The Squid's Ear Magazine


Evans, Peter Quintet: Destination: Void (More Is More)

The second release from NY trumpeter Peter Evans Quintet with Ron Stabinsky on piano, Tom Blancarte on bass, Sam Pluta on live electronics, and Jim Black on drums, an epic and amazingly sophisticated album based on Frank Herbert's novel of the same name.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Peter Evans-trumpet, piccolo trumpet

Sam Pluta-live electronics

Ron Stabinsky-piano, prepared piano

Tom Blancarte-bass

Jim Black-drums


Click an artist name above to see in-stock items for that artist.




UPC: 888295158947

Label: More Is More
Catalog ID: 141
Squidco Product Code: 19708

Format: CD
Condition: New
Released: 2014
Country: USA
Packaging: Digipack
Recorded at EMPAC in Troy, New York, in March 2013 by Jeff Svatek.

Descriptions, Reviews, &c.

"The long awaited second release from the Peter Evans Quintet. Four new compositions commissioned by the Jerome Foundation's Emerging Artist Grant and recorded at the Experimental Media and Performing Arts Center in Troy, New York. The album is named after a novel by Frank Herbert concerning a mission into space to create an artificial consciousness, a mission which is designed to use the frustrations, failures and imminent destruction of the crew to propel them to new levels of creativity. Destination: Void is an epic, cinematic synthesis of personalities, sci-fi, lengthy compositions, dense improvisation and sound design.

12 (for Evan Parker) is an homage that uses a melodic phrase often found in the saxophonist's music as the foundation for a labyrinth of activity. The piece explores the side of Parker's personality interested in acrostics, word play and puzzles. For Gary Rydstrom and Ben Burtt is a monumental solo vehicle for Sam Pluta, and is dedicated to two of the most innovative sound designers in science fiction and action cinema. Make it So, modeled loosely on the overlapping orbital cycles of celestial bodies, plays out as a series of musical holograms, images appearing, disappearing and reappearing slightly transformed, moving in and out of phase with each other. The final piece, Tresillo, uses it's eponymous rhythmic pattern- found in music all over the world and particularly music which traces its roots to the African diaspora- as a kind of basic musical genome which replicates and transforms itself through the musical drama, featuring every member of the ensemble in turn.

This music was rehearsed and performed extensively from 2011 to 2013 and culminated with a recording residency and concert at the state of the art facility EMPAC in March 2013. Destination: Void is the culmination of the the second chapter of the Peter Evans Quintet, and also serves to introduce a new member, the spectacular Ron Stabinsky on the piano and prepared piano.

The Peter Evans Quintet has been performing in the USA and internationally since 2009. The band has relentlessly focused on new combinations of notated and improvised music in an electro-acoustic setting and has amassed a wide range of original material. The Quintet has been commissioned by the Jerome Foundation/Roulette Emerging Artists Grant, the Donaueschingen Musiktage Festival and recorded at the state-of-the-art EMPAC facility in Troy NY. Their music has been documented on the highly acclaimed "Ghosts" album from 2011, the cinematic, monumental compositions on their recent "Destination: Void" and most recently with a new set of music commissioned as part of Evans' 2014 residency at Issue Project Room in NYC. This new program has already been toured in Europe and includes pieces inspired by Lynn Margulis and a 3 movement homage to Alice Coltrane. The band utilizes a an approach that seeks to explore new levels of coordination, interactivity, self-actualization and expression in the context of group music-making. The ensemble moves fluidly from the most uninhibited unleashing of sonic violence to the most subtle control of texture and form.

