The Squid's Ear Magazine

Lacy, Steve

Avignon and After - 2 (1972-7) Volume 2

Lacy, Steve: Avignon and After - 2 (1972-7) Volume 2 (Emanem)

The second volume of Steve Lacy's solo soprano saxophone concerts, starting off with the three short versions of Billy Strayhorn tunes which opened his first solo concert at Avignon in 1972.
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Steve Lacy-soprano saxophone


Click an artist name above to see in-stock items for that artist.




75 minutes - all previously unissued.

UPC: 5030243503124

Label: Emanem
Catalog ID: 5031
Squidco Product Code: 18774

Format: CD
Condition: New
Released: 2014
Country: Great Britain
Packaging: Cardstock 3 page foldover
Recorded on various dates at various locations.

Descriptions, Reviews, &c.

"More highlights from solo soprano saxophone concerts, starting off with the three short versions of Billy Strayhorn tunes which opened his first solo concert (Avignon 1972). Excellent versions of "Moms", "Pops" and "The Dumps" were performed two years later at the same venue. A 1975 Paris concert resulted in the only known recording of "Slabs", a second recording of "The Wool", and definitive performances of "Torments" and "The New Duck". From Edmonton in 1976 comes an unusual performance of "Coastline", and a fine one of the rarity "Hooky". In conclusion, there is a definitive 1977 version of "Snips" from Koln."-Emanem

See also Avignon and After - Volume 1
75 minutes - all previously unissued.

Artist Biographies

"Steve Lacy (July 23, 1934 - June 4, 2004), born Steven Norman Lackritz in New York City, was a jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.

The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's songs appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.

Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry "Red" Allen, Pee Wee Russell, George "Pops" Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing. He then became involved with the avant-garde, performing on Jazz Advance (1956), the debut album of Cecil Taylor,:55 and appearing with Taylor's groundbreaking quartet at the 1957 Newport Jazz Festival; he also made a notable appearance on an early Gil Evans album. His most enduring relationship, however, was with the music of Thelonious Monk: he recorded the first album to feature only Monk compositions (Reflections, Prestige, 1958) and briefly played in Monk's band in 1960:241 and later on Monk's Big Band and Quartet in Concert album (Columbia, 1963).

Lacy's first visit to Europe came in 1965, with a visit to Copenhagen in the company of Kenny Drew; he went to Italy and formed a quartet with Italian trumpeter Enrico Rava and the South African musicians Johnny Dyani and Louis Moholo (their visit to Buenos Aires is documented on The Forest and the Zoo, ESP, 1967). After a brief return to New York, he returned to Italy, then in 1970 moved to Paris, where he lived until the last two years of his life. He became a widely respected figure on the European jazz scene, though he remained less well known in the U.S.

The core of Lacy's activities from the 1970s to the 1990s was his sextet: his wife, singer/violinist Irene Aebi,:272 soprano/alto saxophonist Steve Potts, pianist Bobby Few, bassist Jean-Jacques Avenel, and drummer Oliver Johnson (later John Betsch). Sometimes this group was scaled up to a large ensemble (e.g. Vespers, Soul Note, 1993, which added Ricky Ford on tenor sax and Tom Varner on French horn), sometimes pared down to a quartet, trio, or even a two-saxophone duo. He played duos with pianist Eric Watson. Lacy also, beginning in the 1970s, became a specialist in solo saxophone; he ranks with Sonny Rollins, Anthony Braxton, Evan Parker, and Lol Coxhill in the development of this demanding form of improvisation.

Lacy was interested in all the arts: the visual arts and poetry in particular became important sources for him. Collaborating with painters and dancers in multimedia projects, he made musical settings of his favourite writers: Robert Creeley, Samuel Beckett, Tom Raworth, Taslima Nasrin, Herman Melville, Brion Gysin and other Beat writers, including settings for the Tao Te Ching and haiku poetry. As Creeley noted in the Poetry Project Newsletter, "There's no way simply to make clear how particular Steve Lacy was to poets or how much he can now teach them by fact of his own practice and example. No one was ever more generous or perceptive."

In 1992, he was the recipient of a MacArthur Fellowship (nicknamed the "genius grant").

He also collaborated with a wide range of musicians, from traditional jazz to the avant-garde to contemporary classical music. Outside of his regular sextet, his most regular collaborator was pianist Mal Waldron,:244-245 with whom he recorded a number of duet albums (notably Sempre Amore, a collection of Ellington/Strayhorn material, Soul Note, 1987).

