The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC


Musica Elettronica Viva: Symphony No 106 <i>[Used Item]</i> (Les Disques Victo)

Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.
 

Price: $6.95


Quantity:

In Stock


Shipping Weight: 2.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


PROMO w/ HOLE THROUGH BAR CODE ON REVERSE SLEEVE

UPC: 777405012920

Label: Les Disques Victo
Catalog ID: CD 129
Squidco Product Code: 24438

Format: CD
Condition: VG
Released: 2016
Country: Canada
Packaging: Cardboard Gatefold 3 Panels
Recorded at the 32nd International Festival Of Current Music in Victoriaville, Canada, on May 22nd, 2016.

This is a USED (previously owned) item

Personnel:

Frederic Rzewski-piano, voice

Richard Teitelbaum-clavier, computer

Alvin Curran-clavier, computer, shofar

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Symphony No 106 (62:05)
Related Categories of Interest:


Used CDs
Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
European Improv, Free Jazz & Related
Trio Recordings
Victo
Used CD Alphabetic List

sample the album:


descriptions, reviews, &c.
Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

"The trio's hour-long improvisation was a beautiful unfolding of musical ideas that culminated in a fable told/spoken by Rzewski that summed up the beauty and terror of the last one hundred years of war and displacement, proving that creativity does not necessarily diminish with age. In a way, this was the most beautiful, sad, and angry set of the festival."-Mike Chamberlain, allaboutjazz.com


PROMO w/ HOLE THROUGH BAR CODE ON REVERSE SLEEVE

Artist Biographies:

"Frederic Anthony Rzewski (born April 13, 1938 in Westfield, Massachusetts) is an American composer and virtuoso pianist.

Rzewski (pronounced zheff-skee) began playing piano at age 5. He attended Phillips Academy, Harvard and Princeton, where his teachers included Randall Thompson, Roger Sessions, Walter Piston and Milton Babbitt. In 1960, he went to Italy, a trip which was formative in his future musical development. In addition to studying with Luigi Dallapiccola, he began a career as a performer of new piano music, often with an improvisatory element. A few years later he was a co-founder of Musica Elettronica Viva with Alvin Curran and Richard Teitelbaum. Musica Elettronica Viva conceived music as a collective, collaborative process, with improvisation and live electronic instruments prominently featured. In 1971 he returned to New York.

In 1977 Rzewski became Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, then directed by Henri Pousseur. Occasionally he teaches for short periods at schools and universities throughout the U.S. and Europe, including Yale University, the University of Cincinnati, the California Institute of the Arts, the University of California, San Diego, the Royal Conservatory of The Hague and Trinity College of Music, London.

Many of Rzewski's works are inspired by secular and socio-historical themes, show a deep political conscience and feature improvisational elements. Some of his better-known works include The People United Will Never Be Defeated! (36 variations on the Sergio Ortega song El pueblo unido jamás será vencido), a set of virtuosic piano variations written as a companion piece to Beethoven's Diabelli Variations; Coming Together, which is a setting of letters from Sam Melville, an inmate at Attica State Prison, at the time of the famous riots there (1971); North American Ballads; Night Crossing with Fisherman; Fougues; Fantasia and Sonata; The Price of Oil, and Le Silence des Espaces Infinis, both of which use graphical notation; Les Moutons de Panurge; and the Antigone-Legend, which features a principled opposition to the policies of the State, and which was premiered on the night that the United States bombed Libya in April 1986. Among his most recent compositions, the most interesting are the Nanosonatas (2006~2010) and the Cadenza con o senza Beethoven (2003), written for Beethoven's Fourth Piano Concerto. Rzewski played the solo part in the world premiere of his piano concerto at the 2013 BBC Proms.

Nicolas Slonimsky (1993) says of him in Baker's Biographical Dictionary of Musicians: "He is furthermore a granitically overpowering piano technician, capable of depositing huge boulders of sonoristic material across the keyboard without actually wrecking the instrument." "

-Wikipedia (https://en.wikipedia.org/wiki/Frederic_Rzewski)
6/23/2017

"Composer/performer Richard Teitelbaum is well known for his pioneering work in live electronic music, and his early explorations of intercultural improvisation and composition. He received his masters degree in theory and composition from Yale in 1964. After continuing his composition studies with Luigi Nono on a Fulbright in Italy, he co-founded the pioneering live electronic music group Musica Elettronica Viva (MEV) with Frederic Rzewski and Alvin Curran in Rome in 1966, bringing the first Moog synthesizer to Europe the following year.

