Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).
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Label: Aural Terrains
Catalog ID: TRRN0724
Squidco Product Code: 18244
Packaging: Jewel Tray
Recorded in February 2012 at Smiling Cow Studios, Madrid.
Thanos Chrysakis-laptop computer, synthesizer, radio
Ken Slaven-berimbau, breadknife, autoharp, violin, mbira
Jerry Wigens-clarinet, mandolin
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• Show Bio for Thanos Chrysakis
"Thanos Chrysakis' output consists of composition, performance, and installation. He was born in Athens in 1971. After residing in the UK between 1998-2014 he moved in 2015 to Belarus. With several albums to his name his work has appeared in festivals and events in several countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Academy of Arts / M:AI (Museum für Architektur und Ingenieurkunst NRW)- Berlin, TU - Berlin, Diapason Gallery - New York, ohrenhoch - der Geräuschladen Gallery - Berlin Neukölln, Spazioersetti Gallery - Udine, XXII "Sound Ways" International New Music Festival - St. Petersburg, Artus Contemporary Arts Studio - Budapest, CRUCE Gallery - Madrid, Fylkingen - Stockholm, Relative (Cross) Hearings festival - Budapest, ZEPPELIN festival - Barcelona, IVM (Institut Valencià de la Música) - Valencia, Motus/Festival Futura 2013 / 21 édition - Crest-Vallée de la Drôme-Diois, Xposed Club - Cheltenham, Festival de Música Contemporanea "Ramiro Guerra" - Monterrey, FACT Centre - Liverpool, Association Ryoanji - Salle Des Fêtes - Ahun, The Center for Advanced Musical Studies at Chosen Vale/International Chosen Vale Trumpet Seminar 2014 - Hanover-New Hampshire, Frost School of Music - Clarke Recital Hall - Coral Gables/Florida, XIII Festival Internacional de Música Nueva - Monterrey, Splendor - Amsterdam, VI European Clarinet Festival - Camerino - Italy, Logos Foundation - Ghent, Palacio de Bellas Artes - Mexico City, "On the Edge of Perceptibility - Sound Art" Műcsarnok Kunsthalle - Budapest, Festival del Bosque GERMINAL - Mexico City, Noise & Fury Festival - Moscow, Oosterkerk - Amsterdam, Center for New Music - San Francisco, Västerås Konstmuseum - Västerås, Störung festival - Barcelona, BMIC Cutting Edge concert series - The Warehouse - London.
His music has been frequently aired by RAI Radio 3, BBC Radio 3, Radio Portugal Antenna 2, Radio Nacional de España Radio 3, Ireland's RTÉ Lyric FM, Polskie Radio (Warsaw), RTS - Radio Belgrade 3 (Serbia), FM Brussel, Elektramusic (Strasbourg), CKCU FM - (Ottawa), Undae! Radio and Onda Sonora - Radio Circulo de Bellas Artes (CBA) (Madrid), Radio Horizon (Johannesburg), Motus/Radio Saint Ferréol -Les Territoires Du Son (la radio du Val de Drôme), Radio Nova (Oslo) among others. In addition, his texts have been also appeared in the Leonardo Music Journal (MIT Press), the Vague Terrain Journal, and in the volumes The Book of Guilty Pleasures and The Idea of the Avant Garde - And What It Means Today (Manchester University Press) edited by Marc James Léger. He composes for electronic and acoustic instruments, as well environmental sounds, focusing on the structural, aesthetic and transfigured capacity of sonic matter.
His formal training encompasses percussion (Dimitris Tzafestas), Sonic Arts (Hugh Davies) at the Lansdown Centre for Electronic Arts and a PhD in composition from Goldsmiths, University of London (EMS/Michael Young) as well as private studies in orchestration with Dmitri Smirnov. However it is the yearning of the creative praxis itself that transmitted the crucial aspect of artistic practice: that something has to be staked, that something must be ventured.
His work was amongst the selected works at the 32nd International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category œuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Composition Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).