Lacy played his 'farewell concerts to Europe' in Belgium, in duo and solo, for a small but motivated public. This happened in Brussels, Antwerp, Ghent, Bruge and Bergen. This recollection is published by Naked Music. In Ghent he played with the classical violinist Mikhail Bezverkhni, winner of Queen Elisabeth Concours. He returned to the United States in 2002, where he began teaching at the New England Conservatory of Music in Boston, Massachusetts. One of his last public performances was in front of 25,000 people at the close of a peace rally on Boston Common in March 2003, shortly before the US-led invasion of Iraq.

After Lacy was diagnosed with cancer in August 2003, he continued playing and teaching until weeks before his death on June 4, 2004 at the age of 69."

-Wikipedia (https://en.wikipedia.org/wiki/Steve_Lacy)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Johnny Come Lately 2:45

2. Lush Life 3:07

3. Ummg 2:04

4. Moms 5:34

5. Pops 5:01

6. The Dumps 4:13

7. Slabs 5:44

8. The Wool 5:57

9. Torments 8:37

10. Moma Duck 6:18

11. Coastline 6:18

12. Hooky 8:14

13. Snips 11:18

Related Categories of Interest:


Improvised Music
Jazz
Lacy, Steve
Solo Artist Recordings
EMANEM & psi
Lacy, Steve
Staff Picks & Recommended Items

Search for other titles on the label:
Emanem.


Recommended & Related Releases:
Lacy, Steve
The Ictus Archives, Volume 2 [VINYL]
(Ictus)
Drawn from the same period around 1976 which produced legendary free jazz saxophonist Steve Lacy's albums Clangs and Trio Live, the collected recordings in the two volumes of Ictus Record's Archives series were recorded while touring Italy with percussionist Andrea Centazzo, this 2nd volume from a concert in Udine presenting duos with Centazzo and a trio with bassist Kent Carter.
Trio x 3
New Jazz Meeting Baden-Baden 2002 [2 CDs]
(Hatology)
Other Recommended Releases:
Lacy, Steve
The Ictus Archives, Volume 1 [VINYL]
(Ictus)
Drawn from the same period around 1976 which produced legendary free jazz saxophonist Steve Lacy's albums Clangs and Trio Live, the collected recordings in the two volumes of Ictus Record's Archives series were recorded while touring Italy with percussionist Andrea Centazzo, this first volume presenting a concert in Udine with Lacy performing solo and in duos with Centazzo.
Lacy, Steve
Stamps [2 CDs]
(Corbett vs. Dempsey)
Originally released on the Hat Hut label in 1979, this 2-CD set of saxophonist Steve Lacy's quintet with Steve Potts on saxophone, Irene Aebi on cello, voice & violin, Kent Carter on bass, and Oliver Johnson on drums, are heard live in two tour-de-force concerts, first at the 1977 Jazz Festival, in Willisau, Switzerland, then in 1978 at Jazz Au Totem in Paris, France.
Lacy, Steve / Steve Potts
Tips
(Corbett vs. Dempsey)
Recorded in Paris in 1979, Steve Lacy (soprano sax) and Steve Potts (alto sax) perform music for the aphorisms of Georges Braque, as sung by Irene Aebi; originally issued on Hat Hut records, this reiusse remasters the original release and includes images from the score.
Lacy, Steve
at the New Jazz Meeting Baden-Baden 2002
(Hatology)
Lacy, Steve / Brion Gysin
Songs
(Hatology)