He returned to the United States in 1970 to create the World Band, one of the first intercultural improvisation groups which was made up of master musicians from India, Japan, Korea, the Middle East and North America. His works since then have frequently combined live electronics with the music of other cultures. In 1977 he spent a year in Tokyo, studying shakuhachi (bamboo flute) with the great master Katsuya Yokoyama. His recent CD, Blends (New Albion), for shakuhachi, electronics and percussion, featuring Yokoyama was named one of the ten best contemporary classical CDs of 2002 by The Wire Magazine of London.

He has performed his works at Berlin's Philharmonic Hall, the Concertgebouw in Amsterdam, Almeida Theater and South Bank in London, the Pompidou Center in Paris, the Kennedy Center in Washington, and in concerts and festivals throughout Europe, North America, East Asia and Latin America. He has been commissioned by leading performers, including pianists Aki Takahashi and Ursula Oppens. In 2002 he received a Guggenheim fellowship to create Z'vi, the second opera in a projected trilogy dealing with Jewish mystical expressions of redemptive hopes. Extended sections of Z'vi were premiered at the opening of the Frank Gehry designed Performing Arts Center at Bard College and at the 2003 Venice Biennale. It will be presented again at the Center for Jewish History in New York in April 2005. The first opera of this series, Golem: An Interactive Opera, was premiered at the Jewish Museum in New York in 1989, and subsequently performed in Amsterdam, Berlin, Linz, Victoriaville, Quebec and Seoul, South Korea.

Teitelbaum has received numerous awards, included a Guggenheim in 2002 to create his opera Z'vi, as well as two Fulbrights, and grants from the National Endowment for the Arts, New York State Council on the Arts, New York Foundation for the Arts, The Rockefeller Foundation, the Asian Cultural Council, and commissions from several German radio stations, the Venice Biennale, Meet the Composer/Readers Digest, and the Mary Flagler Cary Trust. In 2004 he received a commission from the Fromm Music Foundation to compose an interactive instrumental and computer work for the Da Capo Chamber Players to be premiered in fall, 2005.

In addition to Blends (New Albion), his many recordings include: Golem: an Interactive Opera, on Tzadik; The Sea Between with Carlos Zingaro, on Victo; Live at Merkin Hall with Anthony Braxton on Music and Arts; Concerto Grosso, for Human Concertino and Robotic Ripieno, on Hat Art; and Spacecraft with Musica Elettronica Viva, on Alga Marghen.

Teitelbaum maintains an active schedule. In March, 2005 he will be in residence at the College of Santa Fe in New Mexico, and featured composer at their International Festival of Electroacoustic Music. Following performances of his opera-in progress Z'vi and with Musica Eletttronica Viva in April, he will travel to Japan on a Freeman Foundation Research Grant in May.

Teitelbaum is also a Professor of Music at Bard College, in upstate New York, where he teaches electronic and experimental music, and co-chairs the music department of the Master of Fine Arts program."

-Inside Bard (http://inside.bard.edu/teitelbaum/biography/)
6/23/2017

"Born December 13, 1938, Providence, Rhode Island. From five years: piano lessons, trombone, marching bands, Synagogue chants, Jazz, and his father's dance bands. Becomes an artist at age 13 in an apple tree at the house of his lifelong friend, poet Clark Coolidge. Hears Spike Jones, the Rhode Island Philharmonic, Satchmo, The Boston Symphony Orcherstra, Art Tatum, Charlie Parker, The Band of America, Thelonius Monk, Gerry Mulligan, Miles Davis, Coltrane, Bartok and Christian Wolff.

With a fortuitous bang, he begins his musical journey (1965 in Rome) as co-founder of the radical music collective Musica Elettronica Viva, as a solo performer, and as a composer for Rome's avantgarde theater scene. In the 70's, he creates a poetic series of solo works for synthesizer, voice, taped sounds and found objects. Seeking to develop new musical spaces, and now considered one of the leading figures in making music outside of the concert halls -- he develops a series of concerts for lakes, ports, parks, buildings, quarries and caves -- his natural laboratories. In the 1980's, he extends the ideas of musical geography by creating simultaneous radio concerts for three, then six large ensembles performing together from many European Capitals. By connecting digital samplers to MIDI Grands (Diskklavier) and computers, since 1987, he produces an enriched body of solo performance works -- an ideal synthesis between the concert hall and all sounding phenomena in the world. He creates a visually striking series of sound installations, some of them in collaboration with visual artists including Paul Klerr, Melissa Gould, Kristin Jones, Pietro Fortuna, Umberto Bignardi, Uli Sigg. Throughout these years he continues to write numerous pieces for radio and for acoustic instruments.

Studies composition with Ron Nelson (B.A. Brown University 1960) and with Elliott Carter and Mel Powell ( M.Mus., Yale School of Music 1963). During summer vacations, plays European crossings with the "Brunotes" on the Holland American Line, in a Greek Dance Band in the Catskills, and in the Dunes Hotel in Las Vegas.

Continues studies and friendship with Carter in Berlin (1964 Ford Foundation Grant), meets Stravinsky, Xenakis, Berio, Yuji Takahashi, Andriessen, Remo Remotti, and above all Rzewski. Goes to Darmstadt, hangs with Babbitt and Earl Brown, hears Stockhausen and Ligeti. Goes to Rome with Joel Chadabe and plays piano in bars on via Veneto, meets Franco Evangelisti and Cornelius Cardew.

In the Musica Elettronica Viva years (1966 -1971 in Rome), performs in over 200 concerts in Europe and the USA with Teitelbaum and Rzewski, Carol Plantamura, Ivan Vandor, Alan Bryant and Jon Phetteplace; and makes significant artistic encounters with Giuseppe Chiari, Edith Schloss, AMM, Cardew, Steve Lacy, Michelangelo Pistoletto, Steve ben Israel, Anthony Braxton, Simone Forti, Steve Reich, Joan La Barbara, Michael Nyman, La Monte Young, Trisha Brown, Ashley, Behrman, Gordon Mumma, Alvin Lucier, Larry Austin, Bill Smith, Ketoff, Robert Moog, Nuova Consonanza, MEV2, Meme Perlini, Mario Ricci, Maria Monti, Prima Materia, Ron Bunzl, Phil Glass, Charlemagne Palestine, Terry Riley, George Lewis, Evan Parker, Gregory Reeves, Serge Tcherepnin, Kosugi, Pulsa, Maryanne Amacher, John Cage, David Tudor, Morton Feldman. Scelsi becomes his friend and mentor.

From 1975-80 taught vocal improvisation at the Accademia Nazionale d'Arte Drammatica (Rome) and from 1991 to 2006 was the Milhaud Professor of Composition at Mills College in Oakland, California. Currently teaching privately in Rome in addition to master classes, residencies, and lectures at Oberlin, Peabody, Brown, Berkeley, The Hague, Haifa, Bolzano, Northwestern, Yale, Beijing, etc."

-Alvin Curran Website (http://www.alvincurran.com/Curran_bio.html)
6/23/2017

Other Releases With These Artists:
Recommended & Related Releases:
Gruppo Di Improvvisazione Nuova Consonanza
1967-1975
(Edition Rz)
Other Recommended Releases:
Curran, Alvin
Natural History [VINYL]
(Black Truffle)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Bittova / Riley / Ziporyn
Eviyan Live
(Les Disques Victo)
Braxton, Anthony Steptet (with Ho Bynum / Halvorson / Pavone / Rozen / Siegel / Testa)
Echo Echo Mirror House
(Les Disques Victo)
Brotzmann, Peter
Solo + Trio Roma [2 CDs]
(Les Disques Victo)
Lacy, Steve
The Sun
(Emanem)
Tagaq, Tanya
Anuraaqtuq - Le Vent (The Wind)
(Les Disques Victo)
Dixon, Bill
Envoi
(Les Disques Victo)
Phillips / Jauniaux / Goldstein
Birds Abide
(Les Disques Victo)
Kihlstedt / Bossi / Ismaily
Causing A Tiger
(Les Disques Victo)
Gottschalk, Gunda / Xu Fengxia
You Lan
(Les Disques Victo)
Curran, Alvin
TotoAngelica
(Angelica)



Customers Who Bought This Item Also Bought:
Derome, Jean / Louis Sclavis Quartet
Un Moment De Bonheur
(Les Disques Victo)
Minafra, Pino
Canto Libero
(Les Disques Victo)
Bauer, Konrad Trio
Three Wheels - Four Directions
(Les Disques Victo)
Plimley, Paul / Lisle Ellis / Gregg Bendian
Noir
(Les Disques Victo)
Braxton, Anthony
Ensemble (Victoriaville) 1988
(Les Disques Victo)
Lazro, Daunik / Joelle Leandre / George Lewis
Enfances 8 Janv. 1984
(Fou Records)
Kosi
Ghosts Appearing through the Sound: an Abbey Lincoln tribute
(Self Released)
Rowe, Keith
The Room Extended [4 CDs]
(erstwhile)
Royston, Rudy Trio
Rise of Orion
(Greenleaf Music)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
Butcher, John / Thomas Lehn / Matthew Shipp
Tangle
(Fataka)
Risser, Eve / White Desert Orchestra
Les Deux Versants Se Regardent
(Clean Feed)

Search for other titles on the Les Disques Victo label.