He has written music for distinguished musicians such as Philippe Brunet (flugelhorn, trumpet), Wilfrido Terrazas (flutes), Chris Cundy (baritone saxophone, bass clarinet), the Stockholm Saxophone Quartet, Jason Alder (bass clarinet), Alexander Bruck (viola), Yoni Silver (bass clarinet), Natalia Pérez Turner (cello), Nadia Ratsimandresy (Onde), Mikael Rudolfsson (alto trombone), Matias Karlsen Bjornstad (soprano saxophone), Liam Hockley (clarinets), Michael Pelzel (church organ), Kate Ryder (piano, prepared piano), Tzenka Dianova (piano), Claire Chase (bass flute), Peter Evans (trumpet), Julie Kjaer (alto saxophone/alto, Luis Tabuenca (percussion), Philip Chase Hawkins (trumpet).
Recent compositions amongst others, include: Above the Hidden Track an Endless Blaze (Aural Terrains 2015), Terra Firma (for Mikael Rudolfsson [alto trombone] 2015), Astraea (for the Stockholm Saxophone Quartet, 2013), Undercurrent (for Liam Hockley [clarinet in A] 2014), Arché (for Chris Cundy [baritone saxophone] 2014), Nocturnal Flight (for Nadia Ratsimandresy [onde] 2014), Ingress (for Yoni Silver [bass clarinet] 2015), Canto Intrare (for Philippe Brunet & Philip Chase Hawkins [duo trumpets] 2015), Μήτε το Κύμα / Νé da'll onde (for Wilfrido Terrazas & Natalia Pérez Turner [bass flute / cello] 2014].
He has recorded/performed with a number of improvisers including among others Wade Matthews, Dario Bernal-Villegas, Jerry Wigens, James O'Sullivan, Philip Somervell, Jamie Coleman, Chris Cundy, Zsolt Sőrés, Sebastian Lexer, Javier Pedreira, Julie Kjaer, Artur Vidal, Christian Kobi, Christian Skjødt, Yoni Silver, Nuno Torres, Kurt Liedwart, Ernesto Rodrigues, Abdul Moimême. Furthermore, he has also closely collaborated with the visual artists Pascal Dombis, and Villő Turcsány. Since 2007 he operates the record-label 'Aural Terrains' focusing in electroacoustics, composed and improvised music.
He has held residencies at the Visby Centre for Composers (twice) and at the Artus Contemporary Arts Studio in Budapest. His work has been supported by PRS for Music Foundation and the Swedish Art Council.
Current and upcoming projects for 2016-17 include a residency at the Porticello Artist Residency in Calabria/Italy, a series of compositions for the Hyperion Ensemble, Tim Hodgkinson (bass clarinet), Yoni Silver (bass clarinet), Tibi Cenuser (trombone), for the Stockholm Saxophone Quartet, for Konus Quartett, for Liam Hockley (clarinets in A and E♭), Laura Faoro (bass flute), Philippe Brunet (trumpet), Elena Kakaliagou (french horn), Stephan Vermeersch (bass clarinet), Alexander Bruck (viola), Natalia Pérez Turner (cello), Chris Cundy (bass clarinets), Markus Wenninger (clarinet E♭), Serge Bertocchi (Tubax E♭), Shadanga Duo (alto flute/alto clarinet), Katalin Szanyi (alto flute), Jason Alder (contra bass clarinet), Alejandro Tello (oboe), Wilfrido Terrazas (flutes), Dana Jessen (bassoon) as well a new electronic music CD entitled 'Equinox'."-Aural Terrains (http://www.auralterrains.com/chrysakis/en/bio/)
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^ Hide Bio for Thanos Chrysakis
• Show Bio for Ken Slaven
"Ken Slaven, violinist born in Glasgow, has been playing music since he was 12 years old. Although engineer by profession, he has played a wide variety of musical genres, collaborating with numerous musicians from many cultures at concerts and festivals throughout the world. In addition to violin and viola, he also plays stringed instruments such as Erhu, Kantele, Gadulka, Ghu Zheng, Morin Huur, Ektara, Bowed Psaltery and altered Autoharp. In addition he plays percussion instruments including timbila, mbira, glockenspiel, steel drum, berimbau, etc. He has been resident in oscillation between Edinburgh and Madrid for the last 10 years.
