The Squid's Ear Magazine


Tetterapadequ: Chlopingle (Creative Sources)

The 2nd album for this quartet, with Daniele Martini on saxophones, Giovanni di Domenico on piano, Goncalo Almeida on doublebass, and Joao Lobo on drums, for an album of slowly building free improv starting in a Necks mode and developing into frenetically lyrical passages, a great blend of modern and traditional approaches to free jazz.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Daniele Martini-saxophones

Giovanni Di Domenico-piano

Goncalo Almeida-doublebass

Joao Lobo-drums


Click an artist name above to see in-stock items for that artist.




UPC: 5609063402957

Label: Creative Sources
Catalog ID: Cs295
Squidco Product Code: 21575

Format: CD
Condition: New
Released: 2015
Country: Portugal
Packaging: Jewel Case
Recorded July 2014, Brussels

Descriptions, Reviews, &c.

"Not exactly prolific this band: their first album "And The Missing R" dates from 2008 already, and now, seven years later we get their sophomore album, and that is many years too late, but their music is great. The band still consists of Belgian-Italian Daniele Martini on tenor sax, Belgian-Italian pianist Giovanni di Domenico, Portuguese bassist Gonalo Almeida who resides in Rotterdam, and Portuguese drummer Joo Lobo.

The first track, "Non Negative Python", is a slow intimate and intense piece, that starts with a minimalst piano intro with sparse notes and without clear rhythm, bass and drums limiting themselves to add accents and color, creating an eery yet gentle atmosphere. Then after some eight minutes, the tenor joins for slow wailing sounds, with sustained notes, increasing the tension even more, encouraging drums and bass to become adventurous and investigative, and the piano's repetitive percussive almost one-chord hammering changes the context again, forcing the sax to become repetitive too, and the whole piece turns again heads to tail, with the eery yet gentle piano intro ending the long piece.

"Eprobly Fowler" starts with completely suppressed sounds, like they're trying to escape from somewhere, but are prevented from doing so, giving a kind of suffocating feeling to the listener, yet gradually bass and drums emerge from the background, offering some sounds, and then the piano takes over halfway, for solo, then joined by the rest of the band, with a strong rhythmic pulse that suddenly releases the energy that was waiting to erupt.

The album ends with "Monogamy Frightful", again a very intense and fierce workout, that lasts 'only' six minutes, yet the band goes at it with full energy and power.

Again, one wonders why it takes so long for a band this good to publish new albums. They don't lack the creativity or the energy or inspiration to do so. True, the musicians have each individually been quite prolific lately as leaders or as members of various bands, so then can be forgiven, as long as they don't forget that Tetterapadequ also exists!"-Stef, The Free Jazz Collective


Get additional information at The Free Jazz Collective

Artist Biographies

"Born in Rome and based in Brussels since 2007 Daniele Martini is a polyvalent saxophone player active in different musical fields. With a solid career made of performances around the globe he had the opportunity to perform with some amazing musicians, and has lately created his own quartet where he is joined by an outstanding rhythm section."

-Brussels Express (https://brussels-express.eu/agenda/daniele-martini-quartet/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Giovanni Di Domenico, pianist, performer, composer, was born in Rome on the 20th July 1977, a significantly tempestuous period in socio-political terms, featuring hostile polarizations and an ostensive paramilitarism, mutinous ideological confrontations and bloody terrorist attacks, rendered infamous in the description 'Years of Lead'. In that particularly caustic summer, the so-called 'Movement of 1977', non-aligned, without any ties to the Parliament and non-violent, broke into the scene of prevalent conspiracy-steeped paranoia condemning the repressive, discriminatory and authoritarian tendencies of the Italian State and demanding equality for minorities and further civil rights. The coinciding liberalization of the media market, putting an end to RAI's monopoly, further defined this period as the prime moment for pirate radio, with the consequence of a libertarian fragmentation of youth culture, epitomised by punk.

One could argue that Giovanni, self-taught until the age of 24, inherited - in philosophy, politics and artistically - the most benign and affirmative traits of that period, diversifying his action in the context of a recently unified Europe, promoting improbable connections, exploring varied geographies, comfortably manoeuvring aesthetical fringes and making a commitment to live performance at its most liberating and engaging. Surprisingly, the path that lead him to that point had an unexpected detour: following his father's consecutive assignments as a civil engineer he actually lived out his first decade in Africa - until he was five in Libya, from then until his eight anniversary in the Cameroons and until ten in Algeria. His far off native country was not synonymous with civil unrest as much as with opera, whose arias he would memorize with his siblings in order to practice the language and provide some family entertainment. The condition of expatriate had a strong influence in his education - he clearly remembers the calls of the muezzin, the sound of exotic musical instruments in local markets, the ritualistic expression music took in the streets of Yaoundé, or the songs he heard from his nanny in the Cameroons.