Peter Evans has been a member of the New York musical community since 2003, when he moved to the city after graduating Oberlin Conservatory. Evans enjoys working in wide range of areas in modern music and has therefore been working to greatly broaden the expressive potential of his instrument. Current ensembles include the Zebulon trio, the Peter Evans Quintet, the collaborative trio Pulverize the Sound (with Tim Dahl and Mike Pride), and Rocket Science, (with Sam Pluta, Craig Taborn and Evan Parker). Evans has been performing and recording solo trumpet music since 2003 and is widely recognized as a leading voice in that field. He has been commissioned by the International Contemporary Ensemble, Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program and is a 2014 Artist-in-Residence at Issue Project Room in Brooklyn, NY. He has presented and/or performed his music at many major international festivals and has toured his own groups extensively in Europe, Canada and the United States. Evans also performs with both the International Contemporary Ensemble and the Wet Ink Ensemble.

Sam Pluta is a New York City-based composer, laptop improviser, electronics performer, and sound artist. Though his work has a wide breadth, his central focus is on the laptop as a performance instrument capable of sharing the stage with groups ranging from new music ensembles to world-class instrumental improvisers. As a composer of instrumental music, Sam has written works for Wet Ink Ensemble, International Contemporary Ensemble, Yarn/Wire, Timetable Percussion, Mivos Quartet, RIOT Trio, Ensemble Dal Niente, Jessie Marino, Mantra Percussion, TAK, Dave Eggar, and Prism Saxophone Quartet. His compositions range from solo instrumental works to pieces for ensemble with electronics to compositions for large ensemble and orchestra. Sam is the Technical Director for the Wet Ink Ensemble, a group for whom he is a member composer as well as principal electronics performer. Dr Pluta studied composition and electronic music at Columbia University, where he received his DMA in 2012. He received Masters degrees from the University of Birmingham in the UK and the University of Texas at Austin, and completed his undergraduate work at Santa Clara University. His principal teachers include George Lewis, Brad Garton, Tristan Murail, Fabien Levy, Scott Wilson, Jonty Harrison, Russell Pinkston, and Bruce Pennycook.

Ron Stabinsky received his first musical lessons on the electronic organ at the age of five from Michael Hoysock, his grandfather. Since 2000, Ron has been studying the Taubman Approach to piano playing with Edna Golandsky in New York City. He has benefited greatly from additional study of classical repertoire with Ilya Itin. His mentors in the art of free improvisation have included Bill Dixon in Vermont and Joel Futterman in Virginia. His study of jazz has been through the correspondence course work of Charlie Banacos.

A veteran of the DIY New York improvisation, jazz and new music scenes for the past decade, Texan bassist Tom Blancarte has held the low end in a wide variety of avant-garde bands such as the electro-acoustic jazz of the Peter Evans Quintet, the banjo-shred power trio Seabrook Power Plant, an eerie post-apocalyptic duo with wife Louise Dam Eckardt Jensen (The Home of Easy Credit), improv doom tuba trio The Gate and new Danish post-punk improv quartet Sweet Banditry. He has toured extensively throughout Europe and North America, playing venues that range from dingy squatted basements to international festivals. Recently, he has begun to perform improvised solos on the bass as an exciting new area of exploration, started reaquainting himself with the euphonium (his first instrument), as well as starting the Denmark-based record label Marsken Records. He has performed with a wide variety of internationally-recognized musicians, including but not limited to: Peter Evans, Weasel Walter, John Butcher, Peter Brötzmann, Sylvie Courvoisier, Kevin Shea, Ray Anderson, Petras Vysniauskas, Jim Black, Craig Taborn, Ricardo Gallo, Mary Halvorson, Tim Dahl, Mike Pride, Bruce Eisenebeil, Jessica Pavone, Brian Chase, Nate Wooley, Mats Gustafsson, Joel Ryan and Han Bennink.

Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty years."-More Is More



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Sam Pluta is a New York City-based composer, laptop improviser, electronics performer, and sound artist. Though his work has a wide breadth, his central focus is on the laptop as a performance instrument capable of sharing the stage with groups ranging from new music ensembles to world-class instrumental improvisers. By creating unique interactions of electronics, instruments, and sonic spaces, Pluta's vibrant musical universe fuses the traditionally separate sound worlds of acoustic instruments and electronics, creating sonic spaces which envelop the audience and resulting in a music focused on visceral interaction of instrumental performers with reactive computerized sound worlds. As a composer of instrumental music, Sam has written works for Wet Ink Ensemble, International Contemporary Ensemble, Yarn/Wire, Timetable Percussion, Mivos Quartet, RIOT Trio, Ensemble Dal Niente, Jessie Marino, Mantra Percussion, TAK, Dave Eggar, and Prism Saxophone Quartet. His compositions range from solo instrumental works to pieces for ensemble with electronics to compositions for large ensemble and orchestra. In addition to acoustic and electro-acoustic works, Pluta has written extensive solo electronic repertoire ranging from multi-channel acousmatic compositions to solo laptop works with video to laptop ensemble compositions for up to 15 players.

As an improviser, Sam has collaborated with some of the finest creative musicians in the world, including Peter Evans, Evan Parker, Ikue Mori, Craig Taborn, Jim Black, Anne La Berge, and George Lewis. Sam is a member of multiple improvisation-based ensembles, the jazz influenced Peter Evans Quintet, the free improvisation-based Rocket Science (with Evan Parker, Craig Taborn and Peter Evans), the analog synth and laptop duo exclusiveOr (with Jeff Snyder), his longstanding duo with Peter Evans, and the New York City-based power group Sonic Overload (with Jim Altieri, Dan Peck, Tom Blancarte, Peter Evans, and Jeff Snyder). Sam has also performed with the Evan Parker Electro-Acoustic Ensemble. With these various groups he has toured Europe and America and performed at major festivals and venues, such as the Lucerne Festival in Switzerland, the Moers and Donaueshingen Festivals in Germany, Bimhuis in Amsterdam, and The Vortex in London. Sam is the Technical Director for the Wet Ink Ensemble, a group for whom he is a member composer as well as principal electronics performer. As a performer of chamber music with Wet Ink and other groups, in addition to his own works, Sam has performed and premiered works by Peter Ablinger, Karlheinz Stockhausen, Katharina Rosenberger, George Lewis, Ben Hackbarth, Alvin Lucier, Chiyoko Szlavnics, Alex Mincek, Kate Soper, and Eric Wubbels among others.

Dr Pluta studied composition and electronic music at Columbia University, where he received his DMA in 2012. He received Masters degrees from the University of Birmingham in the UK and the University of Texas at Austin, and completed his undergraduate work at Santa Clara University. His principal teachers include George Lewis, Brad Garton, Tristan Murail, Fabien Levy, Scott Wilson, Jonty Harrison, Russell Pinkston, Lynn Shurtleff, and Bruce Pennycook. A dedicated pedagogue, Sam teaches Composing with Sound and Technology and Improvisation at Bennington College. From 2011-15 he directed the Electronic Music Studio at Manhattan School of Music, and has taught Music Humanities and The History of Sound Art at Columbia University. For the past 15 years he has taught composition, musicianship, electronic music, and an assortment of specialty courses at the Walden School, where he also serves as Director of Electronic Music and Academic Dean."

-Sam Pluta Website (http://www.sampluta.com/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ron Stabinsky recently released his debut album, Free for One, the culmination of more than a decade of evolving his improvised solo language. In addition to continuing to pursue his ongoing interest in solo piano improvisation, he enjoys working on music in a stylistically diverse array of situations throughout the United States and Europe with many other musicians and ensembles, including free-improvising saxophonist Jack Wright, bass trombone virtuoso David Taylor, Meat Puppets bassist Cris Kirkwood, and NEA Jazz Master David Liebman. Recent festival appearances include Newport Jazz Festival, North Sea Jazz Festival (Netherlands), Moers Festival (Germany), Jazzfestival Saalfelden (Austria), Outreach Festival (Austria), and Jazz and More Festival Sibiu (Romania). He is currently a regular member of the band Mostly Other People Do the Killing, the new music ensemble Relâche, the Charles Evans Quartet, and the Peter Evans Quintet."

-Ron Stabinsky 3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"For over a decade, Texan bassist Tom Blancarte has been contributing a vivid pallet of dark frequencies to New York's creative music scene, both as a freelance performer as well as a member of bands such as the electro-acoustic jazz ensemble the Peter Evans Septet, the banjo-shred power trio Seabrook Power Plant, New Timbralist free jazz noise trio Totem, an eerie post-apocalyptic duo with wife Louise Dam Eckardt Jensen (The Home of Easy Credit), improv doom tuba trio The Gate and Danish post-punk improv quartet Sweet Banditry.

A native of the Texas Hill Country in Austin, Texas, his formative years included a steady diet of fantasy and sci-fi novels, comic books and video games, and later on a total immersion in death and black metal. Accordingly, Blancarte has cultivated a demented and visceral instrumental practice that transcends the experimental bass canon and pushes improvisatory art to new extremes. He has toured extensively throughout Europe and North America, playing venues that range from dingy squatted basements to international festivals.

Recently, he has begun to perform improvised solos on the bass as an exciting new area of exploration, started reacquainting himself with the euphonium (his first instrument), as well as starting the Denmark-based record label Marsken Records. He is on the faculty at the Music and Theater Folk School in Toftlund, Denmark. He lives in Toftlund with his wife and daughter."

-Marsken Records (https://www.marsken.com/about-tom/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty-five years.

Since the mid-90's, Black has played a major role in the incorporation of new sounds and techniques into the jazz/creative music context. As a member of the collective group Pachora (with Speed, Sverrisson, and guitarist Brad Shepik) Black was one of the leaders in the study and adaptation of Balkan music into jazz-based music. His advanced techniques abstracted the odd time signatures of the Balkans into a new polyrhythmic language equally informed by modern jazz, drum&bass and the dumbeks of the Balkans. Black has also been an innovator in the use of electronics in improvisation, bridging the gap between electro-acoustic improv and more jazz-based traditions. Today, Black's performances are just as likely to feature his laptop-based electronic textures as his drumming.

Born in 1967, Jim Black grew up in Seattle alongside future colleagues Chris Speed, Andrew D'Angelo and Cuong Vu. After cementing their personal and artistic relationships in Seattle's various youth jazz ensembles, in 1985 they moved to Boston, where Black entered the Berklee School of Music. In Boston, Black, Speed and D'Angelo formed Human Feel with guitarist Kurt Rosenwinkel, which rapidly attracted the attention of the jazz cognoscenti in Boston, New York and beyond.

By 1991, Black and the other members of Human Feel had moved to New York City, where they electrified the Downtown music scene then centered around the Knitting Factory and rapidly became among the city's busiest sidemen. Black's early years in New York saw him take featured roles in some of the most critically acclaimed bands of the time, like Tim Berne's Bloodcount, Ellery Eskelin's trio, and Dave Douglas's Tiny Bell Trio. Thus began fifteen years of near-constant touring and recording, with the above bands as well as artists like Uri Caine, Dave Liebman, Nels Cline, Steve Coleman, Tomasz Stanko, and Laurie Anderson.

-Jim Black Website (http://www.jimblack.com/Jim_Black_dotcom/BIO.html)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. 12 (For Evan Parker) 11:13

2. For Gary Rydstrom And Ben Burtt 11:01

3. Make It So 19:20

4. Tresillo 27:10

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Peter Evans
Staff Picks & Recommended Items
Quintet Recordings
Instruments with Preparations
Instant Rewards

Search for other titles on the label:
More Is More.


Recommended & Related Releases:
Evans, Peter Being & Becoming (Evans / Ross / Jozwiak / Ode)
Ars Memoria [VINYL 180gm]
(More Is More)
The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz integrating extended techniques and solid vibraphone work with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums).
Peter Evans Being & Becoming (Evans / Ross / Jozwiak / Ode)
Ars Memoria
(More Is More)
The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz integrating extended techniques and solid vibraphone work with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums).
Gate, The
Scum [CASSETTE w/ DOWNLOAD]
(Tubapede)
A heavy and wild ride in the 9th album from New York's The Gate of composer and tuba player Dan Peck, bass player Tom Blancarte and percussionist Brian Osborne, concise pieces of heavy melodic elements, dark riffs and an ominous attitude, intersecting with plundered asides and anxious pauses, a strong addition to their discography and an engrossing collection of deep disturbance.
Nevai, Nandor
The Walls Of Song
(Psykomanteum)
A through-composed album of "Popular Brass & Military Songcraft" from composer, drummer and vocalist Nandor Nevai, in 9 original songs of cinematic vocals to the duo of bass trombones and a tonal percussion configuration including pedal timpani; and the world premiere of a previously unrecorded Krzysztof Penderecki instrumental conducted by Ron Stabinsky.
Parker, Evan / Matthew Wright Trance Map + Peter Evans / Mark Nauseef
Etching the Ether
(Intakt)
Evan Parker and Matthew Wright are the core of Trance Map, the soprano saxophonist and live electronics duo expanding on their original 2011 concept with Trance Map+, adding guest musicians to their unique approach to electroacoustic improvisation, here in an exceptional quartet configuration with Peter Evans on trumpet & piccolo trumpet, and Mark Nauseff on percussion.
Nevai, Nandor (w/ Peter Evans / Tim Dahl / Matt Nelson / Ron Stabinsky)
Classified Maths
(Psykomanteum)
An unusual quintet of prominent New York improvisers--Peter Evans on trumpet, Tim Dahl on bass violin, Matt Nelson on tenor saxophone, and Ron Stabinsky on bass--performing Nandor Nevai's compositions: two Quintets and the two part "Sap Gloves"--Nevai performing on tenor sax, voice and conducting, blurring modern improv, chamber jazz and bizarre spoken word moments; outstanding and unsettling.
Musicworks
#145 Summer 2023 [MAGAZINE + CD]
(Musicworks)
The Summer 2023 issue of Canada's finest music magazine covering contemporary improvised, composed and experimental music, with Simone Schmidt's Audible Songs of Defiant Meaning on the cover, plus features on Nicole Mitchell and Coco Elysses, Levy Lorenzo, Wayne Lavallee, along with recorded & live reviews, and a 10-track CD with pieces from the artist within.
Nevai, Nandor / Peter Evans / Steve B / Ron Stabinsky
Trigesisextet for Brass + Gospel Power Walls
(Psykomanteum)
Two large-scale compositions from "Through-Composer of Brutal Classical" Nandor Nevai, scored for 35 brass players and a vocalist, accomplished through 10 layers of Peter Evans (trumpet, piccolo trumpet), 9 of Steve B (tenor trombone), 7 of Ron Stabinsky (bass trombone) and 10 of Nevai himself on tenor trombone & voice; plus "Gospel Power Walls" for a chorus of 5 (bad) people.
Stemeseder, Elias / Christian Lillinger (+ Peter Evans / Russell Hall / DoYeon Kim / Brandon Seabrook)
Umbra
(Intakt)
The other shaded region to their 2022 Penumbra album, keyboardist Stemeseder and drummer Christian Lillinger explore "utopias in sound production" through acoustic and electronic composition, creating evolving melodies and sonic tapestries in performance with Peter Evans on Piccolo trumpet, Russell Hall on bass, DoYeon Kim on Gayageum and Brandon Seabrook on banjo & guitar.
Jim & The Schrimps (Jim Black / Asger Nissen / Julius Gawlik / Felix Henkelhausen)
Ain't No Saint
(Intakt)
"Jim" is US drummer & composer Jim Black working in Berlin, and The Shrimps are the trio of bassist Felix Henkelhausen and the two-sax front line of Germans, Asger Nissen on alto and Julius Gawlik on tenor, finding a rapport and common approach to free improv, they formed to perform & record Black's assertive compositions influenced by the tradition of Black American jazz.
Nevai, Nandor / Peter Evans / Steve B / Ron Stabinsky
Trigesisextet for Brass + Gospel Power Walls
(Psykomanteum)
Two large-scale compositions from "Through-Composer of Brutal Classical" Nandor Nevai, scored for 35 brass players and a vocalist, accomplished through 10 layers of Peter Evans (trumpet, piccolo trumpet), 9 of Steve B (tenor trombone), 7 of Ron Stabinsky (bass trombone) and 10 of Nevai himself on tenor trombone & voice; plus "Gospel Power Walls" for a chorus of 5 (bad) people.
Liebman, Dave (w/ Peter Evans / Leo Genovese / John Hebert / Tyshawn Sorey)
Lost In Time, Live At Smalls
(Cellar Live)
Part of the SmallsLIVE Living Masters series, masterful saxophonist Dave Liebman leads the stellar quintet of Peter Evans on trumpet, Leo Genovese on piano, John Hebert on bass & Tyshawn Sorey on drums through three Liebman compositions titled for their ordinal position, relaunching a highly focused Liebman post-pandemic with this stunning live concert at Smalls Jazz Club.
Lumpert, Igor Innertextures (w/ Ward / Tordini / Grohowski / ...)
I am the Spirit of the Earth
(Clean Feed)
Brooklyn-based Slovenian saxophonist Igor Lumpert draws on his life experiences through eight original compositions and a Bosnian folk song performed with his core band of alto saxophonist Greg Ward, drummer Kenny Grohwoski and bassist Chris Tordini, expanded to a sextet and octet with stellar improvisers including trumpeter Peter Evans, guitarist Jeff Miles, &c.
Pulverize the Sound (Evans, Peter / Tim Dahl / Mike Pride)
Black
(Relative Pitch)
Appropriately recorded at Seizures Palace in Brooklyn, the 3rd release from the NY trio Pulverize the Sound of Peter Evans on trumpet, Tim Dahl on electric bass and Mike Pride on drums & glockenspiel, expands on this 10 year working band's assertive approach to collective free improv, doing so with innovation, breathtaking technical skill and a wide range of mood and texture.
Smythe, Cory (w/ Jernberg / Modney / Reid / Evans / Elk / Muncy / Laubrock / Leon / Cox / Crump )
Smoke Gets In Your Eyes
(Pyroclastic Records)
After working with the Trondheim Jazz Orchestra, pianist Corey Smythe assmebled this incredible ensemble that includes Peter Evans (trumpet), Ingrid Laubrock (sax), Stephan Crump (bass), Tomeka Reid (cello), &c., performing works influenced by the Kern/Harbach standard "Smoke Gets in Your Eyes", which Smythe then interprets abstractly in 7 solo renderings.
Nomad Trio (feat Gordon Grdina / Matt Mitchell / Jim Black)
Boiling Point
(Astral Spirits)
The second release from guitarist and oud improviser Gordon Grdina's Boiling Point Trio with Matt Mitchell on piano and Jim Black on drums, following their excellent 2020 Martian Kitties album, solidified into a tight unit from touring, Grdina's writing showcasing each player's ability to improvise around complex rhythmic, harmonic, and melodically rich compositions.
Elliott, Moppa
Jazz Band / Rock Band / Dance Band [2 CDs]
(Hot Cup Records)
An unusual conglomerate of styles across 2 CDs from bassist Moppa Elliott, featuring three bands: Advancing on a Wild Pitch, his jazz band with Danny Fox, Christian Coleman, Sam Kulik & Charles Evans; Unspeakable Garbage, his rock band with Jon Irabagon and Nick Millevoi; and the 9-piece "dance" band Acceleration Due To Gravity with Nate Wooley, Ava Mendoza, Mike Pride, &c.
