Intricate interactions in free improv from the Portugese trio of violist Joao Camoes, cellist Miguel Mira (Open Field String Trio, Nuovo Camerata), and pianist Rodrigo Pinheiro (Red Trio), focused on the balance between contrasting counterpoint, polyrhythms and fluid soundscapes.
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Label: Tour de Bras
Catalog ID: TDB0912cd
Squidco Product Code: 20296
Packaging: Plastic Gatefold sleeve with fold-over insert
Recorded at Namouche Studios in Lisbon, Portugal on December 13th, 2010 and January 1st, 2011 by Joaquim Monte.
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1. Imprint 6:24
2. Dreams Theory 10:42
3. Time Leak 6:52
4. Theoretical Morning 7:15
5. Gomboc 8:26
6. Airfoil 7:06
7. Stifling Contremps 4:02
8. Triage 3:04
Related Categories of Interest:
European Improv, Free Jazz & Related
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sample the album:
"Earnear is a free improvisation trio from Portugal formed by Joao Camoes (viola), Rodrigo Pinheiro (piano) and Miguel Mira (cello). The trio's music is focused on the balance between a contrasting counterpoint, polyrythms and fluid soundscapes, exploring the instruments' extended acoustic properties while invoking the european chamber music heritage"-Tour de Bras
"Recordings, dating from 2010-2011 (Namouche Studios, Lisboa), by a Portuguese trio ended up last year as a CD-release for the Canadian Tour de Bras-label that concentrates on new and improvised music mainly of Canadian origin. I'm glad they made an exception with this charming release.
Cellist Miguel Mira is the veteran of the three. A multi-disciplinary artist who plays jazz and improvised for many years now. Joao Camoes (violin) is classically trained but discovered improvised music after moving to Lisboa. He is involved in numerous initiatives and has also his own projects around (Open Field String Trio, Nuovo Camerata, etc.). Pianist Pinheiro also has a background in classical music before entering improvised territories.
Their eight improvisations on this record are all of a subtle and delicate nature. You have to concentrate while listening to their excursions in order not to miss something. And that is a rewarding experience I can say. The use a wide range of dynamics and intensity. In their own words the music is "focused on the balance between a contrasting counterpoint, polyrhythms and fluid soundscapes". They use extended techniques in a relevant manner, as an integrated part of their musical vocabulary and grammar. Pinheiro is fantastic in pieces like 'Airfall'. But above all it are their intimate musical constructions that impress and are completely convincing. Hope this trio is still around!-DM, Vital Weekly
Get additional information at Vital Weekly
• Show Bio for Joao Camoes
"João Camões was born in Coimbra, Portugal, in 1983.
Classically trained, he studied viola in Conservatory of Music of Coimbra, under the guidance of João Ventura. After completing his studies in Civil Engineering, he moved to Lisbon where he discovered the creative and improvised music bustling local scene. There, he started to develop a set of extensive techniques that he mixes with classical ones, in a very physical approach to his instrument. Active in miscellaneous ensembles, his personal projects include: "Open Field string trio", with Marcelo dos Reis (guitar) and José Miguel Pereira (double-bass), "earnear", with Rodrigo Pinheiro (piano) and Miguel Mira (cello), João Camões & Kátia Sá, a duo with visual artist Kátia Sá and Nuova Camerata, with Carlos "Zíngaro" (violin), Ulrich Mitzlaff (cello), Miguel Leiria Pereira (double-bass) and Pedro Carneiro (marimba). Lately, together with his beloved wife, Joana Gomes, he started to compose and interpret music for theatre plays.
In addition to his regular projects he has also worked, in concert or workshop context, alongside some generous artists that helped him to continuously wonder, such as Bertrand Denzler, Bruno Parrinha, Burton Greene, Elliott Sharp, Ernesto Rodrigues, Evan Parker, Frédéric Blondy, Jean-Marc Foussat, João Apolinário, João Lucas, João Parrinha, João Paulo Esteves da Silva, João Viegas, Manuel Ara, Miguel Martins and Samuel Barsegian."-Joao Camoes Website (http://www.cipsela-records.com/jo%C3%A3o-cam%C3%B5es.php)
^ Hide Bio for Joao Camoes
• Show Bio for Rodrigo Pinheiro
"Rodrigo Pinheiro was born in 1973 in Covilhã, a small town in the center of Portugal. He started learning the piano when he was five at the Conservatory of Covilhã and later at the Conservatory of Lisbon until he was eighteen. He soon got involved with the free Portuguese improvisation scene, having played with Américo Rodrigues, José Oliveira, Nuno Rebelo, Rodrigo Amado, Luís Desirat, Bruno Parrinha or Ernesto Rodrigues. Pinheiro's intuitive approach to improvisation and exploration of the piano timbres, using both classical and extensive techniques, makes his music energic, polyrhythmic and full of contrasts. Moreover, he has honed his technique at workshops of improvisa- tion and composition where he has played with virtuous names, such as Carlos Zíngaro, Peter Kowald, Gunther Muller or Patrick Brennan. He has also performed with several musicians, like Hiroshi Kobayashi, Cristin Wilboltz, Nathan Fuhr, Blaise Siwula, Per Anders Nilsson, John Zorn, Nobuyasu Furuya, Jason Stein, Nate Wooley, John Butcher, Lotte Anker, Joe McPhee, Keir Neuringer, among others. In 2010 Pinheiro formed his project RED Trio, with Hernâni Faustino (bass) and Gabriel Ferrandini (drums). The band has recorded four albums with Clean Feed and Nobusiness Records and performed live at jazz and improvised music festivals and concerts in Portugal, USA, Netherlands, Germany, Austria, Poland and Romenia. He is also a member of the Nobuyasu Furuya Quintet, which has two released albums by Chitei Records e Nobusiness Records. His most recent projects are his trio earNear, with João Camões (viola) and Miguel Mira (cello), and the Clocks and Clouds' quartet, with Luís Vicente (trumpet), Hernani Faustino (bass) and Marco Franco (drums)."-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
^ Hide Bio for Rodrigo Pinheiro
• Show Bio for Miguel Mira
"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.
"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.
Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
^ Hide Bio for Miguel Mira
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