Slaven specialises in various kinds of improvisation from experimental music to so-called world music fusions with people who are interested in exploring different cultures and approaches to music."-Glasgow Improvisers Orchestra (http://glasgowimprovisersorchestra.com/musicians/)
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^ Hide Bio for Ken Slaven
1. I 3:27
2. II 9:20
3. III 5:06
4. IV 14:24
5. V 5:05
6. VI 3:27
7. VII 2:26
sample the album:
"Thanos Chrysakis' output consists of composition, performance, and installation. He was born in Athens in 1971, residing in the UK since 1998. With several albums to his name his work has also appeared in festivals and events in several countries; to name but a few : CYNETart Festival, Festspielhaus Hellerau - Dresden, Academy of Arts / M:AI (Museum für Architektur und Ingenieurkunst NRW)- Berlin, Diapason Gallery - New York, ohrenhoch - der Geräuschladen Gallery - Berlin Neukölln, XXII "Sound Ways" International New Music Festival - St Petersburg, Artus Contemporary Arts Studio - Budapest, CRUCE Gallery - Madrid, Fylkingen - Stockholm, Relative (Cross) Hearings festival - Budapest, ZEPPELIN festival - Barcelona, Futura 2013 - Drôme, Festival de Música Contemporanea "Ramiro Guerra" - Monterrey, Störung festival - Barcelona, BMIC Cutting Edge concert series - The Warehouse - London . It has also received airplay -among others- by RAI radio 3, BBC radio 3, Radio Portugal Antenna 2, Radio Nacional de España, FM Brussel, Polskie Radio (Warsaw), Elektramusic (Strasbourg), and Onda Sonora - Radio Circulo de Bellas Artes (CBA) (Madrid). He composes for electronics, acoustic instruments and environmental sounds, focusing on the structural, aesthetic and tranfigured capacity of sonic matter. His work was amongst the selected works at the International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category œuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Competition Musica Viva in Lisbon. Recent compositions include: ΕΚΝΗΨΙΣ (Aural Terrains 2012), ΜΑΓΜΑ (Monochrome Vision 2011), Milieu Interieur I/II (for Chris Cundy [solo bass and contra-bass clarinet] 2012), EIRMOS I / II (for Wilfrido Terrazas [solo flute/bass flute] 2011), ERRINA (for Alexander Bruck [solo viola] 2011). He has recorded/performed with a number of improvisers, like Wade Matthews, Dario Bernal-Villegas, Jerry Wigens, James O'Sullivan, Chris Cundy, and Zsolt Sőrés amongst others.
Ken Slaven, violinist born in Glasgow in 1947, has been playing music since he was 12 years old. Although engineer by profession, he has played a wide variety of types of music in many concerts and festivals throughout the world. In addition to violin and viola, he also plays percussion (timbila, mbira, glockenspiel, steel drum, berimbau) and other stringed instruments including the Erhu, Kantele, Gadulka, Ghu Zheng, Morin Huur, Bowed Psaltery, altered Autoharp and charango. Ken has been resident in Madrid for the last 8 years and has collaborated with many musicians from all over the world, performing regularly at concerts in El Cruce and Espacio Ronda.
Slaven specialises in various kinds of improvisation from experimental music to so-called world music with groups who are interested in developing fusions from various cultures. He also plays electronic music using zeta violin combined with bass pedals and an assortment of synthesisers.
James O'Sullivan is a London-based electric guitar player. He has performed in numerous groupings of musicians, many of whom he met through Eddie Prevost's weekly improvisational workshop. In addition, he is the founder, alongside longtime friend and collaborator David Hurn, of Four Seasons Television, which explores the relationship between improvisation, composition, recording and performance. His activities span the two poles from free improvisation to more 'composed' song forms, and he has collaborated with songwriters, improvisors, improvising songwriters and other permutations of these elements in an attempt to unpack ideas of terms such as 'free', 'composed', 'technique', 'melody', 'noise', 'rhythm' and 'improvise'.
Jerry Wigens is an improviser and composer who plays guitar and clarinet. Most of his musical activity has taken place in London although he has also performed in Zurich, Geneva, Berlin and Athens. His interest in improvisation started at an early age and he attended John Stevens' workshops at the age of nineteen. Since then he has worked in various musical contexts including rock, jazz and contemporary classical and has performed with Eddie Prevost, George Lewis, Sylvia Hallett and Walter Cardew, among many others. He has also had work performed by guitarist Alan Thomas and contemporary ensemble Vamos. He has studied with Roger Redgate and participates in Eddie Prévost's workshop sessions which he has occasionally convened in Prévost's absence. He also plays guitar in prog/improv band Astrakan."-Aural Terrains
European Improv, Free Jazz & Related
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