When he finally enrolled in music school - majoring in 'jazz piano'- he further built on an encyclopedic technique; rhythm, harmony and tone are informed by non-western traditions yet equally sensitive to Debussy's "Préludes", Luciano Berio's "Sequenzas", to the 'ambi-ideation' heard in Borah Bergman's Soul Note recordings, Cecil Taylor's polissemic density, Paul Bley's bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis. A distinction - one would call it generational - he shares with many of the musicians he has crossed paths with recently, artists as different as Chris Corsano, Jim O'Rourke, Akira Sakata, Tetuzi Akiyama, Okkyung Lee, Balasz Pandi, Nate Wooley, Yan Jun, John Edwards, Darin Gray, Roger Turner, Steve Noble, DJ Sniff, Terrie Ex, David Maranha, Manuel Mota, Arve Henriksen, Norberto Lobo, Peter Jacquemyn, Alexandra Grimal, John Duncan, Tony Allen, Rafael Toral or Toshimaru Nakamura. Di Domenico has founded his own label, Silent Water, home of an eclectic and occasionally unclassifiable production. He lives in Brussels."

-Giovanni Di Domenico Website (Giovanni Di Domenico)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Gonçalo Almeida born in 1978 Lisbon, Portugal. Lives in Rotterdam, Netherlands, where he followed studies at Rotterdams Conservatorium, having studied with Heyn van Geyn, Stefan Lievestro, Marius Beets and Peter Leerdman, finishing his master degree in 2008.

Plays in a variety of projects that go from modern jazz, freejazz, jazzcore and free improvisation music, having shared the stage with improvisers such has Chris Speed, Carlos Zíngaro, Wilbert de Joode, Martin van Duynhoven, Fred Lonberg-Holm, Rodrigo Amado, Tobias Klein, Jasper Stadhouders among others.

Also has been working in collaboration with multi media such as video artists, modern dancers, poets, and theater makers.

In the main projects that he is involved as double bass player, he has a deep input as a composer."

-Goncalo Almeida Website (http://gonzobass.wixsite.com/gonzoalmeida/biography)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"From jazz to gnawa music, electro-acoustic trance to total improvisation, in solo or in a big band, collaborating on dance and theatre productions and making soundtracks for movies (including "John From" which got him a nomination for Best Original Music at the Fénix Awards 2016 in Mexico), João Lobo maintains a versatile career as a musician mainly playing the drums.

He is the co-founder of Oba Loba, Going, Tetterapadequ, Norman, Mulabanda, and a proud member of Giovanni Guidi Trio, Mâäk, MikMâäk and Ghalia Benali & Mâäk: MwSOUL.

He has recorded more than 40 albums, some self-produced and others for labels such as ECM, Clean Feed, CamJazz, De Werf, El Negocito, three:four records, Challenge, NEOS.

He has performed and/or recorded in many countries around the world with many musicians including Enrico Rava, Marshall Allen (US), Rosewell Rudd (US), Carlos Bica (PT), Nate Wooley (US), Maalem Hassan Zogari (MA), Thomas Morgan (US), Chris Corsano (US), and collaborates intensely with Norberto Lobo (PT), Giovanni Di Domenico (IT), Lynn Cassiers (BE), Manolo Cabras (IT), Giovanni Guidi (IT) and Laurent Blondiau (BE)."

-Joao Lobo Website (https://joaolobomusic.com/bio-cv/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Non Negative Python 20:51

2. Eprobly Fowler 10:26

3. Monogamy Frightful 6:55

Related Categories of Interest:

May 2017
Creative Sources
Improvised Music
Free Improvisation
European Improv, Free Jazz & Related
Quartet Recordings
Instant Rewards

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Selva, The (Jacinto / Almeida / Morao)
Camarao-Girafa
(Clean Feed)
An absorbing album of electronic jazz and improvisation from the Portuguese string and percussion trio of Ricardo Jacinto on cello, electronics & harmonium, Goncalo Almeida on double bass & electronics and Nuno Morao on drums & percussion, exploring unique and innately lyrical intersections of chamber improv, ea-improv and compositional forms.
Selva, The (Jacinto / Almeida / Morao)
Camarao-Girafa
(Clean Feed)
An absorbing album of electronic jazz and improvisation from the Portuguese string and percussion trio of Ricardo Jacinto on cello, electronics & harmonium, Goncalo Almeida on double bass & electronics and Nuno Morao on drums & percussion, exploring unique and innately lyrical intersections of chamber improv, ea-improv and compositional forms.
Machinefabriek
+
(Machinefabriek)
Trying to strike a balance between composition and the challenges of being a young parent, Rutger Zuydervelt, aka Machinefabriek, created a series of short tracks that could be developed quickly with invited collaborators, a concept that worked so well that in little time he found 52 enthusiastic and diverse musicians to develop the expanse of this impressive collection.
Attic, The (Amado / Almeida / Govaert)
Love Ghosts
(NoBusiness)
The third release from the Portuguese trio of Rodrigo Amado on tenor saxophone, Gonçalo Almeida on double bass and Onno Govaert on drums in a studio album of assertively exploratory improvisation that builds from stark clarity to impressive hard blowing soloing and group interaction, an outstanding album of modern free jazz.
Vincente, Luis Trio (w/ Goncalo Almeida / Pedro Melo Alves)
Chanting In The Name Of
(Clean Feed)
An album of spiritual and lyrically rich free improvisation from trumpeter Luis Vicente's Trio with double bassist Goncalo Almeida and drummer/percussionist Pedro Melo Alves, the three Portuguese improvisers performing Vicente's compositions that urge the performers to search and extend themselves expressively through both inspiring interplay and reflective calm.
Machinefabriek
With Drums [VINYL + DOWNLOAD]
(esc.rec.)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Selva, The + Machinefabriek (Jacinto / Almeida / Morao + Zuydervelt)
Barbatrama
(Shhpuma)
The Selva trio of Ricardo Jacinto on cello, Goncalo Almeida on double bass and Nuno Morao on drums join with Rutger Zuydervelt of Machinefabriek who adds unique electroacoustic transformations to their fusion of free improvisation and hydrid world elements, resulting in this wonderfully dark venture inside a virtual jungle of contrasting darkness and refined acoustic beauty.
Machinefabriek
With Drums
(Machinefabriek)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Lobo, Joao (Lobo / Lobo / Kempeneer)
Simorgh
(Shhpuma)
Drummer Joao Lobo's trio with guitarist Norberto Lobo and double bassist Soet Kempeneer perform the drummer's dynamic compositions, along with one traditional works, a tight trio of highly interactive playing and a sense of familial interplay as the band weaves around Lobo's layered drumming and emphatic grooves, taking time for introspection among their energetic spontaneity.
Roji (Almeida / Schneider / Santos Silva)
The Hundred Headed Woman
(Shhpuma)
A dark set of heavy improvisations from bassist Goncalo Almeida's project with drummer Jorg A. Schneider, with guests Susana Santos Silva on trumpet and Colin Webster on baritone sax; references to Bill Laswell, Zu, and Napalm Death are a good indication.
Albatre
Nagual [VINYL]
(Shhpuma)
Hailing from Rotterdam's rich underground scene, the trio of Hugo Costa on alto sax, Goncalo Aleida on bass, and Philipp Ernsting on drums, with all 3 doubling on electronics, in a dramatic and energetic album blending free jazz, improv, metal, and punk music.
Lama + Joachim Badenhorst (Silva / Smith / Almedia)
The Elephant's Journey
(Clean Feed)
Crossing tonal material with post-bop playing, trumpeter Susana Santos Silva leads her LAMA trio in electroacoustic and traditional playing, with guest reedist Joachim Badenhorst adding a masterful edge, as they interpret the novel by the Nobel Prize winner Jose Saramago.
Antunes, Hugo
Roll Call
(Clean Feed)
A quintet of two drummers and two saxophonists playing the music of leader and bassist Hugo Antunes in pieces designed to foster musicial situations and real-time composition.
Bica, Carlos
Carlos Bica + Matria-Prima
(Clean Feed)
New perspectives in Portuguese jazz, a remarkable balance between folk elements and a unique vision for modern jazz, in eight original songs and two covers including one from Marc Ribot.
Tetterapadequ
And the Missing "R"
(Clean Feed)
Tetterapadequ, an anagram of "De Patter Quartet (but with a missing 'R') is named after the De Pater Jazz Club in The Netherlands where this collective improv quartet was born.
Other Recommended Releases:
Almeida, Goncalo / Peter Jacquemyn
