The Steve Lacy Quintet's final tour with vocalist Irene Aebi, trombonist George Lewis, bassist Jean-Jacques Avenel and drummer John Betsch, performing live in Boston for an impressive set punctuated with words from Burroughs, Waldman, Kaufman, Creeley & Schelling.
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Catalog ID: 5039
Squidco Product Code: 21388
Country: Great Britain
Packaging: Cardboard Gatefold 3 Panels
Recorded at the ICA in Boston, Massachusetts, on March 12th, 2004 by Martin Davidson.
Steve Lacy-soprano saxophone
, Jean-Jacques Avenel-double bass
Bob Kaufman (2 & 3)-words
William Burroughs (4)-words
Ann Waldman (8)-words
Andrew Schelling (8)-words
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1. The Bath 11:43
2. Morning Joy 11:04
3. As Usual 10:33
4. Naked Lunch 9:36
5. Baghdad 12:03
6. Train Going By 5:41
7. Blinks 11:14
8. In The Pocket 6:41
Unusual Vocal Forms
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EMANEM & psi
sample the album:
"After a long tour of North America, this quintet concluded by playing two concerts in Boston - most of the first one being included here. The material is five of the Beat poems featuring Irene Aebi, plus three instrumentals, including one (Baghdad) that has not been on record before as it had only just been written. After a lot of working together, this group was really both loose and together with everybody playing magnificently. Even Lacy plays superbly, so there is no need to make any allowances for his ill health. In fact, the evening sounds like a very enjoyable occasion, making this CD one of the best of the quintet's latter recordings - an appropriate farewell to a major musician."-Emanem
• Show Bio for George Lewis
"George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A 2015 Fellow of the American Academy of Arts and Sciences and a Corresponding Fellow of the British Academy, Lewis has received a MacArthur Fellowship (2002), a Guggenheim Fellowship (2015), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. In 2015, Lewis received the degree of Doctor of Music (DMus, honoris causa) from the University of Edinburgh.
A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work in electronic and computer music, computer-based multimedia installations, and notated and improvisative forms is documented on more than 140 recordings. His work has been presented by the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Boston Modern Orchestra Project, Talea Ensemble, Dinosaur Annex, Ensemble Pamplemousse, Wet Ink, Ensemble Erik Satie, Eco Ensemble, and others, with commissions from American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, San Francisco Contemporary Music Players, 2010 Vancouver Cultural Olympiad, IRCAM, Glasgow Improvisers Orchestra, and others. Lewis has served as Ernest Bloch Visiting Professor of Music, University of California, Berkeley; Paul Fromm Composer in Residence, American Academy in Rome; Resident Scholar, Center for Disciplinary Innovation, University of Chicago; and CAC Fitt Artist In Residence, Brown University.
Lewis received the 2012 SEAMUS Award from the Society for Electro-Acoustic Music in the United States, and his book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society's Music in American Culture Award. Lewis is co-editor of the two-volume Oxford Handbook of Critical Improvisation Studies (2016), and his opera Afterword, commissioned by the Gray Center for Arts and Inquiry at the University of Chicago, premiered at the Museum of Contemporary Art Chicago in October 2015 and has been performed in the United States, United Kingdom, and the Czech Republic.
Professor Lewis came to Columbia in 2004, having previously taught at the University of California, San Diego, Mills College, the School of the Art Institute of Chicago, the Koninklijke Conservatorium Den Haag, and Simon Fraser University's Contemporary Arts Summer Institute. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey."-Columbia University (http://music.columbia.edu/bios/george-e-lewis)
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• Show Bio for John Betsch
"John Betsch (born October 8, 1945 in Jacksonville, Florida) is an American jazz drummer. Betsch was born in Jacksonville, Florida. His mother was a church organist and pianist, and his older sister Marvyne a soprano singer. He began playing drums in the school orchestra at the age of nine. He attended Fisk University, and while still a student there, at the age of 18, he began playing professionally with pianists Bob Holmes, Ernest Vantrease, and trumpeter Louis Smith. Betsch studied at Berklee College of Music and the University of Massachusetts-Amherst under Max Roach and Archie Shepp. After playing in organ trios, he released an album as a leader, Earth Blossom, in 1975. That year he moved to New York City, where he played with Marion Brown, Paul Jeffrey, Max Roach, Jeanne Lee and Henry Threadgill.
Between 1977 and 1979 Betsch joined Abdullah Ibrahim's ensemble, and from 1980 to 1982 he was with Archie Shepp's band that featured Hilton Ruiz, piano, Santi Debriano, bass and Roger Dawson, congas and percussion. In 1983 he recorded with Roger Dawson's septet featuring Hilton Ruiz, reedman John Purcell, trumpeter Claudio Roditi, bassist Anthony Cox and multi-percussionist Milton Cardona. Following this he was a member of quartets led by Marty Cook.
Since 1985 Betsch has lived in Europe, playing with Jim Pepper and Mal Waldron as well as in a band with his wife, French pianist Claudine François. In the 1990s he played in a group with Steve Lacy, and with Özay Fecht and in a trio with Elvira Plenar and Peter Kowald. He has done other recordings with Thomas Chapin, Marilyn Crispell, Klaus König, Billy Bang, Sathima Bea Benjamin, Uli Lenz and Simon Nabatov."-Wikipedia (https://en.wikipedia.org/wiki/John_Betsch)
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