A collection of material from saxophonist Joe McPhee's personal archive of recordings, presenting unreleased material from 1980-1984, a diverse set demonstrating his investigative approach to solo playing from freely improvised, experimental, to melodic work.
Squidco Anniversay Sale: save $2.69
Out of Stock
Shipping Weight: 16.00 units
Quantity in Basket: None
Log In to use our Wish List
Includes download card.
Catalog ID: ROAR 038LP
Squidco Product Code: 20906
Recorded in 1980, 1981 and 1984.
Joe McPhee-tenor saxophone, alto saxophone, sopranino saxophone, electronics
Highlight an artist name or instrument above
and click here to Search
1. Wind Cycles 14:48
2. The Redwood Rag 3:50
1. Ice Blu 6:52
2. Voices 13:02
NY Downtown & Jazz/Improv
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings
Recent Releases and Best Sellers
New in Improvised Music
Staff Picks & Recommended Items
sample the album:
"In 1976, Joe McPhee recorded the landmark album Tenor, kicking off a solo period of finding and refining the distinctive voice that continues to inform his music to this day. Solos : The Lost Tapes (1980 - 1981 - 1984) is a collection of material from McPhee's personal archives that shines new light on the legendary multi-instrumentalist's work during this time.
"Wind Cycles," for tenor saxophone, explores the permutations of breath on reed and brass, from quiet whispers to full-throated cries and back again. With "The Redwood Rag," McPhee takes a jaunty melody and gives it a swinging workout with Steve Lacy-like precision. The free-blowing alto excursion "Ice Blu" is, in McPhee's words, "a sound which evokes an image, which asks a question 'What is that?' and the answer is, a sound which evokes an image which asks a question." "Voices," one of his signature compositions, gets a particularly haunting treatment here on soprano, with McPhee incorporating various electronics to mesmerizing effect.
All together, Solos : The Lost Tapes (1980 - 1981 - 1984) is the distilled essence of one of the most important creative improvising musicians of our time. Cover art by Judith Lindbloom. Includes a download coupon for the full album plus a bonus interview, conducted at the New Music America Festival in 1981."-Roaratorio
Includes download card.
• Show Bio for Joe McPhee
"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.
His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.
In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.
In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."-Joe McPhee Website (http://joemcphee.com/bio.html)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Joe McPhee
Search for other titles on the Roaratorio label.