Encounters
(FMR)
Dual double bass dialogs shifting between energetic and introspective dialogs, from Portuguese improviser Gonçalo Almeida (LAMA, Albatre, The Attic) and Belgium bassist Peter Jacquemyn (EARR, BaggerBoot), recorded in three exhilarating concerts, first in an "Encounter" & "Exchange" at JazzBlazzt in Belgium, then at Jurgen Moortgat's living room series for a powerful "Enrapture".
Sakata, Akira / Entasis
Live In Europe 2022 [2 CDs]
(Trost Records)
Three live performances in Greece, Italy and Brussels from saxophonist & multi-reedist Akira Sakata and his long-standing duo partner as Entasis — pianist Giovanni di Domenico — and based on location, with Giotis Damianidis on electric guitar, Petros Damianidis on double bass, and Stephanos Chytiris, Balazs Pandi or Aleksandar Skoric on drums.
Hydra Ensemble (w/ Rutger Zuydervelt)
Aguas
(Cylinder Recordings )
The third collaboration of the Dutch Hyrdra Ensemble of Lucija Gregov on cello, Nina Hitz on cello, Goncalo Almeida on double bass and Rutger Zuydervelt (aka Machinefabriek) on electronics, performing live at De Pletterij in Haarlem (NL), released on bassist Gonçalo's DIY label Cylinder Recordings, focused on free improvised and experimental music.
Di Domenico, Giovanni / Silvia Tarozzi / Emmanuel Holterbach
L'Occhio Del Vedere
(elsewhere)
During an artistic residency at the GMEA in Albi, France, composer & pianist Giovanni Di Domenico recorded with the trio of violinist Silvia Tarozzi and percussionist Emmannuel Holterbach performing on a large frame drum, completing the piece into this mysteriously insinuating and lovely triptych where sparse melodies emerge & submerge into a multidimensional expanse.
Almeida, Goncalo
Improvisations on Amplified and Prepared Double Bass
(Shhpuma)
Performing on double bass, amp and a volume pedal, Gonçalo Almeida (LAMA, Albatre, The Attic) explores new sonic environments and possiblities for the large strings, using feedback that modifies based on the physical location between the amp and the resonator of the double bass, Almeida improvises with bowing strokes, pizzicato and unusual string preparations.
Hydra Ensemble (Almeida / Hitz / Gregov / Zuydervelt)
Vistas
(A New Wave of Jazz)
The second album from the Hydra Ensemble (Goncalo Almeida on double bass, Lucija Gregov on cello, Nina Hitz on cello, Rutger Zuydervelt on electronics) is a live recording with no audience from the Worm club in Rotterdam during the pandemic, reaching deeper into their masterful world of darkly intense chamber improv and electronics, slowly yielding to a spaciously brighter ending.
Hydra Ensemble (Almeida / Hitz / Gregov / Zuydervelt)
Voltas
(Inexhaustible Editions)
Featuring cellists Nina Hitz and Lucija Gregov, double bassist Goncalo Almeida and Rutger Zuydervelt (Machinefabriek) on electronics, recording in Old Church, in Rotterdam Charlois for six pensive improvisations, a collective conversation of concurrently layered, minimalist melodic and textural lines expanded with drones, evoking the mythical Greek multi-headed monster.
Ritual Habitual (Marogna / Almeida / Ernsting)
Pagan Chant
(Clean Feed)
Presented as a a tribute to past jazz masters John Coltrane, Albert Ayler, Don Cherry and Charlie Haden, Rotterdam's Ritual Habitual trio led by double bassist Gonçalo Almeida with drummer Philipp Ernsting and Riccardo Maronga on tenor sax, bass clarinet & synthesizers, create a sense of ritual through deep repetition of modern creative jazz rooted in free jazz tradition.
Takatsuki Trio Quartet (Okuda / Virtaranta / Weitzel + Marwedel / Schubert )
Live in Hessen
(Creative Sources)
The core of the German free improvising Takatsuki Trio is Rieko Okuda (piano, viola, &c.), Antti Virtaranta (bass), and Joshua Weitzel (shamisen, guitar), who, while touring, ask a guest from the area they're performing in to join them, here inviting tenor saxophonist Matthias Schubert in Kassel, Germany, and in Wiesbaden, Germany inviting saxophonist Dirk Marwedel.
Bonjintan (Akira Sakata / Jim O'Rourke / Giovanni Di Domenico / Tatsuhisa Yamamoto)
Dental Kafka [VINYL]
(Trost Records)
The 2nd release from the Bonjintan quartet led by Akira Sakata on saxophone, clarinet & voice, with Jim O'Rourke on double bass, Giovanni Di Domenico on piano & Hohner pianet, and Tatsuhisa Yamamoto on drums, an international grouping with experimental approaches to improvisation and avant music, yielding unusual results of great character, tension and pointed expression.
Almeida / Duynhoven / Klein
Live at the Bimhuis
(Clean Feed)
This is the 2nd release by this trio on Clean Feed, with Tobias Klein (alto saxophone, bass clarinet, contrabass clarinet), Goncalo Almeida (double bass) and Martin van Duynhoven (drums) captured live at Bimhuis in Amsterdam in 2017, taking on compositions by Ornette Coleman alongside original compositions from all three players in a free jazz mode.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC