlin) and Volksbuhne (Berlin). Steve Heather has undertaken numerous artistic residencies in institutes such as Les Bains (Brussels), sophiensaele (Berlin), Steim (Amsterdam), STUK (Leuven), Grand Theatre (Gronigen), Dance House (Melbourne)."

-Soundcloud (https://soundcloud.com/steve-heather)
12/12/2018

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"Chris Heenan (Washington D.C., 1969) lives in Berlin is an active composer/performer and organizer of experimental music. He performs on alto saxophone, contrabass clarinet and analog synthesizer in contexts ranging from solo to large groups and in various ongoing projects.

He uses these instruments to investigate new musical forms, noise, and improvisation both in his solo work and in collaboration with composers and performers such as musicians, dancers, and visual artists. Heenan has developed a formidable solo voice on his wind instruments, particularly with the contrabass clarinet where he uses extended techniques, often incorporating multiphonics with surprising results, to reveal the subtleties inherent to the instrument.

He performs regularly in the U.S. and Europe, featured on such festivals as Stuttgarter Saxofonfestival, Projektgruppe Neue Musik Festival, Bremen; Improvised and Otherwise, Brooklyn, NY; Experimental Intermedia, New York; and at venues such as Artist Space, New York; Sendesaal Radio Bremen, The Renaissance Society, Chicago, IL and The Santa Monica Museum of Art. He is the recipient of grants from American Composers Forum, Arts International and The Durfee Foundation. Heenan received his MFA from the Milton Avery Graduate School of the Arts at Bard College in 2004 and from 2004 to 2006 was a fellow-in-residence at Akademie Schloss Solitude in Stuttgart, Germany.

Some of his main collaborators and projects include Flamingo, Nordzucker, Trigger, PIVOT (with Liz Allbee), Michael Vorfeld, Sven Åke Johansson, Alessandro Bosetti, Ute Wassermann, Birgit Ulher, and Splitter Orchester.

Heenan has been active as a curator of musical events and concerts since 2001. In 2004 he founded REIFY, a record label specializing in documenting experimental and improvised music, in addition to co-founding line space line (2002-2005), a new and improvised music series in Los Angeles that produced over 120 concerts and two yearly festivals. In 2007 he was invited to curate a concert at The J Paul Getty Museum, Los Angeles: An Evening of Works by Ichiyanagi, Kosugi, Ono and Shiomi as part of the exhibition (Rajikaru!): Experimentations in Japanese Art, 1950-1975."

-Chris Heenan Website (http://www.certainsundays.org/chris-heenan/)
12/12/2018

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"Mike Majkowski is a double bassist / composer born in Sydney, Australia. Currently based in Berlin. Active in the fields of improvised, composed and exploratory music. Performs as a soloist + with a number of collaborative projects (some of which are featured in this site) mike is currently exploring the spectral qualities of double bass resonance, examining deliberate frequencies and circumstantial resonance. His music also explores the relationship between physicality and sonority, with the aim of creating a sense of stillness."

-Site.Google.com (https://sites.google.com/site/mikemajkowski/)
12/12/2018

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"Matthias Müller was born 1971 in Zeven, Germany and starting playing trombone in the local trombone choir at the age of 10. From 1994 to 1999 he studied jazz-trombone at the Folkwang Hochschule in Essen, where he also made his first steps into improvised music. His CD "Bhavan", which was released in 2004, was produced by Chicago based musician and journalist John Corbett. In the same year he moved to Berlin and has since been regularly playing with internationally recognized improvisers such as John Edwards, Mark Sanders, George Lewis, Johannes Bauer, Jeb Bishop, Tobias Delius, Olaf Rupp, Paul Lovens, Toshimaru Nakamura, Clayton Thomas, Michael Vorfeld, Axel Dörner, and many more. He is a member of the 24-piece improvising ensemble, "Splitter Orchester", and was also a member of the "German-French Jazzensemble" under the direction of Albert Mangelsdorff. In addition, Müller is also active in the field of contemporary music, having worked with the Berlin-based ensembles "Xenon", "Work In Progress", and "Zinc & Copper Works". He also took part in the performance and CD-recording of composer Mark Andre's opera "...22, 13...". Müller has toured Africa, Asia, North America and many countries in Europe, having played on numerous festivals, and released more than 20 CDs of his own projects."

-Matthias Muller Website (http://matthiasmueller.net/about)
12/12/2018

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"Magda Mayas, born 1979, is a pianist living in Berlin. Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage.

Alongside the piano, Mayas has recently been performing on a Clavinet/Pianet, an electric piano from the 60s with strings and metal chimes, where she engages with noise and more visceral sound material, equally extending the instrumental sound palette using extended techniques and devices.Mayas performs internationally solo and in collaboration with a large number of musicians and composers.Current projects are "Spill", a duo with drummer Tony Buck, a duo with Christine Abdelnour (sax) and "Great Waitress", a trio with Monika Brooks (acc) and Laura Altman (cl).

She is currently undertaking Phd studies at the University of Gothenburg, Sweden and investigating extended instrumental techniques, spectral music and psychoacoustics in an improvised music context.

Since 2013 she has also been producing radio pieces for ABC Australia and Deutschlandradio Kultur and has released 20 CDS to date.

Magda Mayas has performed and toured in Europe, the USA, Australia, Mexico and Lebanon and collaborated with many leading figures in improvisation and composers such as John Butcher, Andy Moor, Zeena Parkins, Joelle Leandre, Paul Lovens, Ikue Mori, Phill Niblock, Peter Evans, Andrea Neumann and Axel Dörner. She has performed at festivals and exhibitions such as Maerz Musik (2012,2015), Documenta (2012) or the Berlin Biennale ( 2014)."

-Magda Mayas Website (https://magdamayas.jimdo.com/bio-cv/)
12/12/2018

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"Born 1968 in Freiburg, grew up in Hamburg. Piano lessons since 1974. Studied piano at "Hochschule der Kunste" in Berlin. Since 1996 primarily active as improviser and composer in the areas of experimental and new music.

In the process of exploring the piano for new sound possibilities, she has reduced the instrument to strings, resonance board and metal frame. With the help of electronics to manipulate and amplify the sounds (sometimes to make parts of the sound audible which are inaudible without amplification), she has developed numerous new playing techniques, sounds, and ways of preparing the dismantled instrument. Because the original inside piano is very heavy, a piano builder (Bernd Bittmann, Berlin) constructed a new and lighter one for her.

She has worked intensively in the crossover area between composition and improvisation, and in the field between electronic and handmade sounds, with Berlin musicians such as Annette Krebs, Ignaz Schick, Axel Dörner, Robin Hayward and Burkhard Beins. She has composed for inside piano for interdisciplinary projects including film, dance, performance, etc."

-Improvised Music from Japan website (http://www.japanimprov.com/profiles/aneumann/)
12/12/2018

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"Simon James Phillips is an Australian composer and musician living in Berlin. He creates immersive work that explores the perception of time and place through sound by building an expansive sonic atmosphere. Simon takes particular care to tailor his compositions and performances to each individual context. He incorporates a method of collaborative composition that invites musicians to contribute creatively and always seeks to understand and utilise the site specific qualities available for each project. He is also an accomplished pianist with experience performing within both the classical and experimental/new music context.

Simon, as either performer or composer, has participated in the Approximation Festival (Düsseldorf), Audio Art (Krakow), Bend/Break Festival (Berlin), Borealis Festival (Bergen), Darmstädter Ferienkurse (Darmstadt), Huddersfield Contemporary Music Festival (Huddersfield), Jazzfest Berlin (Berlin), Maerzmusik (Berlin), and the Sydney International Festival of the Arts (Sydney). He has performed in Australia, Canada, Denmark, Germany, Norway, Poland, Portugal, Sweden, Switzerland and the United Kingdom. He has been artist in residence at the Banff Centre (Canada) and Teatro Maria Matos (Portugal)."