Customers Who Bought This Item Also Bought:
Roebke, Jason
Four Spheres
(Corbett vs. Dempsey)
Brilliantly unusual approaches to jazz scores from Chicago bassist Jason Roebke in a quartet with legendary saxophonist and clarinetist Edward Wilkerson Jr., pianist Mabel Kwan and drummer Marcus Evans, all four also performing on metronome, and Roebke providing low-fi cassette interruptions, a fascinating merging of jazz forms and methods of making the music stop.
Shipp, Matthew / Mark Helias / Gordon Grdina
Skin and Bones
(Not Two)
Recording two days after their concert in British Columbia, BC at Alternator Centre for Contemporary Art's Skin And Bones Music Series, the trio of pianist Matthew Shipp, guitarist Gordon Grdina and bassist Mark Helias captured these collective improvisations at Afterlife Studios in Vancouver BC, titling their album after their well-received concert.
Abdelnour, Christine / Chris Corsano
Quand Fond La Neige, OU Va Le Blanc ?
(Relative Pitch)
Through extended approaches to their instruments, Lebanese saxophonist Christine Abdelnour and NY drummer and slide clarinetist Chris Corsano create anomalous and unorthodox sound environments, Abdelnour making acoustics sound electronic through growls, smears and odd harmonics, while Corsano abuses an impressive palette of sound from every inch of his drums.
Way Ahead, The (Roligheten / Alberts / Barno / Aleklint / Stahl / Hoyer / Ostvang)
Bells, Ghosts And Other Saints
(Clean Feed)
An incredibly informed and modern album of free jazz drawing on an Albert Ayler influence from the Norwegian and Swedish septet of Andre Roligheten on tenor saxophone, clarinet, Kristoffer Alberts on alto saxophone, baritone saxophone, Niklas Barno on trumpet, Mats Aleklint on trombone, Mattias Stahl on vibraphone, Ola Hoyer on double bass, and Tollef Ostvang on drums.
Lencastre, Jose Nau Quartet
Eudaimonia
(FMR)
The Portuguese ensemble Nau Quartet led by alto saxophonist Jose Lencastre, with Rodrigo Pinheiro on piano and Hernani Faustino on bass (both members of Red Trio) plus Joao Lencastre on drums, in their second album of beautifully hazy improvisation, building and receding in authoritative conversations of innovative and inspired playing; excellent.
Kowald, Peter / Daunik Lazro / Annick Nozati
Instants Chavires
(Fou Records)
Recordings from 2000 at Instants Chavires in Montreuil, France from the free improvising trio of Peter Kowald on double bass, Daunik Lazro on alto & baritone sax, and Annick Nozati on voice, in a uniquely informed dialog representing the only time this masterful trio performed.
Denley, Jim
Through Fire, Crevice and The Hidden Valley
(Splitrec)
Recorded live in an Australian National Park on a 15-day walk, saxophonist Jim Denley performs solo on the alto saxophone in response to and in conversation with the environment around him using the natural acoustics of this rugged and awe-inspiring region.
Feldman, Morton played by John Tilbury & Philip Thomas
Two Pianos And Other Pieces 1953-1969 [2 CDs]
(Another Timbre)
"Two Pianos" is one of Morton Feldman's most experimental and radical works, performed here by John Tilbury & Philip Thomas; plus lesser known works including 'Piece for Four Pianos', 'Between Categories', 'False Relationships and the Extended Ending' and 'Two Pieces for Three Pianos'.
Parker, Evan & Sylvie Courvoisier
Either Or And
(Relative Pitch)
A powerful duo recorded in the studio after their 2013 performance at The Stone in NYC from NY pianist Sylvie Courvoisier and UK saxophonist Evan Parker, with extraordinary playing over eight pieces presenting an inspired range of technical and impressionistic styles.
Gray / Hobbs / Hostetter / Braman
Lawnmower II
(Clean Feed)
The second take of Boston area drummer Luther Grays' project Lawnmower with Jim Hobbs on sax, Kaethe Hostetter on violin and Winston Braman on electric bass, excellent jazz with unique instrumentation and a diversity of approaches.
Amado, Rodrigo / Mota / Faustino / Ferrandini
Wire Quartet
(Clean Feed)
Saxophonist Rodrigo Amado in a quartet with 2/3's of Red Trio - bassist Hernani Faustino and drummer Gabriel Ferrandini - and guitarist Manuel Mota adding unusual angles to their exemplary blues-based free improvisation.
Revis, Eric / Taylor / McHenry / Jones / Branford Marsalis
In Memory of Things Yet Seen
(Clean Feed)
A superb modern jazz release from NY bassist Eric Revis with Chad Taylor (drums), Bill McHenry (sax) and Darius Jones (sax), plus special guest Branford Marsalis on two tracks.
Chrysakis, Thanos / Wade Matthews / Javier Pedreira
Garnet Skein
(Aural Terrains)
The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.
Dessen, Michael Trio
Resonating Abstractions
(Clean Feed)
West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.
Hebert, John Trio
Floodstage
(Clean Feed)
Bassist John Hebert continues to explore his Louisana/Cajun roots with his trio of Benoit Delbecq on piano (plus synth & electronics) and drummer Gerald Cleaver, challenging and enigmatic improvisation with a solid rhythmic center.
Bauder, Matt and Day in Pictures
Nightshades
(Clean Feed)
Known for his more abstract Memorize the Sky project, tenor saxophonist and clarinetist Matt Bauder's band Day in Pictures adheres to jazz traditions with the superb quintet of Nate Wooley (trumpet), Kris Davis (piano), Jason Ajemian (bass) and Tomas Fujiwara (drums).
Davis, Matt / Phil Durrant / Mark Wastell
Confront Collectors Series
(Confront)
Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.
Glasgow Improvisers Orchestra & George Lewis
Artificial Life 2007
(FMR)
The large Glasgow Improvisers Orchestra, led by Raymond MacDonald, met trombonist George Lewis in 2012 at CCA in Glasgow to record this two part work based on a set of instructions presented graphically, plus an extended free improvisation.
Vigroux, Franck
Prisme
(D'Autres Cordes)
Prisme is the music for a sound installation by sound artist Franck Vigroux and a collaboration with Fabien Zocco in a live audiovisual performance.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC