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Iannotta, Clara

A Failed Entertainment. Works 2009-2014

Iannotta, Clara    : A Failed Entertainment.  Works 2009-2014 (Edition Rz)

Works from Italian composer Clare Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program titled "A Failed Entertainment" commissioned by Quaturo Diotima; plus 6 works for contemporary ensembles.
 

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product information:


Includes 28 page booklet with text in German and English, plus photos and scores.

UPC: 4029455100239

Label: Edition Rz
Catalog ID: DAAD ed. RZ 10023 (parallele 23)
Squidco Product Code: 20916

Format: CD
Condition: New
Released: 2016
Country: Germany
Packaging: Cardboard Gatefold w/booklet

Personnel:

Clara Iannotta-composer

Ensemble Intercontemporain

Matthias Pintscher-conductor

Barbara Maurer-viola

Melise Mellinger-violin

Chris Gross-cello

Rane Moore-clarinet

Daria Binkowski-flute

Alex Lipowski-percussion

Philip Fisher-piano

Elizabeth Weisser-viola

Yuki Numata-Resnick-violin

Orchestre Des Eleves Du Conservatoire National Superieur de Paris

Tito Ceccherini-conductor

Pierre Morlet-cello

Franck Chevalier-viola

Guillaume Latour-violin

Yun Peng Zhao-violin

Richard Haynes-bass clarinet

Eva Boesch-cello

Annegret Mayer-Lindenberg-viola

Maximilian Haft-violin

Boglarka Pecze-bass clarinet

Sun-Young Nam-piano

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track listing:


1. Intent On Resurrection - Spring Or Some Such Thing 14:19

2. Limun 9:18

3. D'apres 8:32

4. Aphones 7:04

5. A Failed Entertainment 17:09

6. Al Di La Del Bianco 5:46

7. The People Her Go Mad. They Blame The Wind 10:37
Related Categories of Interest:


Compositional Forms
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descriptions, reviews, &c.

"Born in Rome in 1983, she spent her whole childhood studying to become a flautist.After her harmony teacher more or less forced her, she started taking composition classes in 2003, and realized that composing was the art that represented her the most. Looking for a good teacher, she travelled around Italy and she stopped for three years in Milan to study with Alessandro Solbiati.

Since then, she has had inspiring discussions with many composers: she talked about notation with Mark André, about material with Franck Bedrossian, about form with Chaya Czernowin, and about silence with Steven Takasugi.

She is particularly interested in music as an existential, physical experience - music should be seen as well as heard. This is one of the reasons why she sometimes prefers to talk about the choreography of the sound rather than about orchestration.She lived and studied in Paris for five years at the CNSM de Paris, with Frédéric Durieux, from January 2013 she moved to Berlin where she was a one year guest of the Berliner Künstlerprogramm des DAAD, and she is now working on a PhD at Harvard University.

Current projects include new pieces for Accentus, Wilhem Latchoumia & EOC, 2e2m, CrossingLines, Neue Vocalsolisten, Münchener Kammerorchester as well as the artistic direction of the Bludenzer Tage zeitgemäßer Musik festival (2014-2018).she live between Berlin and Boston."-Clara Iannotta Website


Includes 28 page booklet with text in German and English, plus photos and scores.

Artist Biographies:

"Clarinetist Rane Moore is well-regarded for her thoughtful, provocative interpretations of standard and cutting-edge contemporary repertoire. Fiercely devoted to the new music communities of the East Coast and beyond, Moore is a founding member of the New York based Talea Ensemble which regularly gives premieres of new works at major venues and festivals around the world. Ms. Moore has recently joined the award winning wind quintet, The City of Tomorrow, and is also a member of Boston's Callithumpian Consort and Sound Icon.

Recent projects with legendary saxophonist Steve Coleman have yielded recordings and performances at The Village Vanguard, Newport Jazz Festival, Saalfelden Jazz Festival, and Jazz à la Villette in Paris. Moore is also a regularly invited collaborator with the International Contemporary Ensemble (ICE), Bang on a Can All-Stars, New York New Music Ensemble, Boston Musica Viva, Emmanuel Music, A Far Cry, Boston Modern Orchestra Project , Boston Landmarks Orchestra, Boston Ballet Orchestra and is the principal clarinetist for the Boston Philharmonic.

Ms. Moore's latest festival and series performances include high profile events at the Tanglewood Music Festival, Lincoln Center Festival, Wien Modern, Warsaw in Autumn, ECLAT in Stuttgart, Darmstadt International Music Festival, Monday Evening Concerts in Los Angeles, Ojai Music Festival, Cervantino Festival in Mexico, Time of Music in Finland, Bludenzer Tage Zeitgemäßer Musik, Transit Festival in Belgium, Time Spans in Colorado and New York, Contempuls 5 in Prauge, Sacrum Profanum in Krakow, June in Buffalo, as well as local and emerging series such as Monadnock Music, Rockport Music, Kingston Chamber Music Festival, Town Hall Concerts in Seattle, and Trinity Wall Street in New York.

In addition to her very active performing schedule, Ms. Moore is on the faculty of the Summer Institute for Contemporary Performance Practice at New England Conservatory and has served in the ensemble-in-residence and guest teacher for advanced students in composition and clarinet at many universities and conservatories around the world.

Ms. Moore is the co-artistic director of Winsor Music, a much beloved chamber music series and musical outreach organization in the Boston area.

Ms. Moore has recordings on over a dozen labels including Tzadik, Pi, Wergo, and ECM records. Critics have praised her "enthralling," "tour-de-force," and "phenomenal" performances."

-Rane Moore Website (http://ranemoore.com/bio/)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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