Inspired by the glitch audio work of Korean-American improviser Bonnie Jones, Rutger Zydervelt (Machinefabriek) unscrews the base of pedal effects to circuit-bend and probe them for unexpected sounds, organized into this album of pure and deformed electronics.
Catalog ID: NOR016
Squidco Product Code: 22555
Packaging: Cardboard Gatefold
Recorded February 2016 by the artist.
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1. Sprank 21:32
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sample the album:
"Looking for inspiration for a new live setup, I stumbled across some videos of the Korean-American improviser Bonnie Jones. She used a few guitar effects pedals, but turned upside down, with the bottom plate taken off. Pressing a plug to the pedals' circuit board, glitchy, buzzing sounds emerged. A eureka moment!
I screwed open some effects units, and started fumbling around with an unraveled microphone cable, attaching a needle to each copper wire, to be able to work precisely on the circuit boards, as if performing surgery on electrical equipment. From some pedals I could hardly get any sounds, but there we three (two Boss reverb/delays and a Behringer equalizer) that yielded some great popping, squeezing, and buzzing sounds. Since I still wasn't sure if these circuit bent pedals would work (for me) in a live situation, I used the recordings of these experiments to sculpt a new piece with.
Sprank, the result, is like a more subtle sequel to Kluwen, my previous Norwegianism release. 20+ minutes of pure electronic sounds, from gentle, high-pitched drones, to nasty crackling and low-frequency pulses."-Rutger Zuydervelt
• Show Bio for Rutger Zuydervelt
"Machinefabriek is the alias of Rutger Zuydervelt. Rutger's music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. His pieces can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details.
Rutger was born in 1978 in Apeldoorn (The Netherlands) and now resides in Rotterdam. He started recording as Machinefabriek in 2004. After a series of self released cd-rs, his official debut Marijn was issued in 2006, with great critical acclaim. Since than, a solid stream of music was released on labels such as Type, Important, Home Normal, 12K, Entr'acte, Dekorder, Miasmah, Consouling Sounds, Experimedia and Staalplaat. He performed all over the globe, from Canada to Israel and from Russia to Japan.
Rutger collaborated (on record and/or live) with numerous artists, such as Steinbrüchel, Jaap Blonk, Aaron Martin, Peter Broderick, Frans de Waard, Mats Gustafsson, Steve Roden, Gareth Davis, Stephen Vitiello, Michel Banabila, Dirk Serries and Dead Neanderthals, amongst many others.
He frequently works with film makers, like Makino Takashi, Mike Hoolboom, John Price, Paul Clipson and Chris Teerink, for whom he composed a soundtrack for his documentary about Sol LeWitt. Rutger also recorded the music for the Canadian drama The Cold and the Quiet from 2014. Furthermore, his music was used in Edward Burtynsky's Watermark, the drama Stone (with Robert DeNiro and Edward Norton) and Josh Fox' influential Gasland and Gasland Part II documentaries. Besides films, Rutger also composes music for dance pieces, like Alix Eynaudi and Kris Verdonck's EXIT (premiéred at the Haus der Kulturen der Welt, Berlin), Alexander Whitley's The Measures Taken (for the Royal Opera in London) and Beheld (for Candoco Dance Company), and multiple pieces by Spanish/Dutch choreographer Iván Pérez. Then there's Rutgers installation work, in which the dialogue with the environment plays an important role. He did projects for Stedelijk Museum Amsterdam, NAi (Dutch Architecture Institute), the new Armando Museum MOA, Sounds Like Audio Art in Saskatoon (Canada), the Into the Great Wide Open Festival, Netwerk in Aalst (Belgium) and children's museum Villa Zebra in Rotterdam."-Machinefabriek Website (http://www.machinefabriek.nu/about/biography)
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