Mostly Other People Do The Killing
Disasters Vol. 1 [VINYL]
(Hot Cup)
Each of the compositions from bassist Moppa Elliot for this trio version of MOPDTK with Ron Stabinsky on piano & synthesizer and Kevin Shea on drums & synthesizer, is named after a Pennsylvania town that has experienced a disaster, including floods, fires, nuclear meltdowns, &c, re-imagining each event through complex and surprisingly lyrical compositions.
Evans, Peter Ensemble (w/ Swift / Stabinsky / Lorenzo)
Horizons [VINYL]
(More Is More)
After a few years of working, touring and one-off performances in New York City with Mazz Swift (violin & voice), Ron Stabinsky (synthesizers) and Levy Lorenzo (percussion & electronics), trumpeter Peter Evans recorded this incredible album, a new direction in his work with small ensembles, incorporating electronics into his exceptional compositions for creative improvisation.
Grdina, Gordon / Jim Black
Martian Kitties
(Astral Spirits)
Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.
Nevai, Nandor (w/ Peter Evans / Tim Dahl / Matt Nelson / Ron Stabinsky)
Classified Maths
(Psykomanteum)
An unusual quintet of prominent New York improvisers--Peter Evans on trumpet, Tim Dahl on bass violin, Matt Nelson on tenor saxophone, and Ron Stabinsky on bass--performing Nandor Nevai's compositions: two Quintets and the two part "Sap Gloves"--Nevai performing on tenor sax, voice and conducting, blurring modern improv, chamber jazz and bizarre spoken word moments; outstanding and unsettling.
Grdina, Gordon / Jim Black
Martian Kitties [CASSETTE W/ DOWNLOAD]
(Astral Spirits)
Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.
Gallo, Danilo Dark Dry Tears (Gallo / Milesi / Bigoni / Black / feat: Lorenzo Corti)
A View Through a Slot
(Clean Feed)
With cinematic moments and dark, rich grooves, Italian bassist Danilo Gallo leads a quintet with fellow Italians Massimiliano Milesi on tenor & soprano saxophones, Francesco Bigoni on tenor saxophone & clarinet, American drummer Jim Black, and Lorenzo Corti on guitar, through a set of 10 Gallo compositions, melodically centered but surprising in detail and direction.
Laubrock, Ingrid
Dreamt Twice, Twice Dreamt (Music For Chamber Orchestra And Small Ensemble) [2 CDs]
(Intakt)
The 2nd orchestral album from saxophonist Ingrid Laubrock, two very different but complementary sets of compositions using electronics in mostly acoustic settings: the 1st with the larger EOS Chamber Orchestra and guests including Cory Smythe, Tom Rainey, & Sam Pluta; the 2nd a smaller group of Laubrock, Smythe & Pluta + guests Adam Motlock, Josh Modney, and Zeena Parkins.
exclusiveOr (Peter Evans / Wooley / Muncy / Olencki / Karre / Cimini / Young / Snyder / Pluta)
Modules [VINYL]
(Carrier Records)
The NY electronics duo exclusiveOr (Sam Pluta and Jeff Synder) join forces with the International Contemporary Ensemble and Architeuthis Walks on Land (Katherine Young and Amy Cimini) for this tour-de-force ensemble work, combining composed forms, electro-acoustic improvisation, noise, and lush harmonies, in a fascinatingly detailed album of creative musicianship.
exclusiveOr (Peter Evans / Wooley / Muncy / Olencki / Karre / Cimini / Young / Snyder / Pluta)
Modules
(Carrier Records)
The NY electronics duo exclusiveOr (Sam Pluta and Jeff Synder) join forces with the International Contemporary Ensemble and Architeuthis Walks on Land (Katherine Young and Amy Cimini) for this tour-de-force ensemble work, combining composed forms, electro-acoustic improvisation, noise, and lush harmonies, in a fascinatingly detailed album of creative musicianship.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC