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Feldman, Morton: String Quartet (II) [4 CDs] (Hat [now] ART)

The Ives Ensemble playing one of Morton Feldman's later and longer works, the 1983 "String Quartet (II)," in a digital DDD recording from 1999.
 

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product information:


UPC: 752156014423

Label: Hat [now] ART
Catalog ID: 144.4
Squidco Product Code: 18490

Format: 4 CDs
Condition: New
Released: 2003
Country: Switzerland
Packaging: 4 CD Box Set
Recorded August 23rd-28th, 1999 at Sendesaal Hessischer Rundfunk by Thomas Eschler.


Personnel:

Josje Ter Haar-violin

Janneke van Prooijen-violin

Ruben Sanderse-viola

Job Ter Haar-cello

Morton Feldman-composer

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track listing:


CD 1:

1. String Quartet II - CD I Part I 19:42

2. String Quartet II - CD I Part II 20:20

3. String Quartet II - CD I Part III 17:32

4. String Quartet II - CD I Part IV 20:50

CD 2:

1. String Quartet (II) CD2:1 25:22

2. String Quartet (II) CD2:2 22:52

3. String Quartet (II) CD2:3 24:58

CD 3:

1. String Quartet (II) (1983) CD3:1 25:22

2. String Quartet (II) (1983) CD3:2 24:49

3. String Quartet (II) (1983) CD3:3 24:16

CD 4:

1. String Quartet II - CD IV Part I 21:14

2. String Quartet II - CD IV Part II 21:10

3. String Quartet II - CD IV Part III 24:13
descriptions, reviews, &c.

"The complexity of Feldman's assemblage assures unfamiliarity and initial discomfort on the part of the listener. If we're not meant to hear continuity, or structure, or order, what can we hear? The answer depends, more than ever, on individual perception. There is movement, and stasis. Lines are drawn, thicken, thin out, and disappear. Phrases stretch like taffy. Shapes congeal, morph, and dissolve. Threads tangle and untangle. Sections are joined into blocks of fabric, then are cut into new blocks. Episodes, or fragments, appear, are abandoned, reappear. Notes breathe in and out, or push and pull like brush strokes. The sound creates its own form, its own metaphors, its own meaning. What are they? That's your job. How, and why, they got that way is another story."-Art Lange

Related Categories of Interest:


Compositional Forms


 
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