Swedish composer Magnus Granberg (Skogen) places baroque instruments alongside prepared piano, objects and electronics in an exquisite 60-minute piece performed with an excellent set of performers including Cyril Bondi, d'incise, Eric Ruffing, Christoph Schiller, &c.
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Label: Another Timbre
Catalog ID: at87
Squidco Product Code: 21041
Packaging: Cardboard Gatefold
Recorded at Ackermannshof, in Basel, Switzerland, January 17th, 2015 by Simon Reynell.
Magnus Granberg-prepared piano
Cyril Bondi-percussion, objects
d incise-electronics, objects
Teresa Hackel-bass recorder
Anna Lindal-baroque violin
Hans-Jurg Meier-bass recorder
Anna-Kaise Meklin-viola da gamba
Eric Ruffing-analogue synthesizer
Christoph Schiller-spinet, objects
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01. How Deep Is The Ocean, How High Is The Sky? 59:34
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"The Swede Magnus Granberg has rapidly become a key member of the Another Timbre family, this being his fifth album on the label in under four years, with four of those being his own compositions. Those familiar with Granberg's past AT releases will be delighted to hear that How Deep is the Ocean, How High is the Sky? follows the familiar pattern of the others. As before, it employs material derived from another song-in this instance, Irving Berlin's "How Deep is the Ocean"-but there are few, if any, traces of the original in evidence. Instead, the piece establishes a pleasantly melancholy mood that typifies Granberg compositions.
How Deep is the Ocean, How High is the Skydiffers from past Granberg releases in the instrumentation used to perform it. As before, Granberg himself leads a large ensemble, a ten-piece this time with him playing prepared piano rather than clarinet. Again the ensemble includes electronics, objects and synthesiser alongside acoustic instruments, with the Swiss duo Diatribes-d'incise and Cyril Bondi-here present for the first time. Bizarrely, the ensemble features the distinctive timbres of baroque acoustic instruments such as spinet, viola da gamba, baroque violin and chitarrone plus bass recorders. Consequently, the resulting ensemble is an amalgam of the 18th and 21st centuries, one that sounds as if it might not work but actually succeeds well.
Granberg's composition is not rigidly scored but allows the players license to play the specified music when they see fit, within a rough temporal framework. This gives it a loose, relaxed feel that is so typical of Granberg's work it is immediately recognisable as his. Yet another winner from Granberg."-John Eyles, All About Jazz
At The Squid's Ear!
• Show Bio for d incise
"Laurent PETER, a.k.a. d'incise (Geneva, 1983), drifting musician, grew up inbetween dub sound system and experimental electronic music. Sound explorer, he has no perticular instrument, using whatever can be considered as such, softwares, recordings, objects, percussions, harmonium, etc. He's interested in radicalism, reductionnism, repetitions and conceptual approaches, building specific set-up for each new occasion, in improvised or composed context. He tends to extract the most tiny details of the elements, appreciates slowness and obsessive explorations of simple processes. He's, since many years with Cyril Bondi, behind the INSUB. label, orchetra, the Diatribes duo, and many other things, and does graphic designs."-d'incise Website (http://www.dincise.net/bio.html)
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• Show Bio for Christoph Schiller
"Christoph Schiller was born in 1963 in Stuttgart. He studied fine arts at the Kunstakademie Stuttgart and HfBK Hamburg. He later studied piano with Daniel Cholette and music theory in Basel. He has been playing concerts of improvised music on piano since 1987. In recent years the piano has been abandoned in favour of the lighter spinet, for which he has developed specific playing techniques which are influenced by inside piano techniques. Besides keyboard instruments his work with the voice has become increasingly important. He lives in Weil am Rhein and Basel."-Christoph Schiller Website (http://www.christophschiller.net/)
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