Fingerstyle guitarist Duck Baker was influenced by Eric Dolphy, Ornette Coleman and Cecil Taylor, recording these solo original improvisations plus 2 Ornette Coleman pieces from '77-'83 in London, Torino & Calgary, plus 2 duos with guitar madman Eugene Chadbourne.
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Catalog ID: 5041
Squidco Product Code: 22215
Condition: Sale (New)
Country: Great Britain
Packaging: Cardboard Gatefold
Tracks 1 - 6 recorded in Torino, Winter 1983.
Tracks 7 - 14 recorded in London, Spring 1982.
Tracks 15 - 18 recorde in Calgary 1977 February 27th (?).
Duck Baker-acoustic guitar
Eugene Chadbourne-guitar (track 17 & 18)
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1. Breakdown Lane 4:13
2. Klee 4:36
3. Like Flies (Requiem for Bobby Fussell) 6:56
4. No Family Planning 3:41
5. Peace 4:11
6. Torino Improvvisazione 3:21
7. London Improvisation 3:33
8. Southern Cross 4:40
9. Holding Pattern 3:50
10. You Are My Sunshine 4:03
11. Klee 5:15
12. Like Flies (Requiem for BobbyFussell) 5:44
13. No Family Planning 2:18
14. Peace 3:29
15. Shovelling Snow 2:44
16. White With Foam 2:17
17. Mary Mahoney 6:16
18. Things Sure Must Be Hoppin' Tonight On Castro Street (To Bruce Ackley) 6:43
Solo Artist Recordings
EMANEM & psi
New in Improvised Music
sample the album:
"Duck Baker made his name as a preeminent fingerstyle guitarist in the folk/acoustic world, as one of several players of his age who expanded the fingerpicking repertoire from blues, ragtime, and Merle Travis-style instrumentals to include Irish and Scottish music, swing numbers and modern jazz. Less well-documented is Baker's free jazz - free improv style, something he began working on after hearing Sonny Sharrock in the 1960s.
Baker's approach to this music was also heavily influenced by people like Eric Dolphy, Ornette Coleman and Cecil Taylor, and took another evolutionary turn in the mid-1970s when he heard Derek Bailey and, slightly later, began working with people like Eugene Chadbourne, John Zorn, and Bruce Ackley. Baker saw this as consistent with his involvement with traditional forms, noting that, for him, people like Albert Ayler, Elmore James and Roscoe Holcomb all played the same music.
Apart from isolated tracks and one side of an early Eugene Chadbourne LP, this side of Duck Baker went undocumented on record until 2009. Outside helps fill in the blanks, with unreleased studio recordings made in Calgary in 1977, London in 1982 and Torino in 1983. A few of Baker's 'inside' arrangements are included for the sake of completeness, but most of the music is solo original pieces and free improvisations. Also included are two very adventurous guitar duets with Chadbourne."-Emanem
• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
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