An intimate dialog between frequent collaborators, UK guitarist Fred Frith and Copenhagen saxophonist Lotte Anker, both players listening carefully as they interact in a fragile dialog of profound technique and inventive approach, using texture and nuance to create unusual and captivating interchanges that demonstrate how compatible these two very different instruments can be.
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Catalog ID: Intakt 237
Squidco Product Code: 20240
Packaging: Jewel Case
Recorded at Village Recording, Copenhagen, July 11, 2010.
Fred Frith-electric guitar
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1. Anchor Point 3:06
2. Run Don't Hide 8:27
3. Reasonably Available Control Measure 10:50
4. The Mountain Is As Quiet As The Eternal Past 8:15
5. Non-precision Approach Procedure 1:40
6. Thief Breaks Into An Empty House 9:17
7. The Same Dirt 4:40
8. Hallucinating Angels 10:30
European Improv, Free Jazz & Related
London & UK Improv & Related Scenes
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sample the album:
"The Copenhagen saxophonist Lotte Anker and the versatile composer and contemporary guitar pioneer Fred Frith enjoy each other's company, and it sounds like it. Frith loves the duo setting for its urge toward "meeting, conversing, challenging each other, changing your mind, not changing your mind, running together for the fun of it", and Anker describes this session as having been a "timeless bubble ... that was small, but in a way also vast". Anker's rich saxophone palette takes in skimming falsetto sounds like Evan Parker's, but she also has a soulfully desolate quaver that recalls Albert Ayler, and a sense of narrative drama that keeps her in compelling motion between ghostly impressionistic effects and brusquely percussive exclamations. Frith confronts Anker with flinty and splintered Derek Bailey-esque interrogations, but also partners her with astonishing resourcefulness - a kind of onrushing swing on Anchor Point, and galloping hooves on Run Don't Hide, allied withhand-drumming effects, glowing electronic textures, bowed-metal noises, and the sounds of somebody shoveling gravel or searching among heavy objects. He's been an extraordinary sound source for decades, and he isn't letting up."-John Fordham, The Guardian
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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• Show Bio for Lotte Anker
"Lotte Anker. Soprano- alto- and tenor saxophone. Composer.
Lotte Anker is born 1958 in Copenhagen. As a child and young she studied classical piano but took up the saxophone and improvised music in 1980, primarily influenced through the music of John Coltrane and Wayne Shorter but also the more experimental jazzscene in Scandinavia at that time.
She studied music at the Copenhagen University from 1980-84 and in the 80'ties par- ticipated in several courses and workshops lead by e.g.: Joe Henderson, David Liebman, John Tchicai, Marilyn Mazur, David Murray.
As a composer she is mostly selftaught but has a degree in composition fromRhytmic Music Conservatory, Cph. Compositionclass led by Bob Brookmeyer and with assisting guest teachers Pelle Gudmundsen-Holmgren, Svend Hvidtfeldt-Nielsen ao.
In 1988 she formed her own quartet with pianoplayer Mette Petersen:Lotte Anker/Mette Petersen Quartet. In 92 the quartet transformed into a quintet with Norwegian trumpetplayer Nils-Petter Molvær.In 95 she became a member of the free improvising trio Anker,Friis,Poulsen (with Hasse Poulsen, guitar and Peter Friis-Nielsen: bass)
1996-2013 co-leader (together w/ trombonist/composer Ture Larsen) of the 12-piece orchestra Copenhagen Art Ensemble. Cph. Art Ensemble is performing new music and besides playing new Danish music, the band has done projects/tours with e.g.: Tim Berne, Django Bates, John Tchicai, Marilyn Mazur, The Zapolski Quartet, Mats Gustafsson, Marc Ducret.
In 97 L. Anker formed a trio with Marilyn Crispell and Marilyn Mazur. The collaboration with M. Crispell has continued through the years in various formations: as duo, trio and quartet.
In 2003 the trio : anker,taborn,cleaver was formed with pianoplayer Craig Taborn and drummer Gerald Cleaver.
In 2006 the quintet Sonographic July (LA, Tim Berne, altosax, Sylvie Courvoisier, pno, Ikue Mori, electr, Tom Rainey, dr) was established and also a trio: Anker, Courvoisier, Mori.
In 2010 LA was invited to do a special project at Huddersfield Contemporary Musicfestival & Wundergrund Festival which resulted in the forming of the 8-piece-group: What River Ensemble. WRE includes: Phil Minton, LA, Anna Klett, Garth Knox, Jesper Egelund, Fred Frith/Kim Myhr, Ikue Mori & Chris Cutler.
Other recent group collaborations : Anker, Leandre, Strid (w/ Joelle Leandre & Raymond Strid), Quartet (w/ Johannes Bauer, Clayton Thomas, Paul Lovens). Anker, Frith,Mori (w/ Fred Frith & Ikue Mori) and duo w/ Fred Frith.
Besides working with own groups Lotte Anker has been a member of various Danish/Scandinavian groups e.g.: Marilyn Mazurs Primi Band, Two Bass-Hit, Saxmachine (saxophonequartet), Jazzgroup 90, Art-Out, Ictus, Mokuto, Konvoj-Art.
Projects/collaborations/tours with Peter Brotzmann, Miya Masaoka, Michael Formanek, Tim Berne, Marc Ducret, Dylan van der Schyff , Paal Nilssen-Love, Herb Robertson, Arve
Henriksen, Anders Jormin, Sten Sandell, Andrew Cyrille, Fred Frith, Benoit Delbecq, Wilbert de Joode, Thomas Lehn, Paul Lovens, Okkyung Lee, Fred Lonberg-Holm ao."-Lotte Anker Website (http://www.lotteanker.com/extended-bio)
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