The results of years of collaboration between the Cremaster electroacoustic improvising duo of Ferran Fages and Alfredo Costa Monteiro with pianist Sophie Agnel, in a remarkable album of fragile yet rich tones and tonal punctuations, a feast of timbral possibilities.
Catalog ID: ccs 59
Squidco Product Code: 21928
Country: Great Britain
Packaging: CD in a tin case
Recorded in Barcelona and Montreuil between 2009 and 2011
Ferran Fages-feedback mixing board, electroacoustic devices
Alfredo Costa Monteiro-objects on electric guitar, electroacoustic devices
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1. Face-Transitive 25:19
2. N-Dimensional 11:16
Related Categories of Interest:
European Improv, Free Jazz & Related
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sample the album:
"Between 2010 and 2012 Cremaster started a series of collaborations with Sophie Agnel and Angharad Davies. After more than 10 years dealing with electro-acoustic devices they wanted to go further, exploring the timbrical possibilities of their electronics with an acoustic instrument. For this new challenge they chose Angharad Davies' violin and Sophie Agnel's piano. Isotopic is the second in the series of these recorded collaborations, the piano sounds having first been recorded by Sophie Agnel and then mixed by Cremaster with their own sounds. The first document of this period of experimentation was Pluie fine with Angharad Davies on French label Potlatch in 2012. The purpose of working with Sophie Agnel was not only to open the range of possibilities timbrically for the duo, but also to collaborate with a musician who works in a similar direction, in an almost physical relation with the instrument."-Confront
• Show Bio for Sophie Agnel
"If it's in Paris that Sophie Agnel was born in 1964, it is towards other sounding islands in the heart of a reinvented temporality that she dwells today, at the stern of a grand piano, an instrument that she turns into a real living & vibrating organism.
Classically trained, escaped from jazz (drawn away by the too strict treatment of harmony), Sophie Agnel boards the piano from every sonic angle this musical vessel can offer : keys, strings & board are simultaneously apprehended, in a mixed procedure (as we say of painting techniques) that would be understated if it was reduced to the cagian definition of the prepared piano. Considering the instrument - that she extends with several accessories, paper cups, balls or strings - as a poetic supplier of anamorphic textures, the musician takes it to be an equal match to the wider diversity of musical systems, whatever the craft they where conceived in (from physiological to electro-acoustic) ...
We would then no longer be surprised to notice her understandings with Michel Doneda and to find her to the side of the wet saxophone of Alessandro Bosetti, of the acoustified electric guitar of Olivier Benoit, of the voices of Catherine Jauniaux and Phil Minton, or the keyboard of Christine Wodraska...
The same seal of esthetic evidence marks all of her musical companionships, with this same taste, beyond the narrative, for the delicate sonic quests and blossoming of dimensions to which the auditor takes part through an active listening : in the heart of Jean Pallandre's phonographic worlds, of Jerôme Noetinger & Lionel Marchetti's small scale cinema, John Butcher or Axel Dörner's crimpy tissues, by the lovely machines of Erik M or Ikue Mori, the harmonico-stratospheric rustling of Stéphane Rives...
The originality of the research conducted by Sophie Agnel today leads her to develop, in solo or with significantly chosen companions, a most refined and highly poetic approach to sound that makes each of her concerts a moving construction filled with chiseled musical gestures, a soft and sumptuous irradiation."-Guillaume Tarche-Sophie Agnel Website (http://sophieagnel.free.fr/biographie.html)
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