-Simon James Phillips Website (http://www.simonjamesphillips.com/about-me)
12/12/2018

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"Julia Reidy plays acoustic and electric guitars, writes music and thinks a lot. Drawing from a pallet of sounds characterised by a relentlessly searching attitude and a keen interest in pretty much everything - her structures range from subtle, unfolding intricacies to harsh, abrasive attacks, delivered always with undiluted focus and intention."-Splitter Orchester Website (http://www.berlinsplitter.org/index.php?article_id=129)
12/12/2018

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"Ignaz has breached the divide of free jazz and electro-acoustic music. Within the framework of the former, he is a formidible lyricist on Alto Saxophone - In the orchestra, and in his most well known projects he brings a stunning variety of sound using rotating surfaces and an array of unlikely objects to produce a potent mix of interactive, acoustically driven electronic music."

-Splitter Orchester Website (http://www.berlinsplitter.org/index.php?article_id=102)
12/12/2018

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"Mario de Vega, who performs on Home Built Electronics, was born in 1979 in Mexico City, Mexico.

Mario has developed and built a subtle and unique instrumental arsenal, including cracked electronics, crackle boxes, mixing desks and re constructed microphones. In doing so, he has created a language that speaks loudly to the faults and fractures of our technology obsessed culture."

-Splitter Orchester Website (http://www.berlinsplitter.org/index.php?article_id=91)
12/12/2018

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"Sabine Vogel was born in Munich, studied jazz-flute at the Anton Bruckner Conservatory in Linz, Austria. In 2000 Sabine Vogel moved to Berlin, since 2005 she has been living in Potsdam.

As a flautist Sabine Vogel focuses on sound and improvisation, using extended techniques both acoustic as well as electronic, creating a very personal contemporary language for the flute. Discovering and producing the unheard, the intimate, in relation to sound production within the flute, is her main focus of exploration. She takes the sounds from the inside of her flute - the microcosm of her flute world - and transports these sounds, with the help of amplification, into a sound-able-hear-able world. Bringing what is inside into the outside. She then combines this world of sound with self-made field recordings- the natural macrocosm of existing sound - forming a composed mixture between the macro and microcosmic. Recently she became more and more interested in site specific work, doing sound installation combined with live playing in natural environment.

Sabine Vogel has played as a soloist or in various formations on festivals like: ISEA RUHR, Ultima Festival/ Oslo, EMS Festival/ Stockholm, Ultraschall Festival/ Berlin, High Zero/Baltimore, Internationale Ferienkurse Darmstadt, Audiocraft, Oxford etc

Her current projects are: ORNIS; an audio-visual Duo with british artist Kathy Hinde, a Duo with australian pianist/organist Chris Abrahams, Landscape Quartet - an enviromental, soundart project with Bennett Hogg, Matt Sansom, Stefan Östersjö - She is a member of the "Splitter Orchester", based in Berlin Sabine Vogel has a lectureship for flute at the University Potsdam

She has played and worked a.o. with Anthony Braxton, Arto Lindsay, Tony Buck, Jim Denley, Chris Abrahams, Alex Nowitz, Malin Bång, Andrea Neumann, Schwimmer,Shannon Cooney, the Walter Thompson Soundpainting Orchestra."

-Sabine Vogel Website (http://www.sabvog.de/en/index.html)
12/12/2018

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"Biliana Voutchkova is a dedicated, thoroughly engaged composer-performer whose work combines regular performances of major solo violin/ensemble works and new works by contemporary composers often written for her, improvisation and performance work reaching into the realm of dance and movement. Her constant research as a creative artist spans the widest possible range of sound and movement and extends her sonic, physical and technical capacities evolving into the development of a highly individual artistic musical language.

Biliana is a risk taker approaching contemporary classical repertoire with the same inspiration and freedom characteristic of her forceful improvisations. She collaborates with an international pool of renowned artists - among those are Mazen Kerbaj, Audrey Chen, Ute Wassermann, Iva Bittová, Robin Hayward, Jacques Demierre, Matthias Bauer, Frances-Marie Uitti, Séverine Ballon, Helmut Lachenmann, Michael Thieke, Hans Peter Kuhn, George Lewis, Georg Nussbaumer, Clayton Thomas, Axel Dörner, Peter Ablinger and many others. ​Biliana has been heard at festivals and concert series worldwide, her appearances ranging from celebrated concert venues such as Carnegie Hall in New York, the Berliner Philharmonie and Radial System V in Berlin, and Suntory Hall in Tokyo, to performances in the most vivid experimental places such as Kule/Labor sonor, Ausland, Quite Cue, Studio 8 and Exploratorium in Berlin, Saal 100 in Amsterdam, and the Knitting Factory in New York. After her 14 years long residence in the USA, Biliana now lives in Berlin and collaborates with the Splitter Orchestra, Solistenensemble Kaleidoskop, Ensemble Modern, Zeitkratzer, Work in Progress, Ensembles United Berlin, Mosaik, LUX:NM and others. She is the co-founder of her dance/music group GRAPESHADE and OSM (open sound & movement collective). Her recent/current projects include solo concerts at the Huddersfield Contemporary Music Festival, MuseRuole Festival, Radar Festval, Radialsystem V and Unerhörte Musik, concert appearance with Iva Bittová and Phil Minton, the solo portrait concert/presentation and the project "Gazes that matter" at Ballhaus Naunynstrasse, the performance of Alban Berg's chamber concerto for the March Music Days Festival, the concert tour in Bulgaria/Serbia with Voutchkova/Thieke duo supported by the Goethe Institut and performances for the festivals Klangwerkstatt, Jazzfest and Faithful in Berlin, Blurred Edges in Hamburg, Rainy Days in Luxemburg and Klarafestival in Brüssel.

Born in the family of musicians, Biliana Voutchkova begins playing violin at the age of four, makes her orchestra debut at the age of nine, and records her first CD for the Japanese label Crown Record Ltd. at the age of sixteen. She studies classical violin, in her college years starts being involved with the contemporary and improvised music scene in New York. Among her teachers are Peter Arnaoudov, Abram Stern and Felix Galimir. Ms. Voutchkova holds degrees from the University of Southern California and New School for Social Research/Mannes College of Music in New York (MM in music). She has received top honors at the Kozian International Music Competition, CRS National Competition for Performing Artists, and Music and the Earth International Contemporary Music Competition. At the age of nineteen, she was invited to the United States, and was presented the special Jasha Heifetz Violin Scholarshipfor for her studies at the University of Southern California. After her move to New York in 1995 her continuous interest and exploration of the music of today remains being a major part of her work. "

-Biliana Voutchkova Website (http://www.bilianavoutchkova.net/about.html)
12/12/2018

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"Marta Zapparoli was born in 1975 in Isola della Scala, Italy. She performs on Analog Devices, Tapes, & Field Recordings.

The last decade she creates sound art using field recordings digital and custom analog tools as well as found instruments and objects. Her sonic work investigates environmental phenomena, acoustic ecology,noise pollution, focusing on sonic narratives & human emotions through decomposition and real-time manipulation, sounds that are considered non-musical or overheard.

From raindrops to footsteps to sine tones and cracked chips, Penelopex brings past experience into the present, relocating the orchestra in any number of environments, or placing the environment within the sonic spectrum of our improvisation."

-Slitter Orchester Website (http://www.berlinsplitter.org/index.php?article_id=71)
12/12/2018

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track listing:


1. Frozen Orchestra (Splitter) 60:00
sample the album:








descriptions, reviews, &c.

"The third release of the 24-piece Splitter Orchester is, like its predecessors, a collaboration. This time they team up with the The Pitch, a quartet consisting to 3/4 out of Splitter Orchester-members.

Frozen Orchestra (Splitter) is their latest compositional effort in translating the quartet's language to a large format ensemble utilizing the sensibilites and possibilites of Splitter Orchester's electro-acoustic instrumentation. Frozen thereby indicates a very slowly moving field of harmonic relationships consisting of so-called pitch sets, which are augmented by noise sets, that is, non-periodic sounds organized in equivalent relationships. The score guides the group through various defined states of frozen surfaces where each player makes individual choices from a set of intervals or noises and thus constantly shifts harmonic weight and textural quality.

In the multicoloured sound of Splitter Orchester, the planar drones receive an iridescent depth. Monochromatic fields of sound grow out of the continuum, its steady flow letting them vary almost unnoticeably."-Mikroton

Related Categories of Interest:


Electro-Acoustic
Electro-Acoustic Improv
Improvised Music
Large Ensembles
European Improv, Free Jazz & Related
New in Experimental & Electronic Music
Recent Releases and Best Sellers


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